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October 12, 2025                                                                                                NEWSLETTER

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THIS WEEK
HISPANIC/LATINO FOOD IN THE U.S.

By John Mariani

NEW YORK CORNER
BONNEFONT RESTAURANT

By John Mariani


HÔTEL ALLEMAGNE
CHAPTER  THIRTY-ONE

By John Mariani

NOTES FROM THE WINE CELLAR
SOME INTERESTING WINES TO MATCH WITH FALL FARE      
            by Geoff Kalish

 



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HISPANIC/LATINO FOOD IN THE U.S.
By John Mariani



Quintonil in Mexico City

 

    October is Hispanic Heritage Month, and Latino food has become one of the driving forces of American gastro-culture, with about 11% of all U.S. restaurants serving Mexican food, making it the second most popular cuisine after American food, along with soaring interest in the food of Peru, Argentina, Brazil and the Caribbean islands.  I interviewed some of the best-known Hispanic-American chefs as to what is driving a remarkably diverse interest in Latino food in the U.S. that departs from the clichés of the past.

 

 

Richard Sandoval, founder of Richard Sandoval Hospitality,  operates  more than 60 restaurants in North America, South America, Europe, and Asia and is best known for his fusion of Latin flavors with modern techniques. He has received Mexico's “National Toque d'Oro,”  Bon Appetit’s “Restaurateur of the Year,” and an honorary doctorate in Culinary Arts from Johnson & Wales University. 

 

 

What have been the most significant changes and advances in Mexican cuisine in Mexico in the last ten years?

 

I see three interlocking developments that are really shaping things: First,  the elevation of indigenous, native ingredients and techniques. Restaurants like Quintonil in Mexico City are sourcing heirloom vegetables, native herbs, even insects, from Milpa Alta, Xochimilco, and other regions, and weaving them into tasting menus.

    Second, global recognition by media such as Michelin and World’s 50 Best are pushing both fine dining and street food.

    Third, new formats and sustainability with a growing attention to zero waste kitchens and ancestral agriculture. A recent example is Baldio in Mexico City, for its commitment to zero waste, fermenting, using whole animals, sourcing locally and reviving ancient farming practices such as chinampas. So the change is not just more refined places but deeper, by reconnecting with native and multi-regional roots, honoring tradition while innovating, being judged internationally and prioritizing sustainability and social responsibility.

 

What have been the most significant changes and advances in Mexican cuisine in the USA in the last five years?

 

Consumer demand and market expansion. There are now more than 80,000 Mexican restaurants in the U.S., making it the second most popular cuisine in the country. Growth has been especially strong among younger adults and people are increasingly exploring beyond Tex-Mex and standard Mexican to authentic regional styles such as Oaxacan moles, Yucatecan recados and Baja seafood. It is not just about taste but about how food is sourced and the story it carries.

 

You now have 60 locations. How does the cooking and style differ from one to another?

Each of my restaurants reflects both its location and the regionality of Mexican food or the culture behind the menu. No two are the same. For example, tán in New York (above) celebrates the flavors of the Yucatán with cochinita pibil and recado negro. Cayao in Los Cabos blends Nikkei traditions, marrying Peruvian and Japanese techniques with a coastal Mexican perspective. Toro Toro brings a broader Latin steakhouse concept to cities around the world, while Maya focuses on traditional Mexican with a modern touch.

 

 

Martha Palacios is Executive Chef of the restaurant Jarana Aventura, Florida, owned by Acurio International. Born in Lima, Peru, she credits her parents and her grandmothers from Cuzco and Lima as inspiration. She spent a decade in Japan learning to fuse cuisine, which she showcases at Jarana (below). She was named “Best Female Chef” in 2022 by El Comercio, one of the leading Peruvian newspapers, as well as the prestigious El Comercio’s “Light of Commerce Award” in 2018.

 

What is the connection between Peruvian food and sushi? The connection goes beyond gastronomy. Peru not only embraced Japanese technique and discipline but also enriched it with its extraordinary biodiversity of ingredients and flavors unique to the world. By respecting the precision of the cut, the freshness of the product, and the Japanese philosophy of highlighting the essence of each ingredient, Peruvians incorporated local chiles, citrus fruits, herbs, and seafood. From this union emerged Nikkei cuisine, a style that honors Japanese tradition while celebrating Peru’s sensory richness. We thus express our gratitude to Japanese culture and its immigrants for the invaluable legacy they left in our country, a legacy that today shines through every Nikkei dish recognized around the world.

 

How has Peruvian food progressed in Peru itself and outside? 

In Peru, food has always begun at home, not only to nourish, but also to share love through flavor. Today, our country has become a world-class culinary destination, with iconic dishes such as ceviche, proclaimed by UNESCO as Intangible Cultural Heritage, and living traditions like our Arequipa picanterías [a traditional eatery serving Peruvian soup and main course].

This journey would not be possible without the fundamental pillars that sustain and guide the progress of Peruvian gastronomy:

1. Defense of native biodiversity that preserves and values the unique ingredients offered by our oceans, mountains, and jungles.

2. Cultural diversity – Embracing the wealth of our ancestral roots and the fusion with external influences, making our cuisine a unique mosaic.

3. Sustainability – Promoting responsible practices that respect the environment and ensure the continuity of our resources for future generations.

 

What are the essential ingredients that make up Peruvian food culture? 

We are proud to have three major ecosystems: coast, highlands, and jungle. Each region offers us a different pantry: The coast, with its generous and fertile ocean;  The highlands, with ancestral grains, tubers, and herbs;  The jungle, with exotic fruits, roots, and flavors that amaze the world. From this diversity emerges a cuisine that changes from place to place, making Peruvian gastronomy a true reflection of our geography and culture.

 

 

Michelle Bernstein of Miami is founder of Michelle Bernstein Catering, Café La Trova, Sra. Martinez, La Cañita and Sweet Liberty. She is the daughter of an Argentine-Jewish mother and a father with Russian-Jewish heritage She opened her first restaurant, Azul, in Miami, then  Michy's in Miami. In 2006, Bernstein won the James Beard Foundation Award for best chef in the South in 2008. 

 

You were among the innovators of New Floribbean Cuisine. When and how did that develop?

I don't consider myself to be an innovator of Floribbean Cuisine. Even though I was born and raised and thoroughly embedded and woven into Miami/Florida and its colorful Latin/Haitian/Caribbean flavor, those who came before me are the architects of what really began as "New World" and "Floribbean Cuisine." I am a student of those mentors, like Mark Militello, Norman Van Aken, Allen Susser and Robin Haas; and one cannot forget the incredible Nuevo Latino flavors of Douglas Rodriguez, whom I have always been a huge fan of. 

 

What changes in Latino restaurants have you seen in Miami in the last couple of years? 


A lot of Latin restaurants in Miami are experiential, where before it was all about the walk-up cafecito window, nibbling on croquetas, a Cuban sandwich or creamy flan. Nowadays, the bars are essential, preparing fresh squeezed lime for hundreds of orders of Daiquiris and Mojitos every night. Creativity rules the day with inventive fillings for croquetas and empanadas. Traditional staples are always available including roast lechon or ropa vieja, however everything is now a bit more upscale, more "dressed up" and has a background of beautiful Latin music either playing from speakers or live in front of the crowds. The energy is usually high and you need to be prepared to dance. Don't get me wrong, we still have the old classic Cuban restaurants, however not many are left that don't provide a little extra.

 

How would you assess the way Latino restaurants have pervaded major US cities in the past five years?


I think everyone wants to experience the energy, creativity, and sazon [spice] of Latin restaurants these days. It's also one of the fastest growing populations in the U.S., and you can feel it everywhere. People want more flavor, more rhythm and more culture and we intend to serve them what they want. 

 

 


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NEW YORK CORNER

BONNEFONT RESTAURANT

1 Margaret Corbin Drive

212-740-2939

By John Mariani


 

 

    The last time I ate chef Nicole O’Brien’s cooking was on the northern boundary of Manhattan at her restaurant The Pandering Pig, with just 28 seats, a minuscule kitchen and a small menu (now closed). Now, six years later, she is in far more impressive quarters, the Bonnefont fieldstone cottage built in the 1930's for John D. Rockefeller and designed by the Olmsted Brothers.

    The structure is set within the landscaped greenery of Fort Tryon Park and the Cloisters Museum that looks out upon the broad expanse of the Hudson River. The restaurant’s name is taken from the exquisite Bonnefont Cloister and herb garden (right) at magnificent Cloisters up the hill. The structure features a cobblestone exterior, granite archways, and a slate roof held up  by the oak trusses of the interior's 14-foot ceilings––all landmarked, allowing O’Brien only to alter the dining room, which she has done with applaudable restraint. Tables are widely set apart, there is little artwork and there is a lovely shaded garden area where you may dine for the time being. The tables themselves have flowers and a lighted crystal globe. Only the meeting room-like black chairs seem out of place.

        I was luckily there for “Vinyl Wednesday” when the bartender, Logan Burns, plays his own stack of 1960s wax, which was the first restaurant playlist I’ve enjoyed in twenty years.

    O’Brien, who grew up in Marin County, has always called her cooking "FreNoCal," which sounds like a soft drink but is an amalgam of “French Northern California.”  She had once pursued a successful career in the arts and film, then became a private chef for celebrity clientele whose tastes, she says, could be “eccentric.” At Bonnefont she has full freedom to cook as she wishes, and many of her best dishes have made the leap from her former restaurant’s menu. Prices are very reasonable, with main courses ranging from $18 to $38.

    My family and I began with a very fine warm vichyssoise with additional shallots. Roasted Roman dates are stuffed with toasted pine, nuts, garlic, thyme, drizzled with honey. A liberal sampling of cheeses and sausages and salami (right) came on a platter with slices of very good, crusty bread and butter.

    The Bonnefont herbal salad is made with dill-strewn  radishes and toasted sunflower and pumpkin seeds in a Sherry dressing.

    One of the prized dishes from The Pampered Pig is her coq au vin, which O’Brien marinates for hours in red wine, slowly cooked to ideal tenderness and  served over polenta with melted blue cheese. Another is her very winey boeuf à la bourguignon (left) abundant with early autumn vegetables and brought steaming to the table.

    Unexpected was an abundant Asian-style bowl of noodles cooked in  coconut butter with tangled carrots, zucchini, bell pepper, scallions and garlic and laced with peanut butter, soy, butter and coconut.

    The only disappointment was a night’s special of grilled Montauk striped bass whose flesh tasted somewhat muddy. It came atop a potato-leek puree.

    The men also has a “Menu pour Les Enfants” that include a deliciously rich mac-and-cheese my grandchildren had to battle us adults for (right).

    Desserts are wholly apt for the restaurant, like a dreamy chocolate nuage and a moist brownie with the ice cream scooped from the weekend ice cream shop below.

    Bonnefont wine list is neither long nor very interesting, but prices are almost all under $100 per bottle and most labels available as half-bottles.  But the  selection of unusual liquors and small craft beers anchors the charming bar up front.

    Bonnefont is truly a retreat, just as the Cloisters were once for French nuns, only the food and wine are of a more liberal and savory style. To visit the Cloisters, which close at five PM, then dine here amidst the ever growing greenery in view of what Henry James called “America’s great romantic stream” is a unique experience in Manhattan, as far away from its hip-hooray and ballyhoo as it is possible to get.

 

 

 

Open for dinner Wed.-Sun.; lunch Wed.-Fri.; Brunch Sat. & Sun.






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HÔTEL ALLEMAGNE
 
By  John Mariani






CHAPTER  THIRTY-ONE

        After the interview, which lasted until the late afternoon and was schedule to resume the following morning, Borel called David and shared all the news; David, in turn, shared it with Katie and Catherine.
         Bazarov said that the orders to attack the hotels came directly from the Kremlin, and that the virus would be made available for him to pick up in Ankara. The Russians said they had made all the arrangement in Marseilles and with the Syrians; Bazarov would be in charge of hiring Massot in Paris. In Marseilles contacts were made with the Unione, which for an exorbitant fee—Bazarov did not know the amount—they assigned the job to Marciano, who was deeply in debt to the mob. The Unione told the Russians they did not wish to know any of the details of the operation, only guaranteeing Marciano’s strict adherence to the plan.
         The Syrian government was only too happy to assist the Russians in the operation in an effort to embarrass the Saudis, assigning Salah to the job. He met with Bazarov in Paris, also without knowing more than the operational details of the attack. Massot had, apparently, been used by the Russians for delivery jobs, nothing bigger than dropping off passports and various documents.
         The Sûreté had asked Bazarov what the Putin connection was and why he would want to poison three Paris hotels. Bazarov said he’d never spoken directly to Putin but that the President’s people made it very clear the orders were from the top. The reason, Bazarov speculated, was that Putin wanted a Russian presence in the Paris hotel scene, both for prestige and for the enormous profits they could provide. Embarrassing the Saudis was of only secondary importance, but Putin knew that would further cement relations with both Syria and Iran in the Middle East, whose own officials would receive the V.I.P. treatment in the hotels they could never have hoped to get from Saudi hoteliers.

         Putin was willing to wait for however long it took to completely clean the hotels, watch how long the taint of the virus lingered in the public’s eye, then, knowing that the Saudis had no patience in such matters and sought profitability from a property as soon as possible, make a rock-bottom offer through a shell company to buy the three of them for one price. Putin’s name would be nowhere on the sale documents, but, in fact, he would be taking in profits when the hotels regained their reputation. The wonderful aspect of such a deal was that so much Saudi money had been poured into the hotels when they were being renovated that not a single ruble would have to spent on new furnishings.
         It was a very neat scheme, though wholly dependent on the French and Saudis never finding the culprits in the crime. In fact, Bazarov was informed that Sallah was expected to return to Damascus days after the attack, and Marciano was already back in Marseilles.  The fact that the three perpetrators plus Bazarov had been exposed now meant that there was no hope the Saudis would ever sell the hotels to the Russians. There would always be a buyer for such deluxe properties, even if the Saudis had to wait for one months in the future.
         Catherine held onto the news Borel had asked her to embargo till the end of the week, when the Sûreté and DGSI had readied a public report. Katie and David, who had pretty much come to the end of their vacation time in Paris, called Alan Dobell to tell him all that had occurred and agreed that it was time to return to the States, where Katie could keep track of how the story would develop from there. At some point, after arraignments and charges against the three perpetrators were formalized, Bazarov’s involvement would be announced, then the tricky part of granting him asylum and diplomatic immunity in the face of public outrage  would be hammered out.
         The assertions made by Bazarov about Putin would, of course, be peppered with the phrase “alleged participation,” knowing that it would be denied by the Kremlin and that Putin had little fear of reprisals against him in Russia, though it would not be well received in the Kremlin.

       

         The three Americans had one last meal together at Jacques’s restaurant, congratulating themselves on their participation in solving the crimes, which was certainly going to put Catherine in a new light at CNN.  Katie would try to turn their story—attempted kidnapping and all—into a McClure’s article in the months to come.
         Katie and David would be leaving the next day, but, with the help of Jacques, managed to obtain a reservation at Le Grand Véfour (above), as they’d promised themselves. Katie had bought a new dress for the occasion—going the safe route with a slender black dress cut out in the back and a thin sash around the waist. David, feeling resplendent in his  new jacket, even bought a new white shirt and a knock-off of a silver-blue Hermès tie with a very small, very discreet horseshoe print.
         Le Grand Véfour was everything they hoped it would be and more—especially the final bill, which came out to more than $600. The restaurant was the most historic in Paris: The space had once served as headquarters for the revolutionaries and meeting place for the organizers of the Reign of Terror. Napoleon ate there with Josephine—the table is still there for all to see—and by the end of the 19th century it had acquired a mirrored, neo-Pompeian décor of stunning opulence impeccably maintained into the 21st century.
        Katie and David went with the restaurant’s “classics,” like foie-and-duck gras-stuffed ravioli in a foamy cream sauce; a cauliflower soup with haddock; and squab “Prince Rainier III,” with a bitter chocolate mousse for dessert. It was a long, enchanted evening, and, with Katie so beautifully dressed and speaking French, the service could not have been more cordial and attentive.
        “So, au revoir to Paris for a while,” said Katie, lifting her glass of Champagne.

"And back to the Bronx and the Hudson River," replied David. "Y'know, I've gotten to really love this city, but I miss my little house on the river, which by now must be overgrown with giant hogweed."
     "I'm a little homesick, too," said Katie, "but if I could stay here another two weeks, I would not hate it. Maybe I'll have to come back to finish the story."
     David didn't say what he'd like to have said, that he love coming back to Paris with Her. Instead, he just said you never know.

 



©
John Mariani, 2024



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              Some Interesting Wines to Match With Fall Fare

                                                                                          by Geoff Kalish



PIETER BRUEGEL, "THE HARVESTERS"

 

    As we slowly transition through the warmth of early fall to the chill of winter, seasonal fare progresses from favorites like hamburgers and pasta primavera that mate well with easy-drinking wines emanating fruity, flowery bouquets and low-tannin taste  to classics like grilled game birds and pasta with eggplant that match best with reds and whites showing more muted fruity flavors and often hints of spice and herbs in their finish. While many wines are available to adequately accompany the fare of fall, at some recent tastings I’ve found a number of  reasonably-priced reds and whites from “off the beaten track that more than fill the bill and offer some interesting wine-food flavor combinations.  

 

WHITES

 

2024 Marcel Bubois Vouvray ($15). Made from Chenin Blanc grapes grown in France’s Loire Valley, this wine shows a fragrant bouquet and slightly sweet taste of peaches and pineapple, with a crisp finish of pears and lemon zest. It mates well with shrimp scampi and grilled octopus as well as baked acorn and Delicato squash.

 

2024 Seehof Feinherb Riesling ($21). This import from the Westhoffen area of the Rheinhessen has a fragrant bouquet and slightly sweet taste of honeysuckle and peaches with notes of grapefruit in its finish. It makes a zesty mate for sushi, tuna tartar and grilled salmon as well as Caesar salad and Thai classics like pad Thai and shrimp in green curry sauce.

 

2024 Pine Ridge Chenin Blanc/Viognier  ($16). Showing a mix of tropical fruit and a distinct taste of ripe pears, this unusual blend of 80% Chenin Blanc and 20% Viognier, from well-known and remote areas of Napa Valley, has a crisp finish that is ideal to mate with spicy fare like Buffalo chicken wings, Korean kimchi and Indian Vindaloo.

 

REDS

 



2023 Elena Walch Schiwa
($22). Hailing from vineyards on the steep slopes Alto Adige, in northeastern Italy, this lively red shows a bouquet and taste of ripe cherries and strawberries with notes of almond in its smooth finish. It mates well with brisket of beef, spaghetti with meatballs and veal Marsala.

 

2022 La Atalaya Del Comino ($17). This wine was fashioned from a blend of Garnacha Tintorera (85%) and Monastrell (15%) grown in western Spain. Following harvest the two varietals were fermented separately in stainless-steel tanks and aged in French oak (for 12 months), then blended. The result is a wine that has a fruity bouquet and taste of plums and black cherries with notes of green herbs and a hint of licorice in its long finish. It provides excellent accompaniment to baked chicken, salmon with chimichurri sauce and grilled or broiled swordfish.

 

2023 G. Descombes Morgon ($25). This Cru Beaujolais was made from premium Gamay grapes from around the eastern French village of Morgon that were fermented partially by carbonic maceration (addition of carbon dioxide to a closed tank containing the grapes) and then aged in concrete tanks. The result is a red with a vibrant bouquet and taste of ripe cherries and raspberries with hints of orange and thyme in its finish ideal to marry with baked chicken, turkey and veal dishes.

 

2023 Château Thivin Côte de Brouilly ($35). Made from organically-grown grapes on Mount Brouilly, in eastern France, this elegant red shows a bouquet and taste of ripe strawberries and plums with notes of cranberry. It pairs well with duck paté and baked brie as well as roasted turkey and braised brisket of beef.

 

2021 Kris Pinot Noir ($12). Don’t be put off by the screw top or that this Pinot Noir comes from Italy––not renowned for wines from the Pinot Noir (pinot nero) grape––made from grapes grown on hillside vineyards, this red shows an elegant bouquet and taste of ripe plums and blackberries, with notes of cherry and hints of thyme in its finish. Marry it with pasta with eggplant, veal Parmigiana and grilled duck breasts as well as “hard” aged cheeses like cheddar and Gouda.

 

 

 

 





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SAVE THE BONES FOR HENRY JONES!

"I was delighted to read that men still order steak to impress women on a date. I had worried that this sort of harmless (unless you’re a cow), loveable food machismo was dying out among younger chaps. But no, apparently not."–Robert Crampton London Times (Oct 7).
 






















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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             








              

MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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