"Woman in a Café" by Jean-Louis Forain (circa 1900)
❖❖❖
IN THIS ISSUE PAVIA By John Mariani
NEW YORK CORNER
HUTONG
By John Mariani
NOTES FROM THE WINE CELLAR
RIOJA ALAVESA
By Patricia Savoie
❖❖❖
PAVIA, LOMBARDY By John Mariani
THE CERTOSA
Photo by John Mariani
When asked what my
favorite part of Italy is, I answer, “I’ll let
you know when I’ve seen them all.” Which I hope
will take a lifetime. Meanwhile, last autumn, I
was delighted to visit Pavia, new to me, in the
province of the same name, south of Milan, and
also its capital city.
Today the once-walled Pavia is a
quiet city of cobbled streets with a small 19th
century ocher-colored train station on the Piazza
Garibaldi adjacent to the narrow, pleasant Fiume
Ticino river flanked by the long, broad avenues of
Viale Lungo Ticino (with its open market) and Viale
Via Milazzo, so it is a fine town for walking and
its attractions are easily covered in two days.
It began as a
Roman settlement called Ticinum in 220 BC. From 572
to 774 Pavia was the capital of the Kingdom of the
Lombards, whose religious piety effected the
construction of many churches and monasteries
throughout what came to be called Lombardy. You can
get a strong sense of such a medieval monastery by
visiting the Hermitage of Saint Albert, who built
this aerie in 1030 for his followers atop a misty
mountain.Its
simplicity of size and design seems at first severe,
but inside are a remarkable number of highly
colored, anonymously painted frescoes (left), dating
to 1484. Although abandoned in the 19th century, it
became the cloister of the Hermits of Divine
Providence in 1921, a few of whom live, work and
pray there to this day.
The Lombards’ most famous church,
within the city of Pavia, is San Pietro in Ciel
d’Oro (“Saint Peter in the Sky of Gold”),
built by King Liutbrand, whose foot served for the
length of the builders’ unit measure. It is also
where Boethius, author of the influential Consolation ofPhilosophy,
and St. Augustine are buried. Little of the original
church from the eighth century is extant, and its
reconfigurations over centuries maintain only its
Romanesque façade and the gold mosaic in the cupola
(right),
though all else is quite changed.
As with the entire history of
Italy, Pavia was fought over and occupied several
times. After the Battle of Pavia in 1525, Spain
controlled the city for two hundred years, then
Austria, then Napoleon, then Austria again, until
Italy was unified in 1860 and threw out the
foreigners.
The most eminent of the city’s
structures is the Castello
Visconti, a private home of Galeazzo Il
Visconti in the 14th century and famous for its
thousand-volume library (now lost, though
digitally reconstructed from books located
elsewhere).It
is now a civic museum, with excellent works by
Gentile da Fabriano, Ambrogio and Giambono. The most
prized work is a Portrait of a Man, assumed to be its
author, Antonello da Messina.
The battle of Pavia was fought in the
former gardens of the castello, and remnants of its
medieval walls are amplified by a series of
impressively tall De Chirico-like red brick towers.
There were once a
hundred towers in Pavia, but few remain, like
those in Piazza
Leonardo da Vinci, Via Luigi Porta and Piazza of
Collegio Borromeo.
Pavia’s Duomo (below)dates back to
the height of the Renaissance, but its
cupola—the third largest in Italy—was not added
until 1884. As with all Italian cities, churches
abound in Pavia. Santa
Maria del Carmine is a fine, brickwork Gothic
church, and Santa Maria di Canepanova is
distinguished for its octagonal design by the
great Bramante, who’d planned the layout of St.
Peter’s in Rome. One
of the loveliest structures is the University of Pavia (left), founded in
1222, though there has been a school of rhetoric in
the city as of 825. From the 15th to 19th centuries
twelve pillared courtyards were added, so styles of
architecture came to include baroque and neoclassic.
Four were once cloisters, and the premises enclose a
beautiful garden, the University History Museum and
the Natural History Museum. The
university is considered to be one of the finest in
Europe, particularly for its medical sciences.
On the day I visited students,
wearing laurel crowns, were graduating, which gave
them the privilege of walking across the green
centers of the cloisters.
Hotels in Pavia offer little that
would called deluxe furnishings. The Arnaboldi Palace
is the most luxurious, and I found the Hotel Moderno,
reclaimed from the old Liberty Building, across from
the train station, lived up to its name only in
having a good hot shower. (I shall be writing about
where to eat in Pavia in another article.)
The appeal of Pavia
extends well beyond its borders. It is but a short
drive to the artistic city of Vigevano, which is
surrounded by rice farms that produce the celebrated
Carnaroli species, developed only in 1945 and called
the “king of rice,” that informs much of the cooking
of Lombardy.
Punctuated by a legacy of
domination by Francesco Sforza, the walled city of
Vigevano, 28 miles from Pavia, is centered by an
arched gateway opening onto an exquisitely shaped
Piazza Ducale (left),
begun in 1492, with a magnificent rectangular
setting of arcades painted in red and yellow
figures. The rest of the old city is composed of
winding streets fit for a leisurely walk, and at the
end of the Piazza is the Cathedral, begun in 1532 under Duke
Francesco II and completed in 1606 on the plan of a
Latin cross. Its artwork has a fine Renaissance
pedigree with a majestic green dome, and it is
believed Bramante designed the tower in the piazza.
The Sforza Castle began as a hunting
lodge—there is still a falconry
on the estate—and within the fortifications of 48
columns is now a fine International Shoe Museum (right) that
covers centuries of shoe design and manufacture,
including that of the city itself, long renowned for
its footwear design. There you can view the shoe
patterns for Beatrice d’Este and John Paul II’s red
papal pumps.
The Lombardiana Museum is known for its
copies of all of Leonardo da Vinci’s works,
including the codices and notebooks.
Pavia’s most visited attraction,
however, is the Certosa,
built from 1396 to1495 on a vast scale that was once
one of Italy’s largest monasteries (the word certosa
means a cloistered monastery run by the Carthusian
Order, founded by St. Bruno in 1044). The Certosa is
reached by bus and train from Pavia, with a
20-minute walk from their station stops.
The irony ofthe
Certosa (below)
is in seeing how the modest but beautiful cloister,
where an ascetic devotion to a silent religious life
was to be preserved, coexists with the grandiosity
and excessive decoration of the Certosa as conceived
by the Duke of Milan and his architect, Marco
Solari, who began with a Gothic style but by the
time it was consecrated in 1497 was a showcase for
masterful Renaissance architecture. Over the next
three centuries the Certosa acquired huge
collections of art from every period, including
works by Crespi, Guercino, Perugino, Bergonone and
many others of lesser reputation set within vast
halls and naves covered with
paintings, sculptures and carved woodwork. The
cloisters themselves are more simply decorated with
terracotta decorations and frescoes.
The Carthusians were eventually
booted from the Certosa by the Emperor Joseph II of
Austria, who replaced them with Cistercians and,
later, Carmelites.The population of the monastery dwindled in
the 19th and 20th centuries, and for a while the
monastery was shuttered, but today there are still a
few Benedictines who, since the 1960s, live in the
small rooms and still collect alms from the
tourists.
When it was at
full capacity the Certosa must have buzzed with
activity, religious and agricultural. Today the
current monks’ spare quarters may be visited, with
their revolving, prison-like doors through which
their food is delivered. One can only wonder how
these monks regard the ostentation of the main
building looming over them, which depends on
considerable maintenance money that might be put to
better use in the service of God. Living in that
luxurious shadow must require great strength of
character and faith to accept.
❖❖❖
NEW YORK CORNER
By John Mariani
HUTONG
731
Lexington Avenue (entrance at Beacon Court off 58th
Street) 212-758-4800
New York’s foodie
media largely neglect the restaurants within the
warren of streets in Chinatown in favor of
holes-in-the-wall elsewhere; rarely do the big,
banquet-hall size Chinatown restaurants like
Jing Fong, Golden Unicorn and Peking Duck House
receive any coverage. But Hutong, way uptown in
the vast space that used to be Le Cirque near
Bloomingdale’s, has too much of a presence and
pedigree to be ignored, and most reports
have been very positive.
The 140-seat space itself, with
83 in the lounge, is a dazzling, shadowy room
evoking the Shanghai 1920s Art Deco era of shiny
surfaces and a very high ceiling, which I thought
would make for a very loud decibel level but
somehow, through careful design, it’s not. There
is also a good deal of color in the banquettes and
a double wall of lighted wine bottles. There is,
in fact, so much décor that I thought that Hutong
was going to be more spectacle than fine Chinese
cuisine, more like Tao or a restaurant out of a Mission
Impossible movie designed to be blown into a
million pieces in slow motion. It is not.
Hutong is the first U.S.
restaurant from Aqua Restaurant Group, which also
operates in Hong Kong (where the original opened
in 2003), Beijing and London, so, although it’s
posed as a “Northern Chinese” menu by Executive
Chef Fei Wang, it’s not specific to any region of
China, drawing, instead, from Beijing, Sichuan,
Hunan and Shanghai, all with a definite lightening
up on the oil and fats you’d find at restaurants
in China itself.
The greeting is warm,
the pacing well-co-ordinated, and the menu just
long enough to entice, not the screed of hundreds
of dishes you find in Chinatown. Expensive exotic
cocktails are well promoted, and the wine list is
applaudable for this kind of cuisine. Mark-ups on
wine bottles are about average for New York.
“Signature dishes” are noted on the menu.
The best
approach to the dim sum at Hutong is with a
platter of eight pieces ($34), enough to share,
with morsels of lobster and squid ink; rosé
Champagne chili cod; and spinach. Honey-coated okra
lashed with wasabi ($13) is an unusual item that
fortunately lacks the slimy aspect poorly cooked
okra can have. The crispy vegetarian spring rolls
($14) are stuffed with mushrooms, cabbage and
glass noodles and have the right crunch and
complexity of fillings. Hot and sour pork Xiao
($12) is spicy but balanced in its flavors; so,
too, is branzino in chili broth ($45), whose heat
does not overpower the taste of the fish’s flesh.
Among the main courses, a dish
called “Red Lantern” ($48) comes with a waiter’s
warning, that it is extremely hot from the chilies
used. Take him at his word. Like Nashville’s hot
chicken, Red Lantern will test the stiffest upper
lip of confirmed chili heads. With mis-placed
bravado, I insisted I loved very hot spicing, but
ten seconds after the first bite of the dish,
composed of deep-fried soft shell crabs on a
basket of dried Sichuan chilies, my eyebrows were
ascending into my scalp, my eyes bawling and my
tongue scorched.I still recommend the dish for being both
out of the ordinary and delectable, but do not pop
one of those chilies in your mouth. Wok-fried
kai-lan
broccoli with ginger garlic ($16) is more
traditional and quite tasty, and the chef’s fried
rice ($12) is a good balm for the heat. The
roasted whole Peking duck ($84), which can be
ordered as a half, is meant to share, and it comes
in two stages: Tableside carving brings the meat
and brittle skin to the warmed plate with Chinese
pancakes, sliced cucumbers and a sweet
Hoisin-based sauce; then you receive lettuce cups
into which you scoop minced duck meat, soong
style, with sliced green beans, peppers and
spices.
For dessert there is something
called bao
and soy milk ($17) and some pretty good ice cream
($6). So,
in addition to its size and flashy splendor,
Hutong is serving fine Chinese food in a most
hospitable way along with a good focus on wines
and spirits. Unlike in Chinatown, where being
Chinese really helps to get the best out of the
kitchen, Hutong delivers at a high level for
everyone.
Hutong is open daily
for lunch and dinner.
❖❖❖
NOTES FROM THE WINE CELLAR
RIOJA ALAVESA
By Patricia Savoie
Michael Rooney and
winemaker Luis Guemes of Bodega 202
I
recently spent a week in Spain in the Rioja
Denominacion de Origen wine sub-region of
Rioja Alavesa as a guest of the Asociación
de Bodegas de Rioja Alavesa wine
association. While there, I visited a dozen
wineries, ate Basque tapas, or pintxos,
and visited the local wine museum. Rioja has three
official sub-regions: Rioja Alta, Rioja Oriental
(formerly Rioja Baja) and Rioja Alavesa; the
latter is the only one located in Basque country,
where grapes have been grown and made into wine
since Roman times. Located between the Ebro River
and the rugged Sierra Cantabria mountains, Rioja
Alavesa is the smallest sub-region with the
highest elevation. The Sierra Cantabria and the
river create a microclimate that protects the area
from the cold, humid wind off the Atlantic and
helps regulate temperatures, and the calcarous
clay soil contributes to the production of wines
with significant aging capability. Vineyards are
planted at high altitudes (1,300 to 3,900 feet),
where they are exposed to cooler evening
temperatures, allowing the grapes to acquire and
retain good acid levels and color. An average
annual rainfall of only 20 inches makes the vines
push deep into the soil seeking water. There are now
about 300 wineries in Alavesa, most family owned
and most fairly small; a vineyard with 100 acres
of vines would qualify as very large. Many of the
current wineries have vines 40 years old or more,
yielding grapes and wines with highly concentrated
flavors. As in the other
two Rioja regions, Tempranillo grape vines
dominate, accounting for about 80% of plantings.
Garnacha, Mazuelo and Graciano are the other red
grapes. Traditionally, Rioja wine has been made by
blending the different grape varieties, although
now it is also common to find single variety
wines. White Rioja wines are made from Viura
(Macabeo), Malvasía and White Garnacha. The winemakers
of Rioja Alavesa have been successful at
preserving traditional wine making methods while
adopting new technologies. For example, many of
the wineries still use the traditional production
method of carbonic maceration, during which whole
clusters of grapes are placed in tanks filled with
carbon dioxide but no yeast. The grapes then
release natural
enzymes that work to create alcohol. Most red
Rioja wine is aged in oak, originally French, but
as the cost of these barrels increased many
producers began to buy American oak. Both are now
used. A
few years ago the Asociación de
Bodegas de Rioja Alavesa began to explore
forming a new denomination that would allow
Alavesa producers to include information on the
label that reflected terroir, lot and winemaking
process, meaning the labels would no longer show
the Rioja designation. The discussion is ongoing,
but a change of labeling requirements has been
approved, so wineries can now write "Rioja
Alavesa" on the front label. The
12th century town of Laguardia (above) is the
center of Rioja Alavesa. It has a number of good
restaurants and pintxos
bars. The charming restaurant on the town square,
Hospederia
los Parajes, has local Basque dishes and an
excellent wine list and cellar. We stayed at the Hotel Villa
De Laguardia, just outside the town walls.
It has comfortable rooms, bar and restaurant.
Excellent, robust lunches are served at many of
the wineries, including local specialties such as
Jamon Iberico (cured ham), suckling lamb, potato
soup, ham and potato croquettes and different
varieties of peppers, including the local
piquillo. The
Villa Lucia
Wine Theme Museum in Laguardia is a must,
showing the local history of winemaking in a very
interactive way. In addition, its amazing,
award-winning 4D experience "In Dreamland" is a 3D
film with sensory effects, such as moisture
falling when a glass of wine is
overturned. Here
are some of the excellent wineries I visited, most
small and family owned.
Bodegas Casa Primicia
At Casa
Primicia, which is in the heart of the town of
Laguardia in one of the oldest buildings in the
town, Iker Madrid is the winemaker and is using
carbonic maceration to produce several organic
wines. Their line of Julian Madrid wines includes
an 80/20% Tempranillo and a 100% Garnacha. The
Cofradia label of 100% Tempranillo comes from
vines more then 80 years old.
Familia Valdelana
Viños de Rioja
The Valdelana
family has been making wine here for fourteen
generations. Pedro Valdelana, the first vine
grower in the family, was born in 1615, and laid
the foundations of the winery; Juan Jesus
Valdelana is the current overseer of the newest
winery, established in 1980. His daughter, Judit,
is making some lovely white wines, including a
100% Malvasia. Their Baron Ladron de Guevara and
the Agnus Reserva Tempranillos are carefully made
and excellent. The family is graced with one of
the oldest plots of Tempranillo, with vines 100
years old or more, which makes them
pre-phylloxera. This plot produces the Centum
Vitis, a dense rich wine. The tasting room
includes a wine museum.
Bodega 202
This is a new
winery, established in 2014 by Francis Rooney, a
U.S. Representative from Florida's 19th
Congressional District, and his wife, Kathleen.Working
with winemaker Luis Guemes and his wife, Marta
Ortiz Arce, who is Commercial Director, the
Rooneys purchased several acres of vineyards
throughout the region, including some older ones,
and a winery was constructed. Their Ansa
label includes a Tempranillo from vines 70 to 100
years old. It shows a dark berry nose and lovely
fruit notes.
Dominio de Berzal
After growing
and selling grapes for many years, the Berzal
family, now three brothers, began creating its own
bottlings and built a winery in 1999. Inigo Berzal
is making both white and red wines. In addition to
different Tempranillo blends, he makes a 100%
Graciano Dominio de Berzal. He also does a
seven-grape variety blend that is full of fruit.
Bodegas Estraunza
A
second-generation family winery started in 1990,
where Inigo Medrano is winemaker, the Bodegas
produces white, rosé and reds, all of which are
Tempranillo blends. They are one of the wineries
in the area that produce a Gran Reserva, which
ages 24 months in oak, then 36 months in their
cellars. The current release, 2007, has strong
cherry and vanilla notes. Their Reserva spends 24
months in oak and over 18 months in the cellars.
Bodegas Zugober
Belezos
This small family winery was founded in 1940.
Fourth generation Manuel Gomez Bernardo makes an
impressive 100% Viura white and several
Tempranillo blends. The Belezos Ecologico is an
organic 100% Tempranillo that shows fresh fruit
and good balancing acidity. The Belezos Sierra
Carbon comes from 50-year-old vines and has
distinct mineral notes.
❖❖❖
FOOD
WRITING 101: AVOID MENTIONING YOUR KIDNEY
STONES
IN YOUR OPENING PARAGRAPH. ACTUALLY NEVER
MENTION YOUR KIDNEY STONES.
"Mytop meal of the year
occurred at my lowest point of 2019. On May 3, I
woke up with a twinge in my back. Two hours later I
was bent over at NYU’s emergency room, crippled by a
kidney stone burrowing its way through my tender
insides. Doctors administered ample morphine (thank
you!) while my father left work to look over me. The
interminable day of testing and recovery exhausted
us, so afterwards we did what seemed logical. We
went toKāwito eat raw
clams."—Ryan Sutton. "Best New Restaurants of 2019,"
Eater.com
(12/11/19)
COULD YOU
ALSO CHANGE THE
PRICE YOU CHARGE FOR IT?
“I could
look at you in your eyes and change the taste of that
wine.”--London Chef/Restaurateur Heston Blumenthal, Esquire UK.
❖❖❖
Any of John Mariani's books
below may be ordered from amazon.com.
The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair.
“What a huge surprise turn this story took! I was
completely stunned! I truly enjoyed this book and its
message.” – Actress Ali MacGraw
“He had me at Page One. The amount of heart, human insight,
soul searching, and deft literary strength that John Mariani
pours into this airtight novella is vertigo-inducing.
Perhaps ‘wow’ would be the best comment.” – James
Dalessandro, author of Bohemian
Heart and 1906.
“John Mariani’s Hound in
Heaven starts with a well-painted portrayal of an
American family, along with the requisite dog. A surprise
event flips the action of the novel and captures us for a
voyage leading to a hopeful and heart-warming message. A
page turning, one sitting read, it’s the perfect antidote
for the winter and promotion of holiday celebration.” – Ann
Pearlman, author of The
Christmas Cookie Club and A Gift for my Sister.
“John Mariani’s concise, achingly beautiful novella pulls a
literary rabbit out of a hat – a mash-up of the cosmic and
the intimate, the tragic and the heart-warming – a Christmas
tale for all ages, and all faiths. Read it to your children,
read it to yourself… but read it. Early and often. Highly
recommended.” – Jay Bonansinga, New York Times bestselling
author of Pinkerton’s War,
The Sinking of The Eastland, and The Walking Dead: The Road To
Woodbury.
“Amazing things happen when you open your heart to an
animal. The Hound in
Heaven delivers a powerful story of healing that
is forged in the spiritual relationship between a man and
his best friend. The book brings a message of hope that can
enrich our images of family, love, and loss.” – Dr. Barbara
Royal, author of The
Royal Treatment.
Modesty forbids me to praise my own new book, but
let me proudly say that it is an extensive
revision of the 4th edition that appeared more
than a decade ago, before locavores, molecular
cuisine, modernist cuisine, the Food Network and
so much more, now included. Word origins have been
completely updated, as have per capita consumption
and production stats. Most important, for the
first time since publication in the 1980s, the
book includes more than 100 biographies of
Americans who have changed the way we cook, eat
and drink -- from Fannie Farmer and Julia Child to
Robert Mondavi and Thomas Keller.
"This book is amazing! It has entries for
everything from `abalone' to `zwieback,' plus more
than 500 recipes for classic American dishes and
drinks."--Devra First, The Boston Globe.
"Much needed in any kitchen library."--Bon Appetit.
Now in Paperback,
too--How Italian Food Conquered the
World (Palgrave Macmillan) has won top prize from the
Gourmand
World Cookbook Awards. It is
a rollicking history of the food culture of
Italy and its ravenous embrace in the 21st
century by the entire world. From ancient Rome
to la dolce
vita of post-war Italy, from Italian
immigrant cooks to celebrity chefs, from
pizzerias to high-class ristoranti,
this chronicle of a culinary diaspora is as
much about the world's changing tastes,
prejudices, and dietary fads as about
our obsessions with culinary fashion and
style.--John Mariani
"Eating Italian will
never be the same after reading
John Mariani's entertaining and
savory gastronomical history of
the cuisine of Italy and how it
won over appetites worldwide. . .
. This book is such a tasteful
narrative that it will literally
make you hungry for Italian food
and arouse your appetite for
gastronomical history."--Don
Oldenburg, USA Today.
"Italian
restaurants--some good, some glitzy--far
outnumber their French rivals. Many of
these establishments are zestfully described
in How Italian Food Conquered the World, an
entertaining and fact-filled chronicle by
food-and-wine correspondent John F.
Mariani."--Aram Bakshian Jr., Wall Street
Journal.
"Mariani
admirably dishes out the story of
Italy’s remarkable global ascent
to virtual culinary
hegemony....Like a chef gladly
divulging a cherished family
recipe, Mariani’s book reveals the
secret sauce about how Italy’s
cuisine put gusto in gusto!"--David
Lincoln Ross,
thedailybeast.com
"Equal parts
history, sociology, gastronomy, and just
plain fun, How Italian Food Conquered the
World tells the captivating and delicious
story of the (let's face it) everybody's
favorite cuisine with clarity, verve and
more than one surprise."--Colman Andrews,
editorial director of The Daily
Meal.com.
"A fantastic and fascinating
read, covering everything from the influence
of Venice's spice trade to the impact of
Italian immigrants in America and the
evolution of alta cucina. This book will
serve as a terrific resource to anyone
interested in the real story of Italian
food."--Mary Ann Esposito, host of PBS-TV's
Ciao
Italia.
"John Mariani has written the
definitive history of how Italians won their
way into our hearts, minds, and
stomachs. It's a story of pleasure over
pomp and taste over technique."--Danny Meyer,
owner of NYC restaurants Union Square
Cafe, The Modern, and Maialino.
❖❖❖
FEATURED
LINKS: I am happy to report
that the Virtual
Gourmet is linked to four excellent
travel sites:
I consider this the best and
savviest blog of its kind on the web. Potter is a
columnist for USA
Weekend, Diversion, Laptop and Luxury Spa Finder,
a contributing editor for Ski and a frequent contributor
to National
Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
their travel seriously," says Potter. "For
travelers who want to learn about special places
but don’t necessarily want to pay through the nose for
the privilege of staying there. Because at the end
of the day, it’s not so much about five-star
places as five-star experiences." THIS WEEK:
Eating Las Vegas
JOHN CURTAS has been covering the Las Vegas
food and restaurant scene since 1995. He is
the co-author of EATING LAS VEGAS – The 50
Essential Restaurants (as well as
the author of the Eating Las Vegas web site: www.eatinglasvegas.
He can also be seen every Friday morning as
the “resident foodie” for Wake Up With the
Wagners on KSNV TV (NBC) Channel 3 in
Las Vegas.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,
Robert Mariani,Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish,
and Brian Freedman. Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin.