MARIANI’S

Virtual Gourmet


  September 12,   2021                                                                                            NEWSLETTER



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IN THIS ISSUE
VILLERS-SUR-MER
By John Mariani

NEW YORK CORNER
CHAZZ PALMINTERI WHITE PLAINS

By John Mariani

CAPONE'S GOLD
CHAPTER TWENTY-FOUR
 By John Mariani


NOTES FROM THE WINE CELLAR
WHY ARE BORDEAUX AND BURGUNDY
SLIPPING AMONG THE WORLD'S TOP WINES?
By John Mariani




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On this week's episode of my WVOX Radio Show "Almost Golden," on Wed. September 15 I'll be hosting, with Jerryl Bell, Part 2 of the great Civil Rights Movement songs of the 1950s-60s, including Nine Simone (right), Mahalia Jackson, Billie Holiday, and others. at 11AM EDT. Go to: WVOX.com. The episode will also be archived at: almostgolden.














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VILLERS-SUR-MER

 
By John Mariani






     It is hardly worth repeating that Paris is not France, just as New York is not America and London not England. And it is not really true that the soul of those countries is to be found in any random small town. But if you wish to experience something of the spirit of a particular region in France, like Normandy, a village like Villers-sur-Mer on the English Channel can be rewarding, because very little changes in such a place. It looks very much the way Impressionist Gustave Caillebotte painted the village in 1880, with two seaside buildings (left) that are still standing.
     With only 2,600 residents, Villers-sur-Mer is not in danger of a population explosion, and it was with good reason that François Truffaut, in his 1989 film The 400 Blows, shot the famous final scene here of his young hero’s escape from the stifling atmosphere of Paris in order to walk beside a sea he had never seen (below).
      The sea still looks and smells the same to everyone, lapping the shore most days, whipped to a foaming tempest on others. You can still see the well-kempt topiary dinosaurs that reference the town’s extensive fossil deposits. In fact, there is a Paléospace l’Odyssée museum and planetarium exhibiting the reconstructed creatures.
       Villers spreads over 700 acres of the countryside and its curving crescent beach has a quiet, comforting appeal for the French on holiday who are tired of the hard, stony strands of the Riviera. The cliffs of Vaches Noires are a backdrop, and there is a sanctuary on an islet, so the skies fill with birds, each with their own songs. St. Martin’s church is an impressive 19th century neo-Gothic structure for such a small town.
      Villers is in the northern commune of Calvados, so sampling the local ciders and powerful spirit are requisite, as well as Normandy’s marvelous cow’s milk Camembert cheese, developed by a local farm woman back in 1791. The region’s Red Label scallops are widely regarded as among the best in Europe, and fishing them is a leading industry, with the painted boats bobbing in the harbor. For good reason, then, Villers holds an October scallop festival. The outdoor market (left, below) is a repository of Normandy foods with all the region’s seasonal provender, right now teeming with wild mushrooms.
      It would not take long on foot to tour the village and its surrounding sights, and the streets are rimmed with quaint old half-timbered and brick houses, shops, cafés and restaurants.
      Where to stay in Villers depends on your budget, but the town is not rich in first-class hotels, though the well-appointed Domaine de Villers & Spa outside of town, with its indoor swimming pool and nearness to the beach, certainly is, with room rates currently under 250€ per night. We stayed downtown at a comfortable, if not elegant, boutique Hôtel des Falaises, on the Rue du Maréchal Foch, within steps of just about everything you’ll want to see in town.  Breakfast is included in room rates under 100€ per night. Bathrooms, however, are cramped.
      The restaurants of Villers, as you’d expect, feature the bounty of the sea on every menu, and they are generally full of locals. La Mermoz, on the Place Mermoz (right), has a modern cast to the décor with glass walls overlooking the beach. It has large, luxurious banquettes, globe lighting, sea foam colors and an oddly swanky bar, as well as outdoor tables. Portions are very generous, with fixed price menus at 31€, 27€ and 24€, as well as à la carte.
      All French seaside restaurants are proud of and judged by their soupe des poissons with the requisite garlicky rouille mayonnaise, Gruyère and croutons, and Le Mermoz’s is remarkably light while deeply flavorful. Fat pink boiled crevettes were tender and sweet, and a terrine of wild boar was a particularly welcome choice in autumn. The chef presented us with a huge sole à la meunière in a pool of golden Normandy butter, while a rouget (red mullet) had a far more subtle taste than the species in cream) are a specialty of Normandy made with tiny, tender bivalves scented with herbs and curry. Smoked haddock was rather dull. The best of the desserts we tried was the chocolate pot de crème. Le Mermoz also serves plateaus of icy shellfish and several non-seafood dishes.
      Le Café de France (2 Rue de Génèral Charles DeGaulle) is a homier spot on a corner, identified at night by a glowing green neon sign and its outdoor and enclosed terrace tables. They have a big menu that aims too hard to please everyone, with hot dogs and cheeseburgers, but the locals know to skip the printed menu and choose from the  daily blackboard menu (below), with prices dependent on the market. We did so —they had an entire blackboard just with scallops dishes—and were delighted by an enormous torteau crab (24€) served cold with mayonnaise. Mussel soup (14€) was equally good, and the scallops gratiné (12€) heady with cream and cheese, but a bit gummy. Chicken in a cream sauce (16€) was better, as was tête de veau with boiled potatoes and sauce gribiche (19€), and some superb scallops and fried goujonettes of Saint Pierre appeared on one plate (28€). Whenever I’m in Europe I order turbot and was not disappointed at Le Café de France with a fish of meaty flesh and gelatinous fat. They also do a choucroute of seafood (26€) and sauerkraut, not unusual for Normandy, though I didn’t have a chance to try it. For dessert have the dependable crème caramel or crème brûlée (5€ each) or the crêpes (4.50€). There is a 19.80€ three-course menu.
       And don’t forget le trou normand—the Norman hole—which is a shot of Calvados around the middle of the meal that supposedly helps digestion and builds an appetite for more food. That, and a stroll along the strand as the water goes in and out as it has forever, will put you in good stead.




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NEW YORK CORNER



CHAZZ PALMINTERI
RESTAURANT WHITE PLAINS

264 Main Street
White Plains, NY
914-600-8430


By John Mariani



Chazz Palminteri with partners Russ, Jeff and Jack Sinanaj



     It may not be entirely true that every Irishmen wants to own a bar,  but a great number of Italian entertainers have wanted to get into the restaurant business, as have Frank Sinatra, Dean Martin, Robert DeNiro, Lou Costello, Francis Ford Coppola, Madonna, Paul Sorvino, Liberace, Sonny Bono and Lady Gaga to name a few. So, when approached by veteran restaurateurs Jack, Jeff and Ross Sinanaj (of Empire Steakhouse and Ben & Jack’s), actor/writer Chazz Palminteri was only too happy to lend his name and investment to an East Side Manhattan Italian restaurant, later re-located to the Theater District. This summer, again with the Sinanajes, he debuted Chazz Palminteri Restaurant in the New York suburb city of White Plains. Since Chazz lives in nearby Bedford, he’s usually at the restaurant a couple of times a week.
      Best known for writing, producing, directing and starring in the one-man show A Bronx Tale, about growing up on Arthur Avenue, which was made into a hit movie and  Broadway musical with Robert DeNiro, Palminteri has a long résumé of films that includes The Usual Suspects, Analyze This, Legend and—my favorite of his films—Yonkers Joe. Palminteri had previously been part of a restaurant in Baltimore’s Little Italy, but overestimated the locals’ taste for Italian food much above the level of chicken parm.
     Westchester County proportionately may have as many Italian restaurants as does Manhattan, but few are this spacious, and the menu has a sumptuous variety, with generous portions that make sharing a real option and taking some home a high probability. The restaurant also mimics the Sinanajes’ first-rate steakhouses in the quality of the meats and fish served.
      So you may start off with some  Bluepoint oysters ($14.95) or well-seasoned, not too heavily breaded clams oreganata ($13.95), as is the eggplant coated with breadcrumbs topped with tomato sauce and fresh mozzarella ($13.95). Meatballs are lavishly topped with ricotta cheese and tomato sauce ($16.95), and the shrimp sautéed with chopped spicy peppers, in a light creamy Gorgonzola sauce served with garlic bread, could make a small meal ($15.95).  Grilled octopus gets the welcome addition of chopped broccoli di rabe, spicy cherry peppers, capers and olives  ($17.95).
   
You’d expect to find pizzas, well rendered with a good crust of the right puffiness and flavor that can be had with prosciutto ($19.95) or  truffles ($24.95), as well as short ribs with arugula and sweet peppers and mozzarella ($19.95). They also have a fat calzone of toasty pizza dough shaped like an old shoe and stuffed with ricotta and mozzarella, with fresh tomato sauce ($15.95).  (Most of these items are also available at the bar.)
          I don’t think any menu needs 14 pastas, but the ones that I tried were perfectly made, especially classics like pappardelle alla bolognese, ($24.95) with the right proportion of meat and vegetables; rigatoni with broccoli di rabe, sausage, sweet peppers and a pink vodka sauce ($24.95) and ravioli with lobster meat inside and lavished with a brandy cream sauce ($28.95). The bucatini alla carbonara definitely does not need “a touch of cream” ($23.95).
       Had I no appetite for Chazz's Italian food, I would go for the grilled meats, especially the large rack of American lamb with a dark mint sauce with mashed potatoes and string beans ($48.95) or the USDA Prime sirloin ($49.95). There’s also a chateaubriand for two ($99.95).
      The Italian items well worth ordering are the glistening branzino, either baked or grilled, served with a fresh herb sauce,  garlic and extra virgin olive oil,  and the lobster tails “à la Bronx Tale” with an abundance of clams, mussels and shrimp sautéed in a light spicy sauce atop homemade fettuccine ($49.95).  I was not taken with the saltimbocca alla Romano ($33.95), which was a little leathery one evening.
       Desserts like cheesecake and tiramisù are all housemade and meant to be shared.
     Chazz’s has a thorough wine list, largely Italian, with 22 wines by the glass ($15.95-$22.95) and a remarkable number of half-bottles and magnums (where there are some bargains), and dozens of good selections under $70.
      I can’t guarantee a sighting of Palminteri whenever you go—with two restaurants and a busy career in entertainment that occasionally has him recreate the original one-man show of A Bronx Tale—but I can guarantee one of the Sinanajes will be there making sure you are well taken care of and, unquestionably, well fed.






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CAPONE’S GOLD


By John Mariani

To read all chapters of Capone's Gold beginning April 4, 2021 go to the archive
 
CHAPTER TWENTY-FOUR


         When Katie an David returned from lunch, Gaudet was already seated at the library desk with several books that looked like ships’ logs. 
         “I think I have some good news for you,” he said, beckoning them to sit down. “How was lunch?”
         “Fine,” said David. “So what did you find out?”
         “Well,
Lloyd’s Register of Ships goes back to the 18th century and is quite complete for the 1930s, so I was able to find the log for a rumrunner that apparently was used by Al Capone, though the boat was never confiscated.  The log itself apparently was found in Bimini, dated 1934, and in it, well, take a look for yourself.”
         Gaudet turned the log around and Katie and David peered at it without knowing what all the words and sailing symbols meant.
         “This is a pretty simple log, kept by a captain named Flynn, who may have worked for several different clients.  He would keep his own log, but if this was a secret mission he might not have carried it onboard.
     
“The name of the boat was Québec (below)—built in 1918—and he notes that it was hired out by ‘A. Capone, Palm Island, Miami.’  He doesn’t mention the contents onboard but does note it took a long time to load and the ‘heavy displacement,’ meaning the contents made the boat very low in the water.  He also notes bad squalls in the area.
         “Here he writes ‘meet up with German boat’ and gives the latitude and longitude for the rendezvous, which looks to be about 150 nautical miles out to sea.  Now look at this.”
         Gaudet opened a large printed book entitled German U-Boat Activity 1934-35 with a Post-It stuck to one page. 
        
“These are all the known sailings of U-boats in the western Atlantic. And on the same date that the Québec sailed east, a U-Boat Number 3535—which would have been one of the newer ones in the Nazi fleet—was heading for a rendezvous at the exact co-ordinates as the Québec was.
         Katie looked at David and both said, “My God!”
         “But there’s more to the story,” said Gaudet.
         Katie and David’s eyes were fixed on the archivist.
         “The Québec never made contact with the U-boat.”
         “Do you know why not?” asked Katie, thinking it was an impossible question to answer.
         “I do indeed. The Québec sank before it got there.”
         Katie and David’s jaws dropped.
         “Remember those squalls Captain Flynn jotted down? Well, I checked the weather for that date and those squalls were a tropical storm that hit Bimini with full force.  Not quite hurricane strength but enough to sink a boat loaded down with such weight.”
         “The boat sank?” exclaimed Katie. “But why wouldn’t the captain know about an oncoming storm and refuse to sail?”
         Gaudet smiled and said, “Well, if I were Captain Flynn and I had Capone’s gangsters paying me to set sail with a Nazi U-boat waiting for me on the other end—assuming his payment for the trip would be very generous—I’d probably haul up anchor and go for it.  He probably thought he could get through the early part of the storm or skirt it entirely.”
         “Wouldn’t he have radioed Bimini or the U-Boat when the squall hit him?” asked David.
         “He might have tried to reach Bimini but I doubt he had radio contact with the U-boat.  Maybe by Morse code.  In any case, the storm must have come up fast and hard and swamped the boat, sending it to the ocean floor.  And that’s the reason the log has no note on the Quebec’s return.  Captain Flynn left it behind and he drowned at sea. Probably intended to fill it out when he got back, but he went down with the ship.”
         Katie and David were dazzled by all Gaudet had just told them.
         “So if all this is correct,” said David, “then that bullion is at the bottom of the Atlantic. How deep is it there?”
         “Well, I don’t know exactly where it sank, but it could be as deep as 13,000 feet.  Believe me, it has a lot of company down there with Spanish galleons, which, incidentally, were also loaded with gold and silver.”
         “Let me try to absorb all this,” said Katie.  “You’re saying that the Québec was hired by Al Capone to run gold bullion out to a German U-boat in the Atlantic Ocean but sank in a storm, taking all the gold with it.”
         “Frankly, the data show it’s far more than reasonable conjecture,” Gaudet said.
         “Well, were you able to find any other evidence of such boats making rendezvous with U-boats at other times?” she asked.
         “In a word, no.  And unless Capone had many more tons of gold stashed somewhere—not necessarily in the Caribbean—he could have brought it down to Bimini by another boat at another time—I doubt very much he would take another chance on losing it in another rendezvous.  And God knows what the Nazi U-boat captain thought.  Not happy, I suspect.”
         “So it’s therefore unlikely Capone would have risked losing any more gold after that,” said David, “because the benefits of it going to Germany were not enough to take that risk.  And the Germans must have assumed Capone was not up to the task.”
         David kept shaking his head. “This is really an astonishing story.  Just when we think we’ve found where the gold went, we find out it’s unreachable at the bottom of the Atlantic Ocean.”
         “Well, if it’s any comfort, from what you told me of the amount of gold, it would have been impossible to load all of it in  that one rumrunner.  It was probably a trial run that failed and the rest of the shipments ceased.  Which means the rest of the gold has still to be somewhere else. But probably not in Germany.”
         Katie and David were not about to go through all the leaky evidence they had for the whereabouts of the three stashes of gold taken at the heist, so they thanked Gaudet profusely and got an evening Amtrak train back to New York, keeping pretty much silent on the three-hour trip, falling asleep on each other’s shoulders.

 




©
John Mariani, 2015





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NOTES FROM THE WINE CELLAR



ARE BORDEAUX AND BURGUNDY
LOSING THEIR CACHET AMONG THE WORLD'S
 TOP WINES?

 
By John Mariani



 

      Back in 1855 a group of Bordeaux merchants at an Exhibition in Paris decided to make some sense of the myriad estate vineyards by classifying them according to which wines consistently sold for the highest prices within the industry. That classification, which ranked wines from premier crus (first growths) to Cinquième crus (fifth growths, are still the benchmark today. Sixty-two among 2,000 vineyards were listed, and, with only a few shufflings of rankings and the addition of Chateau Mouton-Rothschild to the premier crus later on, the top wines have remained the same, still bringing top dollar in the market, along with several great Burdgundies, like those from the Romanée-Conti estates.
     But a just published on-line report by Liv-ex, a London-based global marketplace for the wine trade, where 550 fine wine businesses from around the world buy and sell wine, indicates that several California wines now rank among the top. First published in 2009, the Liv-ex Classification has been updated every two years to reflect the changing conditions of the market, using the 1855 methodology of prices to determine a hierarchy. California wines including Harlan Estate, Colgin, Scarecrow and Screaming Eagle all placed in the first tier, with some rising stars like Opus One Overture,  Realm Cellars’ The Bard, Spottswoode’s Cabernet Sauvignon and Ulysses’ Cabernet Sauvignon.
     To put the report’s findings in perspective, I interviewed Liv-ex’s Director and Head of Sales, Anthony Maxwell (below). Born in South Africa and brought up in France before moving to the UK when a teenager, Maxwell worked for the Foreign Office in Geneva and the International Federation of Wines and Spirits in Paris. He then worked for John Armit Wines for eight years, running their trading department and private client sales department before joining Liv-ex in 2005.


Why do you think this shift away from French (Bordeaux / Burgundy) wines is taking place? Does Covid have anything to do with it?

There are probably two reasons for this shift. The first is that the definition of “fine wine” is now broader than it once was. It is no longer limited to just Bordeaux or just French wines, and as a result this has considerably opened up the world of fine wine, especially when other regions can match the French in terms of quality.
     Another reason is due to buyers searching for greater value and in doing so they are looking to these other regions. That being said, French wines continue to be hugely popular. In some cases, buyers have shifted to Champagne and the Rhône in search of value. Even within Burgundy and Bordeaux themselves, buyers are looking at up-and-coming producers and AOCs where prices aren’t as high. Many of the trends in the Classification pre-date Covid-19. However, this move towards a more diverse market was certainly accelerated. 

 

Are some French wines pricing themselves out of the market?

I don’t think this is necessarily the case. As our Power 100 rankings show, wines from France still dominate and continue to make up the majority of the most powerful brands in the fine wine market. When looking at the components of the Liv-ex 1000 index, the Bordeaux 500 index, which reflects the price movement of 500 leading wines from the region, is up 5.05% year-to-date and 7.7% over a one-year period. The Burgundy 150, Champagne 50 and Rhône 100 have also seen impressive gains over the same periods too. Prices for French wines are still rising, but wines from other regions are also rising and faster too.
   On a positive note, the Classification does highlight that value that still exists in classic French regions. You can still buy Classed Growth Bordeaux for hundreds of pounds, not thousands. There is also some Burgundy that doesn’t cost thousands of pounds per bottle. Champagne and the Rhône continue to provide excellent value among some of their greatest domains and terroirs too.

 

What are the criteria for inclusion?

In order to qualify for the ranking, a wine must have traded on Liv-ex between 1 July 2020 and 30 June 2021 in either a 75cl or 150cl bottle format. Standard in Bond, Standard En Primeur and Duty Paid trades were all considered, except for Burgundy, Champagne, Australia and the USA , where special trades were also permitted. Five or more vintages of the wine must have traded during this period and the wine must have traded 15 or more times.
     Once a wine qualified for inclusion in the rankings, the average trade price per 12-bottle case was calculated and the wine assigned to a tier with the relevant price band.  The price bands are updated every two years to reflect the changing conditions of the market. This year we adjusted our price bands in accordance with the performance of the Liv-ex 1000 index. Between May 2019 (when we last updated our classification) and June 2021, the Liv-ex 1000 rose by 6.36% and the price bands for each tier were adjusted to reflect this. The lowest price bracket was for the 5th tier (between £306 and £382 per 12×75) and the highest was the 1st tier (£3,060 and above). 

 

What longer term trend do you see emerging from this report?

This year’s classification really cements the secondary market trends we have highlighted on numerous occasions over the past year. The first is Bordeaux’s declining share of secondary market trade, which is mirrored in the composition of the classification over time. In 2019, Bordeaux accounted for 37% of the classification, this year it makes up just 28.6%. The diversification of the market is another, as more wines from each country traded. For example, in 2019 U.S. wines only appeared in the top two tiers, but this year they’re spread across four. The same can be said for Bordeaux, Tuscany, Piedmont and the Rhône, which had wines across all five tiers. Burgundy was found across four and Portugal and Australia across three. No doubt as prices for well-known regions and brands continue to rise, buyers will continue to explore up-and-coming regions in search of greater value. This trend is likely to continue.





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So...What Exactly Do They Serve?

Veggie Thumper is the name of a restaurant in Des Moines, Iowa.















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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             






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FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to four excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences." 






Eating Las Vegas JOHN CURTAS has been covering the Las Vegas food and restaurant scene since 1995. He is the co-author of EATING LAS VEGAS – The 50 Essential Restaurants (as well as the author of the Eating Las Vegas web site: www.eatinglasvegas. He can also be seen every Friday morning as the “resident foodie” for Wake Up With the Wagners on KSNV TV (NBC) Channel 3  in Las Vegas.



              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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