MARIANI’S
Virtual
Gourmet
JJack Lemmon, Tony Curtis and Marilyn Monroe in "Some Like It Hot" (1959)
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IN THIS ISSUE THE CHEESES OF ASTURIAS By Gerry Dawes NEW YORK CORNER TAPAS & CUCINA By John Mariani CAPONE'S GOLD CHAPTER TEN By John Mariani NOTES FROM THE WINE CELLAR WHY ARE WINES' ALCOHOL LEVEL GETTING SO HIGH AND WHY IS THAT NOT A GOOD THING? By John Mariani ❖❖❖ On this week's episode of my WVOX
Radio Show "Almost Golden," on Wed. June
2
at 11AM EST,I will be interviewing
Victoria Lewis of the New York Botanical
Garden. WVOX.com.
The episode will also be archived at: almostgolden.
![]() ![]() On Celebrating Act2 I will be talking about "What's the Difference Between a Pizzeria, Trattoria and Ristorante." http://www.celebratingact2.com ❖❖❖ THE CHEESES OF ASTURIAS By Gerry Dawes ![]() The people of Asturias, Spain, proudly
call their land a Paraiso de
los Quesos (cheese paradise). Outside the
main cities, farms—with their cows, goats and
sheep—enable the production of a wide variety of
cheeses, which has helped create an economic
engine that has prevented the depopulation of
many small townships in the region. Excerpted from Sunset in a
Glass: Adventures of a Food and Wine Road
Warrior in Spain By Gerry Dawes ©2021 ❖❖❖ NEW YORK
CORNER
TAPAS & CUCINA
434 White
Plains Road, Eastchester NY
914-652-7713
By John Mariani It was mere happenstance that I’ve reviewed two Spanish tapas restaurants last month, but I’ve found a third, in Eastchester, New York, that deserves kudos for taking the genre a step further by putting Italian flavors onto the menu, calling it “Mediterranean Fusion.” Owner Gennaro Martinelli (left), who runs San Gennaro, one of the best trattorias on Arthur Avenue in the Bronx, has taken over a small, quaint space in the suburbs where he’s offering a lot of new ideas you won’t find anywhere else. Martinelli,
born in Capua, Italy, studied cuisine in Paris
and worked at Vesuvio on the Champs Elysée, then
in various European cities before moving to New
York, and at 33 he opened San Gennaro several
years ago; Tapas & Cucina debuted this
spring. It’s a long, rustic room with good
lighting, a small bar, rough wood chairs and
tables and paper tabletops. The wine list is not
long but of good quality and reasonably priced.
The dozen wines by the glass cost from $11 to
$14. Martinelli also makes his own limoncello.
His partners, Esteban Ortega and Luz Adriana
Ospina, keep him true to Iberian tradition. The menu is arranged in eight categories: Tapas, Pizza, Salad, Pasta, Paella, Meat, Fish, and Dessert. I can vouch for the pasta, meats and fish at San Gennaro, so my friends and I concentrated on the first two categories, where the more unusual dishes are to be found. In Spain’s tapas bars you usually go to the bar and
simply pick the tapas arrayed on little plates
and eat them standing up or at a table. At
T&C the portions are more substantial and
plated so that sharing is easy enough. The best
thing to do is order several of them; at prices
ranging from $8 to $18, six or more will make up
an entire meal, and our party of four had
tastings of each. You’ll get a complimentary cup
of bean soup to rouse your appetite, and there
is also good bread you use to soak up all the
juices and sauces, as with the grilled octopus (below)
served with salad, bruschetta
and a lemon dressing ($18). Zucchini flowers
would be a rarity at a tapas bar but not so much
in Italy right now, so these are stuffed with
provolone cheese that oozes out from the bright
yellow and green flowers ($13). Croquettas
are always on a tapas menu, and here the crisp
little fried balls contain wonderfully fatted
Serrano ham ($12), and the plump empanadas
($12) of either chicken, beef or vegetable have
a fine, brittle crust and succulent contents.
Although I’ve run across it before, I was
delighted to find the menu has sweet dates
stuffed with pungent bleu cheese, smoky bacon,
basil and a rich, garlicky aïoli ($16).
Certainly unique is T&C’s pasta pie ($11), a
Neapolitan-style timbalo
of fat bucatini
macaroni lavishly stuffed with mozzarella, peas
and chopped meat. And
one of the heartier dishes is slow-cooked pork à la
Madrilena in a bright, lusty ragù of
plum tomatoes, served with soft cornmeal
polenta. The only disappointment among the tapas
we tried was fried calamari ($15) because the
calamari had little flavor of their own and
tasted more of the fried batter. Unusual, too, under the pizza category is the La Tapas, topped with sliced potatoes, sausage, smoky mozzarella and dusted with aromatic rosemary ($16). Next time I go I am eager to try one of the paellas (right), which include a classic Valenciana as well as a marinara and vegetariana ($32 for two people, $58 for three). Among the pastas, one of the stars at San Gennaro also shines brightly here: nudi, made with ricotta and fontina, chopped spinach and a truffle-dotted cream sauce with bits of crispy prosciutto ($22). The desserts, made on the premises, included a first-rate, not-too-heavy tiramisu ($10) and leche frita ($11), a form of “fried milk,” typical of Northern Spain. You could drop into T&C for a light array of tapas or enjoy a full meal, the only dilemma being how to choose among dishes that all seem so savory. By the way, from Manhattan, Eastchester is about a 45-minute drive. ❖❖❖
CAPONE’S
GOLD
CHAPTER TEN
© John Mariani, 2015 ❖❖❖ NOTES FROM THE WINE CELLAR
WHY
ARE WINES' ALCOHOL LEVELS GETTING
SO HIGH AND WHY IS THAT NOT A GOOD THING? By John Mariani ![]() Blame California’s winemakers, if you like, for the soaring alcohol levels in their wines, but the practice is becoming so widespread globally that finding a red wine under 14.5% alcohol is getting more difficult than finding one at or above that critical number. And white wines are not far behind. There are two principal reasons why this is happening, one natural, one engineered by winemakers. Of the former, climate change and, in particular, global warming are heating up the vineyards, causing the grapes to build up more sugar, which, when crushed at the winery, ferments into alcohol. For cool, rainy regions like Burgundy and Bordeaux, that is a welcome change, because there the grapes must struggle to attain a balance of alcohol, fruit, tannins and acids. In lesser estates of Burgundy those wines may go through what is called chaptalization, by which sugar, usually as a syrup, is added to the grape must to boost the alcohol, or wines from sunny, warmer southern regions might be added as a booster. But in warmer
viticultural regions like California, South America
and Australia, sufficient sugar is not a problem.
Indeed, the best winemakers seek a level well below
14.5% for red wines and below 14% for whites. But that
is the exception. Taking advantage of those higher
temperatures, most winemakers have allowed their
wines’ sugar levels to increase, largely by letting
the grapes hang on the vine longer, which intensifies
the sugar-juice content in the grapes. These
winemakers may argue, reasonably, that if you pick
warm-climate grapes too soon, you achieve ideal
alcohol levels but lose the flavor maturity called
phenolic ripeness. (There is a process, called reverse
osmosis, by which alcohol can be removed from a wine
without harming the flavor.)The argument in favor of higher alcohol wines is simply a question of preference among consumers. Ever since California began producing high alcohol “blockbuster” Cabernet Sauvignons and Pinot Noirs in the 1970s, they began winning high accolades from the burgeoning wine media for whom big-bodied, very fruity wines invariably stand out —especially when ten or twenty wines are tasted blind at one time. A Bordeaux blend of grapes from a certain vintage at 14% alcohol would have a tough time beating a California 100% Cabernet Sauvignon at 15% or 16% alcohol. ![]() Largely, vintners have followed the awards and high ratings given by the wine media, especially Robert L. Parker Jr. (right), whose newsletter Wine Advocate has long championed big, bold wines, which invariably have high alcohol (though Parker has denied he favors such wines). Thus, in wine shops everywhere you find the rating numbers from Parker, Decanter, Wine Spectator and other magazines posted on the wine bins. Privately, many vintners admit that this is their rationale for making blockbusters, and those who oppose it say the wines are deliberately being manipulated to appeal to those who go by high ratings or like a more intensified style of wine. And what’s wrong with that? How can one or even half a percent of alcohol make much of a difference in a wine? The answer is threefold: First, according to the Federal Standards of Identity, table wine is defined as “Still grape wine having an alcoholic content of not less than 7 percent by volume and not in excess of 14 percent by volume,” and wines above 14% are designated as sweet dessert wine. So, technically speaking, wines at 14.5% and above aren’t even table wines at all—a technicality vintners pay no attention to. Second, wines above 14.5% may, though not always, taste rich, fruity and bold in the current vintage but fail to come into balance and taste flat after a while. Third, the proof is in the drinking: Try one night to drink two glasses of a red or white wine below 14% alcohol, then the next night one above 14.5%. I can pretty
much guarantee you’ll feel the effects of the
alcohol with the second bottle, and that the flavors
you enjoyed with the first glass of it may taste
tannic and cloying with the second.Is there a place for such high alcohol wines? Yes, if you know in advance. Italy’s Amarone wines are made from grapes dried to intensify the sugars almost to raisin status (right), so the alcohol is deliberately boosted to achieve a rich, almost Port-like richness. Also, if you are char-grilling a big sirloin with a black crust, big reds can complement the beef’s iron and minerality, though after a couple of glasses the wine will take precedence and take hold. It is, of course, a matter of preference, but the more you drink good, well-balanced wines with reasonable alcohol levels, the more you will find the refinements, complexity and nuances in them rather than have your palate overwhelmed by a 16% Cab. ❖❖❖
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FEATURED
LINKS: I am happy to report
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MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,
Robert Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish,
and Brian Freedman. Contributing
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Advisor: Gerry
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