Virtual Gourmet

January 20, 2008                                                        NEWSLETTER

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In This Issue

WHAT'S NEW IN L.A.? by John Mariani

NEW YORK CORNER Reports from TWO Little Italys: Focolare and Zero Otto Nove by John  Mariani

NOTES FROM THE WINE CELLARMaremma Makes Wines by Its Own Rules by John Mariani



What's New in L. A. ? by John Mariani

     After a few years in the doldrums and battered by the buzz about Las Vegas, Los Angeles' dining scene has picked up in the last year or so, if not with huge openings at least with a number of smaller, tamer places that are provide a certain comfort level not always easy to come by out there.  Here are three new ones I liked on my last trip to the Left Coast.

7166 Melrose Avenue
     Every Italian restaurateur in L.A. swears he wants to open a real Italian restaurant, then, when people come in asking for linguine with clam sauce and tiramisù, he forgets all about it.  Happily, Stefano Ongaro, chef Mirko Paderno from Milan (below), both graduates of the illustrious Valentino in Santa Monica, and partner-sommelier Pierangelo Girardello, are not kidding around at All’Angelo, which is easily the best Italian restaurant to open in the city in a decade. Paderno also worked at Dolce and Drago in Los Angeles.
     Like your prosciutto bible paper thin?  They do it by hand on a 1921 black Burkel slicer, so that “no electric machine blade warms the meat.”  You love tripe?  Even if you don’t, Paderno’s silken version with grilled polenta will make you a convert.  Insistent that fritto misto of fried fish and zucchini be crackling crisp and greaseless? No problem here.  Adamant about the correct, creamy texture of risotto? Paderno’s is perfect, scented and colored with saffron.
      You might begin with Venetian cichetti, bites like octopus salad with bottarga roe, a cauliflower timballo with Parmesan cheese sauce, or beef meatballs with polenta and tomato sauce. The pastas are all marvelous, particularly the house-made spaghetti alla chitarra with langoustines in white wine, and the saffron risotto. They also serve the best veal filet in L.A., seared and bathed in a white wine sauce with roasted fingerling potatoes.
The roast squab is cooked Titian red, and the filet of John Dory fish comes with bright heirloom tomatoes and beans. Everything is cooked to the moment, the textures perfect, the temperatures the way they should be to bring out the best flavors. Succulence rules here.
       There is an excellent winelist, mostly Italian, with more than 25 available by the glass. For dessert there is a fine polenta budino pudding with caramelized lemon, a rich chocolate torta, and an almond crème brûlée, all worth savoring.

     The décor is deceptively simple way—one room with wood beams, faux onionskin wall fabrics, supple chocolate leather chairs, and accents of Murano glass sconces.  Everything about All’Angelo is about delicacy and comfort, the food is immensely satisfying, the wine delicious, and the vibes are very, very Italian.  There are white tablecloths--getting to be a rarity in new restaurants--good glassware, and the ministrations of Mr. Ongaro wins everybody over within moments of arriving here. Just don’t ask for linguine with clam sauce.

All'Angelo is open for lunch Mon.-Fri. and for dinner Mon.-Sat. Dinner prices are $13-$25 for first courses and pastas, and $29-$36 for main courses.

F raîche
9411 Culver Boulevard
Culver City

      You'll get differing opinions about how Culver City is developing, but if corner restaurants like Fraîche increase, the nightlife and streetlife can do nothing but improve.  Set off a broad boulevard with ample outdoor seating, an open kitchen (left),  warm cobblestone walls and wood inside, Fraîche has a decidedly neighborhood feeling, and chef-owner Jason Travi, originally from Massachusetts, comes from a big family of Italian-American cooks and restaurateurs, and he has trained in L.A. area kitchens like Granita and Spago (as sous-chef), and as exec chef at both Opaline and Terza. He then spent a month studying Italian cuisine at Al Cavallino Bianco in northern Italy, and his menu reflects all those experiences. The prices are also very reasonable for everything, the priciest main course only $26.
      The one-page menu is of sufficient length to show sufficient range without trying to serve something for everyone, and the slant is as much Cal-Mediterranean as it is Italian (as evidenced by the French name Fraîche; the Italian name fresca is already being used by a restaurant in Glendale).  I urge you to try the salumi and charcuterie selections, which include 24-month aged prosciutto and excellent tête de veau. There is boudin noir with lentils and Dijon cream among the appetizers, along with cured branzino with a blood orange paste and fennel seeds.
     I enjoyed two very good pastas here--ravioli with peas, mint, and a dollop of ricotta, and a risotto with chanterelles, asparagus, and a hint of thyme. Main dishes stay pretty much the same here month after month and include a very well wrought. lush spezzatino lamb stew with ricotta gnocchi and sweet-tangy gremolata. Sautéed sole, that evening, was overcooked and not helped by too-soft heirloom tomatoes and green beans dashed with balsamic.
      Desserts seem like an afterthought here, including some disappointingly heavy bomboloni fritters and a bland, not very crisp Paris-Brest.
       As lovable as the premises look--and I love that extraterrestrial 1950s ceiling work! (above)--I would only choose to sit outside, because the noise and music inside is positively deafening.
      Whether people will drive to Culver City to dine at Fraîche is open to question, but if you're in that neck of the woods, by all means claim an outdoor table, have some good food and wine, and watch the cars zoom by.

Fraîche is open for lunch and dinner Tues.-Sun. Prices for appetizers run $6-$24, pastas $10-$14, entrees $22-$26.

641 North Highland, Los Angeles
     Pizzeria Mozza makes no bones about what it is and is not. It is a pizzeria, which, like Zero Otto Nove (see New York Corner below) in the Bronx, also happens to serve some terrific non-pizza food.  Were it that simple--and things never are in the L.A. dining scene--it would be a delightful spot to drop in, have a good pizza and glass of wine, and get out cheap. But this modest little place has celebrity credentials written all over it, primarily Nancy Silverton (below), one of America's premier pastry and bakery authorities, whose La Brea Bakery helped transform breadmaking in this country.  In addition, TV chef Mario Batali is a partner, along with his partner Joe Bastianich, and that all adds additional luster to the enterprise.
     On the afternoon I visited, Silverton was there in her apron, and was dashing next door to a larger space named Osteria Mozza, which is more of a ristorante and which had just opened that week.  Already reservations had piled up high for weeks, as has been the case at Pizzeria Mozza since opening last spring.  Getting a table at either at any time is never easy, though the later you go to any restaurant in Los Angeles, the better your chances of scoring a table. Fortunately Mozza is open till midnight.
      The premises are more functional than decorative, though I can't understand why any restaurant would use McDonald's red-and-yellow colors in a dining room as an attraction. There's a counter that's handy, and the place turns over fairly quickly. Still, there's usually a line at the door.
      Of course, L.A. has a strong tradition of pizza-making dating to Wolfgang Puck's original concept for Spago, where innovative pizzas became all the rage. California Pizza Kitchen leapt on that anything-goes bandwagon and became a nationwide chain, with all the attendant dumbing down that involves.
      Silverton focuses on her pizzas, which number about 15 in variety, about 12 inches in diameter. Yet I was actually happier with the non-pizza items on the menu than the pizzas themselves. The men lists several antipasti, including superb salumi from Batali's father's charcuterie in Seattle, along with a very good chopped salad, fried arancini rice balls alla bolognese, bruschette topped with chicken livers and white beans, and panini sandwiches on first-rate rolls.  There is a Piatto del Giorno, which ranges from chicken alla cacciatore on Monday to lasagne al forno on Sunday. I was delighted with Saturday's hearty, complex lamb stracotto stew, which was also a good buy at $20.
        I'm sorry to say that I wasn't bowled over by the pizzas, however. The crust--the most important part of a good pie--was very good, puffy but crisp, bubbly and charred,  but a margherita came with an oddly  sweet tomato slick that bore more resemblance to a bottled tomato sauce than to any margherita topping I've ever had.  A creamy burrata mozzarella pizza was  a bit better but needed some seasoning beyond the squash blooms and tomato on it.
         The winelist on the back of the menu is about 60 bottles long, with more whites than necessary, and about 20 selections are available by the quartino (250 ml.), ranging from $9-$18.
         I didn't have a chance to visit the Osteria next door but, given the talent behind these two eateries, I'll attempt to get back to both again.  But there's the rub: Just getting in can be so exasperating as to take away much of the drop-in charm of such restaurants. Not their fault, but making plans long in advance to have a pizza can be a little daunting.-

Pizzeria Mozza is open daily noon to midnight; Appetizers run $8-$24, pizzas $9-$17, and daily specials $17-$20.



By John Mariani

115 Mulberry Street (near Hester Street)
(212) 993-5858

        No one is more depressed by the quality of food in Manhattan's Little Italy than I.  Once a true Italian immigrant neighborhood, it hangs on as an adjunct of its Chinatown landlords as a tourist spot  for people who derive some addled pleasure from the idea that this tawdry neighborhood still bears some resemblance of what it used to be like 100 years ago when Italians did indeed live and work here, opening pizzerias and eateries that were designed to appeal to locals and afterwards to  americani who had begun to show some interest in exotic food like spaghetti and meatballs, manicotti, and cannoli--foods those same immigrants rarely enjoyed back home but eventually developed into a cuisine that had so much legitimacy that my wife and I wrote an entire cookbook about it, The Italian-American Cookbook.
     Nevertheless, Little Italy by and large eventually evolved into a picturesque place a tourist went for the experience of it all--the wash hanging out the window, the street vendors, the coffee shops (many of which gave spirit to the Bohemian culture of Greenwich Village to the North).  By the 1980s Little Italy had become a decrepit and embarrassing wasteland of mediocre (or worse) Italian food., its streets filthy, its hustlers manifest, and its despicable association with the disturbing glamor of gangsters and mob rub-outs  (one in 30 years) as an added attraction.
     There have been occasional attempts at changing the dynamic and upping the quality of Little Italy in the past--the streets are cleaner now--though 9/11 exacted a disastrous toll on the neighborhood's economy. But unless the old-line restaurants, with their dreadful, overcooked, thrown-at-you slop, change, who with any taste would ever want to eat there?
       The arrival of Focolare, then, is a straw bending in the wind, and I welcome it, as I would any good restaurant anywhere.  Taking over the former space of Fratelli last summer, Chef-owner Franco Lania (above) is a Jersey Boy whose family had settled in Little Italy when it was a thriving Italian community. As a chef he's worked everywhere from Manhattan's Sea Grill to Miami's China Grill and was exec chef at
Sage on Fifth in South Beach.  With manager Diana Casey, who oversees the very user friendly winelist, Lania invests the place with genuine Italian hospitality, as opposed to the hucksterism and grunting service found elsewhere on the block. He's happy to come out of the kitchen to tell you what's special,  and he is very happy that you've chosen to dine at his place, which is done in a kind of rustic charm with dark wainscoting and walls hung with mirrors and ceramics, with a good old sturdy bar.  I wish there were tablecloths here, which would brighten things, but the gregariousness of the place brings its own glow, and people can be seen to be having a very good time at every table, whether feasting with gusto or looking dreamily at each other while holding hands.
      For starters I enjoyed pan-seared scallops over truffled mashed potatoes with a grappa-laced beet vinaigrette--a hefty portion at only $13, or as an entree $25.  The arancini of saffron rice with peas and fontina cheese inside and a tomato ragù on the side were hot and crisp and gooey rich, while tender grilled octopus came with fregula, celery, and a lemon-oregano vinaigrette.
     Penne alla norma is a great Italian dish you don't see often enough, and here, with roasted eggplant, pecorino, and tomato ragù, it is done with real gusto, as was a special that evening of cannelloni stuffed with rabbit.  Each evening there is a piatto del giorno, and the night I visited that was a huge bowl of zuppa di pesce in a saffron-fennel broth. I also had a rack of lamb--again very generous--with a roasted garlic and chickpea puree, prosciutto-wrapped endive, and rosemary lamb jus, which added up to too much on one plate, though all was quite tasty.
     If Little Italy is to be more than it seems content to be right now, it's going to be restaurants like Focolare that effect the change for the better.

Focolare is open for lunch and dinner Tues.-Sun.  At dinner appetizers run $8-$13, pastas $11-$16, entrees $17-$31.

zero otto nove
2357 Arthur Avenue
Bronx, NY

  By contrast to downtown's Little Italy, the real, working, viable Italian section of NYC is in the Bronx, a neighborhood known as Arthur Avenue or Belmont, where Dion and the Belmonts originated and Chazz Palminteri wrote the play “A Bronx Tale.” (If you'd like a complete run-down of the area's appeals see my article.)
    You won't find hawkers outside the doors of the restaurants here, and they do business based on a strong local clientele from all over the Bronx, as well as those who moved away and return here to eat, along with people who drive all the way from Long Island, Westchester County, and New Jersey.
     Zero Otto Nove (089) is the area code for Salerno, Italy, the seaside town from which chef-restaurateur Roberto Paciullo emigrated in the late ‘60s. Now it’s also the name of the best pizzeria to open in New York—make that the U.S.—in years.
     Ten years ago Paciullo opened Roberto's one of the best trattorias in New York which  draws a crowd that includes everyone from Joe Torre and Marisa Tomei to Mike Wallace and Jerry Springer.  Restaurateur Danny Meyer brings his family there. Getting a table at Roberto’s is far from the easiest in town, especially since they don’t always pick up the phone. Two-hour waits for a table are common.
     The usual trajectory for Italian immigrant cooks has been first to open a pizzeria, then, after making a success of it, opening a real ristorante. Paciullo has reversed that process with Zero Otto Nove by concentrating on making great pizza and expanding the idea with equally delicious rustic Italian food.  Indeed, the two-story premises (Paciullo became a local hero when he took over and demolished a much-despised McDonald’s here) were designed to mimic the atmosphere of the narrow streets and alleyways of his hometown, where he was one of eleven children. “My father would come home at one o’clock and we’d all eat together, and he’d say to my mother, `Everything was good today. What we gonna eat tomorrow?"
      There is a big open wood-burning pizza oven, which Paciullo had brought over from Italy, along with a good-looking young pizzaiolo named Riccardo, who between making pizzas sits down and schmoozes with the prettiest girls in the room.  The menu is a one-page broadside, listing 13 different pizzas, each based on a superlative crust and adhering to the principles set down with all due seriousness by the Naples-based Associazione Verace Pizza Napoletana, which dictates the precise ingredients that may go into the dough,  the temperature of the brick oven (750˚ to 800˚ F), and the not-too-thin-not-too-thick crust and rim, called the “cornicione.
      These are not those trendy ultra-thin pizzas made in Manhattan or those puffed-up abominations you find in Chicago.  Here, balance, crispness, puffiness, and texture are quintessential to the pizzas’ integrity, whether it’s in the traditional Margherita, with mozzarella, fresh, uncooked tomato, and basil; “La Roccardo,” made with butternut squash puree, smoked mozzarella, pancetta ham, and basil; or “Bianca Cotto e Panna,” with mozzarella, béchamel sauce, and ham.
     But the pizzas are only the beginning at Zero Otto Nove. The  menu goes on to list nine antipasti, including fabulous baby octopus cooked in tomato sauce, five salads, three soups, and seven very different, very lusty pastas, including a pasta e fagioli azzeccata, made by baking pasta, cannellini beans, and prosciutto. Fusilli con ceci is a generous bowl of chick peas, crispy pancetta, toasted breadcrumbs, and sharp pecorino cheese, while linguine comes in a silky black sauce teeming with calamari and cuttlefish.
      Then you get to the main courses, which are every bit as rich, including just about the best stewed rabbit in tomato and rosemary sauce I’ve had in New York, and baccalà (salted cod) baked with tomato and served with fried potatoes.
      On the other side of the menu is winelist of more than 100 selections, most well under $50.  It is a list that perfectly matches the food here—a hearty Drapanaum Nero d’Avola 2005 ($32),a delightful Deconciliis Donna Luna Aglianico 2005 ($45) next to the same label’s beautifully structured Naima 2004 ($110), and bold Due Palme Primitivo Le Sciare 2005 ($22). There is also Paciulo’s own favorite,  which he and his friends in Salerno drink with pizza—a slightly sweet, fizzy red Cantine Fredericiane Gragnano ($29), close to a Lambrusco.
     Paciullo (left, with Riccardo) is just as committed to his desserts, which includes a pizza alla Nutella (baked pizza dough lavished with a thick chocolate-hazelnut paste), crisp, creamy homemade cannoli, and a torta della nonna (“grandma’s tart”) with almond cream and pinenuts.
      There are other excellent pizzas along Arthur Avenue (Mario’s, right across the street, perfected theirs soon after opening in 1919), and Otto Zero Nove adds to the mix in what is the real, functioning "Little Italy," unlike the hustle-the-tourist section by that name north of Chinatown. I doubt it has ever occurred to Paciullo do serve tourist Italian-American food. His father would probably clobber him.

Zero Otto Nove is open Tues.-Sun. for lunch and dinner. Pizzas run $10-95-$14.95, pastas $13.95-$22.95, and main courses $15.95-$24.95.


Maremma Makes Fine Wines by Its Own Rules
by John Mariani


     Hundred dollar-a-bottle Super Tuscan wines may be the stars of Tuscan viniculture, but some of the most interesting, well-priced wines out of Italy are now coming from Maremma, in southern Tuscany. It is a region of hilltowns, the broad plains of Grosseto, and 160 kilometers of sandy seashore rippling south towards Rome.
     The region is also famous for its butteri, cowboys who until recently rode on horseback to herd cattle (above), a tradition kept alive by the Associazione di Butteri d’Alta Maremma. The organic beef from the area is highly regarded, as are caprini goat’s cheeses, extra-virgin olive oil, and honey.
     Maremma’s wines, however, have largely been neglected, overshadowed not only by the famous Super Tuscans, but by wines of Brunello di Montalcino and Chianti Classico, both of which have the prestigious legal appellation, D.O.C.G.
     While a few Maremma wines, like Morellino di Scansano, do carry a the lesser D.O.C. appellation, most fall under the increasingly exciting category of I.G.T.—Indicazione Geografica Tipica—which as of 2002 has recognized about 200 new classifications for wineries wanting to make high quality wines outside the strict regulations for D.O.C. and D.O.C.G. (which represent only about 20 percent of Italy’s total production).
      Prior to that (including most of the Super Tuscans) such wines were labeled simply “vino da tavola,” table wines. Certain grape varieties still must be used within a geographic region (at least 85 percent) to achieve I.G.T. status, but the winemakers are free to blend pretty much what they wish in myriad combinations.
    As a result many local producers are able to make better wines at very reasonable prices; as a result some big names from northern Tuscany, like Frescobaldi and Fattoria Terrabianca, have been investing in Maremma. In 2001 TV chef Mario Batali and his restaurant partners Joseph and Lidia Bastianich invested in 100 acres in Maremma, starting a new label called La Mozza that produces two wines—Aragone (IGT), made from sangiovese, alicante, syrah, and carignane; and I Perazzi Morellino di Scansano (D.O.C.).
      The soil of Maremma is rich in iron, copper, lead, zinc, and pyrites, giving the red wines a pronounced minerality that northern Tuscan wines often lack. Yet you still taste the warm sun of the Mediterranean in the wines’ fruit, leading Joseph Bastianich to nickname the best new bottlings from the region “Super Meds.”  I found the few white Maremma wines I’ve tasted, mostly vermentino, of only passing regional interest.
      Recently various New York Italian restaurants featured the wines of Maremma, most persuasively a restaurant by the same name, Maremma , owned by Tuscan chef Cesare Casella (left), who serves dishes like acquacotta (“cooked water”), a rich vegetable soup with garlic, chilies, and an egg yolk on grilled toast; pappardelle with wild boar; tortelli pasta stuffed with beets and ricotta with a meat ragù; caldaro, a fish soup full of octopus and squid; and a lamb stew called buglione.
      These are precisely the kinds of dishes that marry so well with the intense but medium-bodied red wines of Maremma. Casella carries the La Mozza wines, along with top names like Salustri, Poggio Argentiera, Collemassari, Ampeleia, and La Selva.
      Among these, there is an amazing difference in style and grape blendings.  Ampeleia 2004, an I.G.T. wine selling for about $40, is 50 percent cabernet franc, 20 percent sangiovese, with five other “Mediterranean varieties” making up the rest of the blend. Azienda Salustri’s D.O.C. is made entirely from a Maremma sangiovese clone called Grotte Rosse, culled from 50-year-old vineyards ($45). Poggio Argentiera was founded only ten years ago from two estates around Grosseto. Its Capatosta label ($40) is 95 percent sangiovese and 5 percent alicante (right).
      These wines are not easy to find in the U.S. or anywhere outside of Tuscany, and prices seemed to be all over the place. For instance, Collemassari, which makes a Montecucco Rosso Riserva D.O.C. from 80 percent sangiovese, 10 percent ciliegiolo, and 10 percent cabernet sauvignon, is selling in one U.S. winestore for $19.40, in another $28.79.
      They are wines well worth searching out or asking for, and if you’re in New York, Maremma restaurant is a good place to begin. At their best they rank with some of the finest wines of Tuscany, but haven’t—at least not yet—hit those price levels.

John Mariani's weekly wine column appears in Bloomberg Muse News, from which this story was adapted. Bloomberg News covers Culture from art, books, and theater to wine, travel, and food on a daily basis, and some of its articles play of the Saturday Bloomberg Radio and TV.



At the Clemente Soto Velez Cultural Center in NYC, a show of performance art called “C’Est Duckie” (right) you sit at a communal table where a troupe member offers you a tortilla chip.  According to the NY Times reviewer, “The performer with the chip is splayed atop your cabaret-style table in a sort of contortionist’s headstand.  If you want to dip your snack in sauce, you can follow his or her (it’s a tad unclear which) leg up as far as it goes, to a bowl balanced on the human centerpiece’s crotch.”




“My plan was to love it and if I didn’t love it, and couldn’t love it, then to write it up as if I loved it anyway, and leave you, my perspicacious and sharp-witted readers, to read my true meaning.”—Giles Coren, “A Review of Texture,” The [London] Times (Nov. 3, 2007).


To all public relations people: Owing to the amount of press releases regarding Valentine's Day dinners, I regret that it is impossible to list any but the very special events.

* From Jan. 23-26 The 17th Annual Zinfandel Advocates & Producers Festival will take place in San Francisco, with 300 Zinfandel wineries pouring new releases at the Tasting on Jan. 26; Tix can be purchased from 877-772-2542 or at  Good Eats 'dine-around' on Jan. 24, where Zinfandel producers team up with restaurants at Herbst Pavilion (Ft. Mason Center).

* On Jan. 27 in Mount Pleasant, S.C., an Oyster Roast will be held at Boone Hall Plantation, with live entertainment, the famous oyster-shucking and oyster-eating contests, and even a best-dressed oyster contest for children.  Visit

* On Jan. 26 the Third-Annual Wine Cuisine & Art of Mexico Event will take place at COPIA in Napa, CA, with winemakers, chefs and artists from the Guadalupe Valley in Baja California, Mexico bringing their wine, food and art to the Napa Valley.  The event features food demos, musical performances, and a panel of winemakers from both the Napa Valley and the Guadalupe Valley to address the question, “Is Guadalupe Valley the Napa Valley of the 1970s?” General admission is $30, COPIA members, $20 pp. Call 888-51-COPIA or 707-259-1600.
* On Jan. 28 in Los Angeles, Ortolan will host a Burgundy Wine Dinner with wines from Domaine des Malandes and Domaine Tortochot. Chef Christophe Émé has created a 4-course menu  at $135 pp. Call 323-653-3300;

* In Chicago, IL, all three Heaven on Seven locations will be letting the good times roll during Mardi Gras 2008, culminating with the Fat Tuesday Extravaganza on Feb.  5 with Mardi Gras décor, Louisiana cocktails, and delectable Cajun and Creole specials, plus on-site face painting, local bands, and Chef Jimmy Banos's cooking. Visit

* On Feb. 6 in NYC, Tribeca Grill will hold a Châteauneuf-du-Pape dinner featuring Rhône importer Alain Junguenet urant along with some of his producers, with 14 barrel samples of the 2006 vintage reds, followed by a 5-course dinner  by Chef Stephen Lewandowski. Call 212-941-3900; visit

On Feb. 7 a Léal Vineyards Wine Dinner Benefit will be held to raise funds for Girls for a Change ( at Michael Mina’s Arcadia in San Jose, CA, with a 5-course menu prepared by chef Daniel Patino, based on Mina's cookbook of which signed copies will be available for purchase. $125 pp. Call 408-278-4555.

* On Feb. 7 Foreign Cinema in San Francisco will pay homage to Fellini's  masterpiece and commemorate 8 ½ years in business with an evening to benefit StreetSmart 4 Kids of San Francisco. Live performances from the
Jazz Mafia, Vau de Vire Society, acrobats and other performers. $40 pp. Call 415-648-.7600.

* From Feb. 8-10 in Colorado Springs, CO, The BROADMOOR presents the 6th Annual "Salute to Escoffier" Weekend, highlighted by cooking demos, a wine seminar,  and the Grand Buffet honoring the cuisine that Escoffier made famous. Funds to go to Education Fund of the Colorado Restaurant Association and The BROADMOOR's Culinary Training Program and Scholarship Fund.  Package reservations  available.  Call 800-634-7711 or visit

* From Feb. 13-17, “Truffles, wine, foie gras and duck” is the theme for BKWine's first tour of  2008, led by Britt Karlsson, incl. accommodation at a luxury Bordeaux chateau,  a truffle hunt and truffle lunch, a workshop on how to prepare foie gras and other duck specialities,  visits to wine producers in Saint Emilion and Bergerac, 4 dinners and 3 lunches. 1240 euros. Visit
* Beginning Feb. 19 in Greenwich, CT, Gaia will present “Gaia’s Wine Challenge,” a weekly series of hour-long  “semi-blind” tastings every Tuesday, conducted by Sommelier Jeff Hennig. Each week the participants will be presented with four wines to taste, accompanied by a “clue” to set the theme.  $59 pp, with light bites incl. Call (203) 661 3443; visit

: I am happy to  report that the Virtual Gourmet is  linking up with two excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler,  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences."    THIS WEEK: HIGH ANXIETY: An acrophobe goes rappelling in Belize


Tennis Resorts OnlineA Critical Guide to the World's Best Tennis Resorts and Tennis Camps, published by ROGER COX, who has spent more than two decades writing about tennis travel, including a 17-year stretch for Tennis magazine. He has also written for Arthur Frommer's Budget Travel, New York Magazine, Travel & Leisure, Esquire, Money, USTA Magazine, Men's Journal, and The Robb Report. He has authored  two books-The World's Best Tennis Vacations (Stephen Greene Press/Viking Penguin, 1990) and The Best Places to  Stay in the Rockies (Houghton Mifflin, 1992 & 1994), and the Melbourne (Australia) chapter to the Wall Street Journal Business Guide to Cities of the Pacific Rim (Fodor's Travel Guides, 1991). Click on the logo below to go to the site.



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Editor/Publisher: John Mariani. Contributing Writers: Robert Mariani,  Naomi  Kooker, Kirsten Skogerson,  Edward Brivio, Mort Hochstein, Suzanne Wright. Contributing Photographers: Galina Stepanoff-Dargery,  Bobby Pirillo. Technical Advisor: Gerry McLoughlin.

 John Mariani is a columnist for Esquire, Wine Spectator, Bloomberg News and Radio, and Diversion.  He is author of The Encyclopedia of American Food & Drink (Lebhar-Friedman), The Dictionary of Italian Food and Drink (Broadway), and, with his wife Galina, the award-winning Italian-American Cookbook (Harvard Common Press).

 Any of John Mariani's books below may be ordered from by clicking on the cover image.

6y6My newest book, written with my brother Robert Mariani, is a memoir of our years growing up in the North Bronx. It's called Almost Golden because it re-visits an idyllic place and time in our lives when so many wonderful things seemed possible.
    For those of you who don't think of the Bronx as “idyllic,” this book will be a revelation. It’s about a place called the Country Club area, on the shores of Pelham Bay. It was a beautiful neighborhood filled with great friends and wonderful adventures that helped shape our lives. It's about a culture, still vibrant, and a place that is still almost the same as when we grew up there.
Robert and I think you'll enjoy this very personal look at our
Bronx childhood. It is not yet available in bookstores, so to purchase a copy, go to or click on  Almost Golden.
--John Mariani

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© copyright John Mariani 2008