MARIANI’S
Virtual
Gourmet
J
Jack Lemmon, Tony Curtis and Marilyn Monroe in "Some Like It Hot" (1959)
❖❖❖
IN THIS ISSUE THE CHEESES OF ASTURIAS By Gerry Dawes NEW YORK CORNER TAPAS & CUCINA By John Mariani CAPONE'S GOLD CHAPTER TEN By John Mariani NOTES FROM THE WINE CELLAR WHY ARE WINES' ALCOHOL LEVEL GETTING SO HIGH AND WHY IS THAT NOT A GOOD THING? By John Mariani ❖❖❖ On this week's episode of my WVOX
Radio Show "Almost Golden," on Wed. June
2
at 11AM EST,I will be interviewing
Victoria Lewis of the New York Botanical
Garden. WVOX.com.
The episode will also be archived at: almostgolden.
On Celebrating Act2 I will be talking about "What's the Difference Between a Pizzeria, Trattoria and Ristorante." http://www.celebratingact2.com ❖❖❖ THE CHEESES OF ASTURIAS By Gerry Dawes The people of Asturias, Spain, proudly
call their land a Paraiso de
los Quesos (cheese paradise). Outside the
main cities, farms—with their cows, goats and
sheep—enable the production of a wide variety of
cheeses, which has helped create an economic
engine that has prevented the depopulation of
many small townships in the region. Excerpted from Sunset in a
Glass: Adventures of a Food and Wine Road
Warrior in Spain By Gerry Dawes ©2021 ❖❖❖ NEW YORK
CORNER
TAPAS & CUCINA
434 White
Plains Road, Eastchester NY
914-652-7713
By John Mariani It was mere happenstance that I’ve reviewed two Spanish tapas restaurants last month, but I’ve found a third, in Eastchester, New York, that deserves kudos for taking the genre a step further by putting Italian flavors onto the menu, calling it “Mediterranean Fusion.” Owner Gennaro Martinelli (left), who runs San Gennaro, one of the best trattorias on Arthur Avenue in the Bronx, has taken over a small, quaint space in the suburbs where he’s offering a lot of new ideas you won’t find anywhere else. Martinelli, born in Capua, Italy, studied cuisine in Paris and worked at Vesuvio on the Champs Elysée, then in various European cities before moving to New York, and at 33 he opened San Gennaro several years ago; Tapas & Cucina debuted this spring. It’s a long, rustic room with good lighting, a small bar, rough wood chairs and tables and paper tabletops. The wine list is not long but of good quality and reasonably priced. The dozen wines by the glass cost from $11 to $14. Martinelli also makes his own limoncello. His partners, Esteban Ortega and Luz Adriana Ospina, keep him true to Iberian tradition. The menu is arranged in eight categories: Tapas, Pizza, Salad, Pasta, Paella, Meat, Fish, and Dessert. I can vouch for the pasta, meats and fish at San Gennaro, so my friends and I concentrated on the first two categories, where the more unusual dishes are to be found. In Spain’s tapas bars you usually go to the bar and simply pick the tapas arrayed on little plates and eat them standing up or at a table. At T&C the portions are more substantial and plated so that sharing is easy enough. The best thing to do is order several of them; at prices ranging from $8 to $18, six or more will make up an entire meal, and our party of four had tastings of each. You’ll get a complimentary cup of bean soup to rouse your appetite, and there is also good bread you use to soak up all the juices and sauces, as with the grilled octopus (below) served with salad, bruschetta and a lemon dressing ($18). Zucchini flowers would be a rarity at a tapas bar but not so much in Italy right now, so these are stuffed with provolone cheese that oozes out from the bright yellow and green flowers ($13). Croquettas are always on a tapas menu, and here the crisp little fried balls contain wonderfully fatted Serrano ham ($12), and the plump empanadas ($12) of either chicken, beef or vegetable have a fine, brittle crust and succulent contents. Although I’ve run across it before, I was delighted to find the menu has sweet dates stuffed with pungent bleu cheese, smoky bacon, basil and a rich, garlicky aïoli ($16). Certainly unique is T&C’s pasta pie ($11), a Neapolitan-style timbalo of fat bucatini macaroni lavishly stuffed with mozzarella, peas and chopped meat. And one of the heartier dishes is slow-cooked pork à la Madrilena in a bright, lusty ragù of plum tomatoes, served with soft cornmeal polenta. The only disappointment among the tapas we tried was fried calamari ($15) because the calamari had little flavor of their own and tasted more of the fried batter. Unusual, too, under the pizza category is the La Tapas, topped with sliced potatoes, sausage, smoky mozzarella and dusted with aromatic rosemary ($16). Next time I go I am eager to try one of the paellas (right), which include a classic Valenciana as well as a marinara and vegetariana ($32 for two people, $58 for three). Among the pastas, one of the stars at San Gennaro also shines brightly here: nudi, made with ricotta and fontina, chopped spinach and a truffle-dotted cream sauce with bits of crispy prosciutto ($22). The desserts, made on the premises, included a first-rate, not-too-heavy tiramisu ($10) and leche frita ($11), a form of “fried milk,” typical of Northern Spain. You could drop into T&C for a light array of tapas or enjoy a full meal, the only dilemma being how to choose among dishes that all seem so savory. By the way, from Manhattan, Eastchester is about a 45-minute drive. ❖❖❖
CAPONE’S
GOLD
CHAPTER TEN
Katie heard from David within an
hour; he said everything was all right with
his police friend, Brian Cunningham. So she
went to the precinct house and picked up the
letter on City of Chicago Police Department
stationery, stating who she was and why she
wanted access to the house, and if the owner
doubted it, they could call Lt. Cunningham
directly. © John Mariani, 2015 ❖❖❖ NOTES FROM THE WINE CELLAR
WHY
ARE WINES' ALCOHOL LEVELS GETTING
SO HIGH AND WHY IS THAT NOT A GOOD THING? By John Mariani Blame California’s winemakers, if you like, for the soaring alcohol levels in their wines, but the practice is becoming so widespread globally that finding a red wine under 14.5% alcohol is getting more difficult than finding one at or above that critical number. And white wines are not far behind. There are two principal reasons why this is happening, one natural, one engineered by winemakers. Of the former, climate change and, in particular, global warming are heating up the vineyards, causing the grapes to build up more sugar, which, when crushed at the winery, ferments into alcohol. For cool, rainy regions like Burgundy and Bordeaux, that is a welcome change, because there the grapes must struggle to attain a balance of alcohol, fruit, tannins and acids. In lesser estates of Burgundy those wines may go through what is called chaptalization, by which sugar, usually as a syrup, is added to the grape must to boost the alcohol, or wines from sunny, warmer southern regions might be added as a booster. But in warmer viticultural regions like California, South America and Australia, sufficient sugar is not a problem. Indeed, the best winemakers seek a level well below 14.5% for red wines and below 14% for whites. But that is the exception. Taking advantage of those higher temperatures, most winemakers have allowed their wines’ sugar levels to increase, largely by letting the grapes hang on the vine longer, which intensifies the sugar-juice content in the grapes. These winemakers may argue, reasonably, that if you pick warm-climate grapes too soon, you achieve ideal alcohol levels but lose the flavor maturity called phenolic ripeness. (There is a process, called reverse osmosis, by which alcohol can be removed from a wine without harming the flavor.) The argument in favor of higher alcohol wines is simply a question of preference among consumers. Ever since California began producing high alcohol “blockbuster” Cabernet Sauvignons and Pinot Noirs in the 1970s, they began winning high accolades from the burgeoning wine media for whom big-bodied, very fruity wines invariably stand out —especially when ten or twenty wines are tasted blind at one time. A Bordeaux blend of grapes from a certain vintage at 14% alcohol would have a tough time beating a California 100% Cabernet Sauvignon at 15% or 16% alcohol. Largely, vintners have followed the awards and high ratings given by the wine media, especially Robert L. Parker Jr. (right), whose newsletter Wine Advocate has long championed big, bold wines, which invariably have high alcohol (though Parker has denied he favors such wines). Thus, in wine shops everywhere you find the rating numbers from Parker, Decanter, Wine Spectator and other magazines posted on the wine bins. Privately, many vintners admit that this is their rationale for making blockbusters, and those who oppose it say the wines are deliberately being manipulated to appeal to those who go by high ratings or like a more intensified style of wine. And what’s wrong with that? How can one or even half a percent of alcohol make much of a difference in a wine? The answer is threefold: First, according to the Federal Standards of Identity, table wine is defined as “Still grape wine having an alcoholic content of not less than 7 percent by volume and not in excess of 14 percent by volume,” and wines above 14% are designated as sweet dessert wine. So, technically speaking, wines at 14.5% and above aren’t even table wines at all—a technicality vintners pay no attention to. Second, wines above 14.5% may, though not always, taste rich, fruity and bold in the current vintage but fail to come into balance and taste flat after a while. Third, the proof is in the drinking: Try one night to drink two glasses of a red or white wine below 14% alcohol, then the next night one above 14.5%. I can pretty much guarantee you’ll feel the effects of the alcohol with the second bottle, and that the flavors you enjoyed with the first glass of it may taste tannic and cloying with the second. Is there a place for such high alcohol wines? Yes, if you know in advance. Italy’s Amarone wines are made from grapes dried to intensify the sugars almost to raisin status (right), so the alcohol is deliberately boosted to achieve a rich, almost Port-like richness. Also, if you are char-grilling a big sirloin with a black crust, big reds can complement the beef’s iron and minerality, though after a couple of glasses the wine will take precedence and take hold. It is, of course, a matter of preference, but the more you drink good, well-balanced wines with reasonable alcohol levels, the more you will find the refinements, complexity and nuances in them rather than have your palate overwhelmed by a 16% Cab. ❖❖❖ WHAT
IT TAKES TO ❖❖❖ Sponsored by ❖❖❖
Any of John Mariani's books below may be ordered from amazon.com. The Hound in Heaven (21st Century Lion Books) is a novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured favorite. The story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. WATCH THE VIDEO! “What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw “He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906. “John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister. “John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury. “Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment. ❖❖❖
❖❖❖
FEATURED
LINKS: I am happy to report
that the Virtual
Gourmet is linked to four excellent
travel sites: Everett Potter's Travel Report: I consider this the best and
savviest blog of its kind on the web. Potter is a
columnist for USA
Weekend, Diversion, Laptop and Luxury Spa Finder,
a contributing editor for Ski and a frequent contributor
to National
Geographic Traveler, ForbesTraveler.com
and Elle Decor.
"I’ve designed this site is for people who take
their travel seriously," says Potter. "For
travelers who want to learn about special places
but don’t necessarily want to pay through the nose for
the privilege of staying there. Because at the end
of the day, it’s not so much about five-star
places as five-star experiences."
Eating Las
Vegas JOHN CURTAS has been covering
the Las Vegas food and restaurant scene
since 1995. He is the co-author of EATING LAS
VEGAS – The 50 Essential Restaurants (as
well as the author of the Eating Las
Vegas web site: www.eatinglasvegas.
He can also be seen every Friday morning as
the “resident foodie” for Wake Up With the
Wagners on KSNV TV (NBC) Channel 3 in
Las Vegas.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,
Robert Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish,
and Brian Freedman. Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin. If you wish to subscribe to this
newsletter, please click here: http://www.johnmariani.com/subscribe/index.html © copyright John Mariani 2021 |