MARIANI’S

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  April 7,  2019                                                                                            NEWSLETTER



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Postcard for K. Mack Nightclub in Sonnenhof in Asbach, Germany

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IN THIS ISSUE
DINING OUT IN THE VENETO
By John A. Curtas

NEW YORK CORNER
VAUCLUSE

By John Mariani


NOTES FROM THE WINE CELLAR
THE WINES OF THE VENETO. Part Two
By John A. Curtas




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DINING OUT IN THE VENETO
By John A. Curtas


Pasta dish at Le Calandre

     Venice may be the best known part of the Veneto, but some of the best food and wine lists in the region are to be found beyond its watery canals.


Ristorante Oseleta
Villa Cordevigo Wine Relais
37010 Cavaion,Verona
045 723 52 87

    Two restaurants stood out on my tour through the Veneto. Ristorante Oseleta is located at the Villa Cordevigo Wine Relais on the Vigneti Villabella wine estate in Cavaion.  Oseleta means "little bird" in the Veneto dialect and both the ristorante and a local wine are named after the tiny warblers who find this smallish grape irresistible. From the gorgeous hillside vineyards above the hotel you can observe Lake Garda, the town of Bardolino and the enclosed, classic 18th century villa that's been converted into the hotel and tasting rooms.
    The ristorante offers a cuisine of Veronese specialties given a lighter, modern touch by Chef Giuseppe D'Aquino. Our lake perch with mayonnaise of sea urchin and cream of smoked Provola cheese, pumpkin raviolo with Moncenisio cheese, and hay-smoked venison napped with a cardamom/red-fruit sauce were palate-perfect marriages of local cuisine paired with wine that began on the hillsides surrounding you.
    A vibrant Vigneti Villabella Chiaretto Spumante began the meal, followed by a pleasant but forgettable bianco blend and ending with the winery's bold and tannic 2008 Oseleta—its inky darkness being more than a match for the deeply-flavored venison. Those little birds certainly know what they're doing.

(Tasting menus run 95-145 euros)

 



 

Le Calandre
Via Liguria 1, Rubano
049 530303

    Where Oseleta hits all the right wine country notes (beautiful vineyard setting, updated traditional cuisine), Le Calandre is in a class by itself—a Michelin three-star experience of the most modern kind. A meal there is full of the unexpected, beginning with its location on the outskirts of Padua.
    The modest building housing the main restaurant and its more casual cafe is located in the industrial town of Rubano, eight miles from Padua, surroundings which give you no hint of the wonders that lie within. Chef Massimiliano Alajmo, the youngest chef, at age 28, ever to earn three Michelin stars, and sous-chef Diegro Magro (left) is part expressionist and part classicist as he leads you through a menu of riffs on Veronese dishes that never stray into artifice or modernism. Ingredients are allowed to reveal themselves in unique ways, but nothing relies on alginate spherification baths, or tweezer-ed tree bark, to make a point.
    Alajmo is to saffron risotto what Paul Bocuse was to the chicken pot pie—taking an old standard to uncharted gourmet glory—in Massimiliano's case with the addition of licorice powder and juniper.  Like any great artist’s, his vision forces you to confront the familiar as if you’re seeing it for the first time. The risotto pops in color and flavor like none you've ever had, and his cuttlefish "cappuccino," a blue ink-streaked, seafood-potato cream of persistent seafood intensity, feels both rich and creamy without actually being either. That dish kicks off the "classico" menu of seven savory courses, which includes an inside-out homage to fried Neapolitan pizza (called Napul è), smoked, thick tagliolini, and roast suckling pig with mostarda. Two other menus are offered—one called "Max" and the other "Raf" (after brother Raffaele)—and in them you'll find such wonders as soft egg with tuna belly gelato, spaghetti with sea snails and pistachio sauce, and crispy red mullet with white truffle. Knowing I was a solo diner eager to try everything, the kitchen happily mixed and matched courses from each menu to give me a taste of all three.
    The wine service was as superb and creative as the food, with the sommelier steering me to the rare, ancient Veronese oseleta grape for my red wine, and a Vignale di Cecilia "Cocai" for my white. After a solid week of Chiaretto and Corvina consumption, both were a refreshing change of pace.
    Desserts are listened to, through headphones, while being consumed. It may sound wacky (pun intended), but bear with me. Called Vibraziono-gioco al cioccolato (Vibrations-chocolate game), a thick black box is placed before you, on top of which are a variety of chocolate morsels. You then place those headphones on and realize they are attached to super-sensitive microphones within the box, and are picking up all sorts of crackle, pops, sighs and squeaks coming from the food, as well as from the scrapes and sounds you make while using your utensils. Who knew resting food, or a spoon, could be so noisy?
    The whole point, according to Max, is to make you slow down and use all your senses to appreciate what you're eating. If this sort of thing happened after a lengthy meal of bizarre culinary sleights-of-hand, it might feel like another palate-exhausting parlor trick. As it is, coming after the vividly rendered proteins and produce of the Veneto, it is an amusing and memorable way to end your meal.
    Like many of the greatest meals I've ever had, Le Calandre’s cuisine is off the beaten path, but one bite of Alajmo's grilled kidneys with radicchio salad, or that risotto (or that chocolate box) and you will forget how long it took you to get there. If Antico Bottega del Vino is a must-stop for any wine lover, no culinary tour of modern Italy is complete without a journey to this unassuming little town halfway between Verona and Venice. There, wonders await you from the mind of Massimiliano. 

(Tasting menus start at three courses for 135 euros up to 250 euros for seven courses.)

 

Antica Bottega del Vino
Via Scudo di Francia, 3,
Verona
 045 800 4535

     Once you've spent a day or more on the Veneto wine route, there's no better place to continue your education than at in the heart of the city of Verona than at Antica Bottega del Vino. There you will bask in the pale yellow glow of one of the oldest (1890) wine bars in the world. As you're basking, you'll also be wrestling with two wine lists—one for red, one for white—each the dimensions of a small tabletop and as thick as a dictionary. Within them is an almost encyclopedic listing of the wines of the Veneto (and Italy), with vintages going back decades.
    The bottega also functions as a full-service osteria, with a menu of Veronese classics, ranging from hunks of the local Monte Veronese cheese to tortellini burro e tartufo to stracotto d'asino con polenta morbida (braised donkey with tender polenta). The by-the-glass offerings are ever-changing and outstanding, making a pilgrimage here a must on any oenophile's bucket list, even if you're not in the mood for donkey.


 


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NEW YORK CORNER
By John Mariani
Interior photos by Liz Clayman

    VAUCLUSE
100 East 63rd Street (off Park Avenue)
646-869-2300





    Now four years old, Vaucluse began as a “French brasserie” on the Upper East Side, but it has now been bisected into a lower room that is still resolutely French and an upper room called Omar (now darker than it used to be) that has a far more eclectic menu. The two rooms are separated by a swanky bar playing music at top volume.
    Vaucluse is one of many restaurants run by Chef Michael White and his Altamarea group, including, in New York, Ai Fiori, Ristorante Morini, Nicoletta Pizzeria and Marea, all Italian, with two others in Hong Kong and Istanbul. I’ve remarked many times about the problems of maintaining the same quality at so many venues when the principal chef, White, cannot possibly be at most of them very often. And it was a disappointing meal at his New York Ristorante Morini recently that made me want to see how Vaucluse was faring.
    For one thing, aside from the transformation into Omar upstairs, the lower room where I dined is still named Vaucluse and not as loud as it used to be. With its well-set, well-spaced tables, plush banquettes and elegant furnishings, this has become one of the most alluring dining rooms in town—the kind the New York food media contend no one wants to go to anymore, despite a full house on a Tuesday, and a restaurant of distinction that the same media rarely bother to cover on the tony streets of the Upper East Side.
    For its elegance and address, you will pay a high tab, although, going à la carte, you could enjoy a fine three-course meal for around $65; for example, a crab salad or pasta, pan-sautéed trout with toasted almonds and haricots verts, and dessert. Otherwise there are prix fixe menus at $95 for four courses, $135 for six—both lower than comparable menus at Daniel, La Grenouille or Le Bernardin. 
    Chef de cuisine Arthur Lee presents a menu that is of ideal size, and in its fairly straightforward way dishes keep the emphasis on the main ingredients, with just enough complexity to provide nuance and complementary flavors and textures.  One exception was a dish of Peconic bay scallops, now in season, that are so sweet and delicate in flavor that little or nothing needs to be done to them for maximum effect, and certainly not the shower of
shaved fennel, purple carrots and snow peas tossed in a spring onion vinaigrette, orange carrot puree, garlic puree cooked in cream and pea tendrils ($31 and $54), all of which overpowered them.
     I was
happy to see that consommé with mushrooms is still on the menu (though the price has risen four dollars in four years to $23). A salad of crab was a generous mélange of crab (described as “jumbo,” the morsels were closer to “lump”) with delicious honey crisp apples, elderflower gelée and trout roe ($27).  Silky and rich was a very classic terrine of duck foie gras (right) with pistachio and fig compote ($28).
    As does every chef these days, Lee has a few pastas on the menu (as appetizers or entrees), including a marvelous ravioli called epaulettes here, stuffed with braised rabbit (left), reblochon, stracchino, parmigiano and black truffles was further enriched, much in the Michael White style, with plenty of melted butter, more truffles, Madeira and chicken jus ($27 or $39). A nicely al dente, housemade squid ink spaghetti was tossed with a seppia ragôut, calamari and basil ($27 or $39)—what Italians call “brutta ma buoni” (ugly but good), for it was indeed not very pretty but had several levels of gutsy, hearty flavor.
    Among the main courses, seafood holds the most interest, beginning with a grilled loup de mer (sea bass) that gained a cascade of flavors from a parsnip purée, roasted romanesco, salsify and ivory-colored beurre blanc ($44).  Fresh, unsalted cod is not on its own always a tasty fish (below), but at Vaucluse it had more than usual, pan-roasted and given a fine boost from braised fennel and tomato fondue, with tender cannelloni beans for textural contrast ($44).
    Roast chicken is a dish French chefs judge their mettle by, possibly in nostalgic comparison with their mother’s Sunday dinner.  Vaucluse’s version is to take a hefty portion of the breast meat, roast it very juicy and serve it with a creamy polenta, matsutake mushrooms and a delightful chestnut crȇpinette ($36). I’ll give it a demerit, however, for its flaccid skin. (My Italian-American mother achieved a blistering crisp skin by sticking the chicken parts under the broiler.)
    Aisha Momaney’s desserts are very good, very sophisticated and very French, including a Tarte Tatin aux Pommes (left) made with Northern Spy apples, huckleberry and ginger ice cream;  a chocolate semifreddo with chocolate crème, brownie and Madeira mascarpone ice cream; and crispy crêpes millefeuille with Earl Gray-scented crème diplomat, grapefruit confiture and caramelized honey (all $15).
    The well-priced wine list is first class, and wine director Richard Anderson suggested the ideal wine, at just $80, to go with the wide range of dishes our table of four had ordered.
    The tiresome adjective “grown-up” should cease to be used next to the word “restaurant,” as it is these days to describe a restaurant that people with expectations of elegance, fine service and a commitment to manners frequent. It used to be that many restaurants of many stripes in New York were always that way. And while it is far from alone in a wide-ranging pack, Vaucluse most certainly manifests all those virtues and draws a clientele that basks in them.  

Open for lunch Mon.-Fri.; dinner nightly; brunch Sun.

 

 


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NOTES FROM THE WINE CELLAR

THE WINES OF THE VENETO,
Part Two

By John A. Curtas

Verona

        After swimming in rosés for a day, we were ready to graduate to the next level of Veronese wines: the bright, sour cherry charms of Bardolino. And there's no better place to immerse yourself in the wines of the Veneto than in the city of Verona.
    Bardolino wants to be taken seriously, or at least more seriously than it used to be. It is produced on the shores of Lake Garda and gets its name from the lovely village of the same name overlooking the lake (below). It has always been thought of as a light, easy-pleasing red wine, generally made with less Corvina and more Rondinella and Molinara than its Valpolicella neighbors to the east. The Corvina grape (left) gives the wine its structure and the typical sour-cherry aroma, while Rondinella imparts a fresh, herbaceous character. The higher-yielding Molinara grape has fallen out of favor recently, being replaced in some blends with Barbera, Sangiovese, Mazemino, Merlot and even Cabernet Sauvignon.
    Under Italian law, Bardolino Superiore DOCG (the highest quality Bardolino) can contain up to 20% of these other grapes. But the trend appears to be to use more Corvina in the blend (up to 95%, formerly 80%) to make the wine richer, fuller, and more competitive with Valpolicella—its country cousin that is gaining in reputation among serious imbibers. In keeping with this trend, Bardolino producers have concentrated on promoting three historical sub-zones: La Rocca, Montebaldo and Sommacampagna—areas carved out by ancient glaciers, leaving morainic soils that give this foothills wine a distinct expression.
    In highlighting these zones, Bardolino seeks to compare itself with the great crus Beaujolais (Morgon, Brouilly, Fleurie, et al), but it's doubtful you'll ever confuse the Gamay grape with Corvina, since Beaujolais wines are noted for their exuberant, silky fruitiness, and there is no escaping the more rustic, tart and spicy character of Bardolino. Like its pale pink sibling Chiaretto, it makes a perfect outdoor wine, and often benefits from a slight chilling.
    When you're ready to move up in intensity in the Veneto, Valpolicella is where you head. If Soave is the most discredited wine in Italy, Valpolicella may be the most underrated. Grown on a series of hillsides and valleys to the east of Lake Garda, the Corvina grape there reaches a fuller expression. Mass-market prejudices against the wine die hard—again, the product of swamping America with oceans of bulk "Valpolicella"—but today producers are destroying these preconceptions with "Superiore" and "Ripasso" bottlings that sometimes resemble baby Amarones in their inky intensity.
    Valpolicella (the name means "valley of the cellars") is something of a work-in-progress these days, as the styles range from deep, dark and resiny to fresh and fruity.      The former characteristics come from the ripasso process—wherein a secondary fermentation occurs after the wine is pumped onto Amarone lees (skins and pulp) leftover from that wine's fermentation. The late Giuseppe Quintarelli is credited with popularizing this process in the 1980s, thereby elevating the former trattoria staple to previously unknown heights of complexity.
    Now, a number of new winemakers are following his lead, although often you won't know from the label whether your Valpolicella Ripasso is Amarone-like (thick, alcoholic and strong) or sapid, bright and juicy. Some producers state whether the ripasso process was used, others do not. This confusion can be either fascinating or infuriating, depending on your level of interest, but I like to think of it as simply Italians being Italian. Your last two stops up the Veneto wine ladder will be at Amarone and Recioto—until recently, the only two wines for which the region was respected. They are really just two sides of the same, raisinated coin—the Veneto being well known for making wine from dried-out grapes (called appassimento) for centuries. These two are simply the dry (amaro means "bitter" in Italian) and sweet evocation of the process.
    Recioto della Valpolicella has fallen out of favor these days, but its history dates back to Roman times, when high alcohol and sweetness were valued. Amarone, unique among these wines, is the most modern and said to have been discovered when someone allowed a barrel of Recioto to complete its fermentation, turning sweet, condensed sugars into alcohol, resulting in a remarkably rich, aromatic, dry red wine.    Amarone as a style of wine has only been around since the 1950s, and its luscious, potent, dried-fruit qualities can seem almost sweet on the palate. This doesn't keep it from being a perfect match for game or rich, meaty stews, as well as just about any strong cheese. Recioto on its own might be the best cheese-friendly sweet wine in the world, certainly the equal of many Ports and Sauternes.

Some notable Bardolino, Valpolicella and Amarone wines: 

Le Fraghe Bardolino 2017 ($20)—Corvina (80%) and Rondinella (20%) are vinified separately, then blended. No oak is used, and it gives off a ruby red tinge of medium intensity. Lots of herbs, and spicy nuances in a fruity wrap of sweet-sour berries. Very soft tannins (a characteristic of Bardolino generally) make this an ideal picnic sipper. Quite a drink for the price. 

Le Fraghe Bardolino Classico DOC Brol Grande 2015 ($30)—Firmer and more tannic than Le Fraghe's everyday Bardolino, this is one to put down for a while to allow those sweet/sour cherry/berry flavors to integrate with the acid. More than double the cost of most Bardolino, but worth it if you can find it. 

Monte del Frà 2017 Bardolino DOC ($15)—An old-fashioned, light and fresh evocation of the style—65% Corvina, 30% Rondinella, 5% Molinara—meant for easy drinking with fish, pasta or pizza.  

Tenuta La Presa Baldovino Bardolino 2017 ($20)—An almost balmy nose of strawberries and cherries gives way to juicy fruit and agreeable tannins. It appears very light in the glass, but has a pleasant grape-y quality that many Bardolino fans search for, but never quite find. Best served slightly chilled with grilled meats or meaty fish. 

Vigneti Villabella Valpolicella Ripasso DOC Classico Superiore 2016 ($20)—The ripasso process brings out deeper black fruits, black pepper and dried plum notes that you won't find in Bardolino. This wine shows all of those, plus it is backed by firm acidity and structure, with a mild but persistent grip. Not a quaffer, but a serious compliment to beef stew. 

Domìni Veneti Valpolicella DOC Classico Superiore 2016 ($12)—A more traditional Valpolicella, using less Corvina (60%, blended with Corvinone and other varietals), which gives the wine a paler, ruby red hue, lower alcohol (13%), red fruits and floral notes with a touch of pepper. A good example of how producers have upgraded this pizza parlor drink into something more substantial. A steal at $12. 

Guerrieri Rizzardi "Pojega" Valpolicella Ripsasso Classico Superiore 2016 ($20)—The winery's most successful red (50% Corvinone, 30% Corvina, 20% Sangiovese/Merlot), definitely not a baby Amarone, spends twelve months in oak; fruity but not sweet, light on its feet, but the smoky cherry and spice come through. 

Santico Amarone della Valpolicella Classico DOCG 2013 ($40)—Hand-picked grapes (80% Corvina, 20% Rondinella) are dried for over three months, then aged in oak for another two years. Dark and concentrated, but also smooth and spicy, with plenty of the smoky, macerated black fruit/raisin flavor you expect from Amarone. A great entry-level Amarone. 

Domini Veneti  Amarone della Valpolicella DOCG Classico 2013 ($35)—Like all Amarone, deep red/purple color lets you know you're in for a palate wallop of 16% alcohol (some breach the 17% line), but the perfume, density, and structure, combined with lots of dried cherries and spice, make the payoff worth it. Even lower priced Amarone like this one will benefit from 10 years in the cellar, although this baby would go just fine with grilled or braised meats, or some strong cheese like Robiola or Taleggio. 

Guerrieri Rizzardi "Calcarole" Amarone della Valpolicella DOCG Classico 2011 ($80)—The current release from this large wine estate, made entirely from dried grapes in an older style, aged three years in oak barrels, though not hugely extracted. Lively and fresh on the nose, even at 16% alcohol, with less of the "cooked fruit" quality than you would expect. An absolute stunner that will teach you why people are so passionate about Amarone.

 





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GOOD THING HE DIDN'T SAY "SWAMP WATER"

At his restaurant in Yountville, CA, Chef Thomas Keller served San Francisco Chronicle's food critic Soleil Ho a soup course in a bong, saying it was a joke on New York Times critic Pete Wells, who wrote in his slashing review of Keller's NYC restaurant Per Se that “a lukewarm matsutake mushroom bouillon as murky and appealing as bong water.”  At The French Laundry the “bong water” is made with porcini mushrooms and covered with billowing smoke.






MOST EXCITING RESTAURANT

REVIEW OF THE MONTH

"I started with artichoke soup made from actual artichokes."--Polly Campbell, "Forno Offers an Italian Embrace," Cincinnati Enquirer.









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Wine Column Sponsored by Banfi Vintners

SANGIOVESE 

   Wine is a joy year-round but in cooler weather one grape varietal has really taken center stage in my daily activities – that most Italian of grapes, Sangiovese, and its ultimate expression – Brunello di Montalcino.
    From mid-September through mid-October, the Sangiovese grown for our various styles of red wines are be harvested, culminating with the top selection for Brunello di Montalcino.
    Second, cooler weather here means it is time to start enjoying more red wines and especially Sangiovese based wines.  That includes Banfi’s cru of Brunello, Poggio alle Mura, literally the cream of the crop of our Sangiovese vineyards. Alongside our Poggio alle Mura Brunello di Montalcino, this year we introduced two more wines from the cru Poggio alle Mura – a Rosso di Montalcino and a Riserva of Brunello.  Rosso is sort of like the younger brother of Brunello, also made from 100% Sangiovese grapes but usually a selection from younger vines and the wine is aged only two years compared to the four required for Brunello.  The Riserva, on the other hand, is an even more selective harvest of Sangiovese, and ages for an additional year before release.
    What is so special about this cru Poggio alle Mura?  Well, it is the result our over 30 years of ongoing research at my family’s vineyard estate, Castello Banfi.  When we first began planting our vines there in the late 1970s studies from the University of Bordeaux indicated which strains of many varietals we should plant, based on the soil type and microclimate of each vineyard.  But when it came to the region’s native Sangiovese, there was only local lore, no scientific research.  So we took it upon ourselves to figure out this vine, and set off on three decades of incredibly detailed research.
    We started with 600 apparent variations on Sangiovese, because it is so susceptible to variations in weather and soil, and narrowed that down to 160 truly genetically different clones.  We planted a vineyard with two rows of each type, made wine from each of them, and charted the differences – remember, you only get one chance a year to make wine, so this took time.
    It took about ten years to get some concrete results, though we continue to experiment today and always will – you never stop learning in science and nature!  Once we determined which were the best, complementary clones that could be planted together to make the best Brunello, we chose to plant them in what we determined to be the optimal vineyard sites.  Coincidentally, the best soils and climate conditions are in the slopes surrounding the medieval fortress today known as Castello Banfi, known since Etruscan times as Poggio alle Mura – the walled hilltop.  Hence the name of our most special “cru” of Brunello, representing a synthesis between tradition and innovation.
    Though the focus of this study was our Brunello, all of our Sangiovese-based wines, including the super Tuscans SummuS, Cum Laude, and Centine, benefitted from this work.  And that’s the third reason for celebrating Sangiovese this month, for the range of wonderful reds that usher us into autumn!  One wine in particular was inspired by our research – the BelnerO, a Sangiovese dominant blend with what I like to call a kiss of Cabernet and a whisper of Merlot.  We grow the grapes a little differently for BelnerO than for Brunello, make the wine with less oak aging and released it earlier from the winery, providing a counterpoint to Brunello and a lovely terroir-driven wine in its own right.
     If you know Italians, you know that by nature we are multi-faceted, varying in mood, and always passionate.  As a nation, we span from the hot sunny beaches of Sicily near the African coast to the rugged mountains and Alpine ski slopes of Trentino-Alto Adige in the north.  Sangiovese is grown in almost all of Italy’s regions and reflects the unique nature of each; it is most famous (rightfully so) in Tuscany, yet even there it reflects the nuances of each hilltop, valley and subzone.  It has something a little different to say in Brunello than Chianti, Morellino than Vino Nobile di Montepulciano, Rosso di Montalcino than Super Tuscan blends.
    Here is a smattering of Sangiovese-based wines that you may wish to get to know better, reflecting a spectrum that appeals to every occasion, every taste, and every budget.  We can assure you that the conversation will never become boring.

Recommendations for Celebrating Sangiovese 

BelnerO Proprietor’s Reserve Sangiovese – A refined cuvée of noble red grapes perfected by our pioneering clonal research. This dark beauty, BelnerO, is produced at our innovative winery, chosen 11 consecutive years as Italy’s Premier Vineyard Estate. Fermented in our patented temperature controlled French oak and aged approximately 2 additional years. Unfiltered, and Nitrogen bottled to minimize sulfites. 

 

Castello Banfi Brunello di Montalcino – Rich, round, velvety and intensely aromatic, with flavor hints of licorice, cherry, and spices. Brunello di Montalcino possesses an intense ruby-red color, and a depth, complexity and opulence that is softened by an elegant, lingering aftertaste. Unfiltered after 1998 vintage. 

Castello Banfi Rosso di Montalcino – Brunello's "younger brother," produced from select Sangiovese grapes and aged in barrique for 10 to 12 months. Deep ruby-red, elegant, vibrant, well-balanced and stylish with a dry velvety finish. 

Poggio all’Oro Brunello di Montalcino Riserva – A single vineyard selection of our most historically outstanding Sangiovese, aged five years before release, the additional year more than that required of Brunello including 6 months in barrel and 6 months more in bottle to grant its “Riserva” designation.  Incredible elegance and harmony. Intense with lots of fruit and subtle wood influence. Round, complete, well balanced with hints of chocolate and berries. Unfiltered after 1998.

Poggio alle Mura – The first tangible result of years of intensive clonal research on Montalcino’s native Sangiovese grape.  Estate bottled from the splendidly sun drenched vineyards surrounding the medieval Castello from which it takes its name.  The Brunello di Montalcino is seductive, silky and smoky.  Deep ruby in color with an expressive bouquet of violets, fruits and berries as well as cigar box, cedar and exotic spices. The Rosso di Montalcino is also intense ruby red.  The bouquet is fresh and fruity with typical varietal notes of cherry and blackberry, enriched by more complex hints of licorice, tobacco and hazelnut.  It is full bodied, yet with a soft structure, and a surprisingly long finish. The Poggio alle Mura Brunello di Montalcino Riserva is deep ruby red with garnet reflections and a rich, ample bouquet that hints of prune jam, coffee, cacao and a light balsamic note.  It is full and powerful, with ripe and gentle tannins that make it velvety and harmonious; this wine is supported by a pleasing minerality that to me speaks soundly of that special hillside in southern Montalcino.

SummuS – A wine of towering elegance, SummuS is an extraordinary blend of Sangiovese which contributes body; Cabernet Sauvignon for fruit and structure; and Syrah for elegance, character and a fruity bouquet.  An elegant, complex and harmonious red wine. 

Cum Laude – A complex and elegant red which graduated “With Honors,” characterized by aromas of juicy berries and fresh spices.

Centine – A Cuvee that is more than half Sangiovese, the balanced consisting of equal parts of Cabernet Sauvignon and Merlot.  Vinified in a firm, round style that easily accompanies a wide range of dishes, this is a smooth and fragrantly satisfying wine with international character, and a perennial favorite at my own dinner table. 

Banfi Chianti Superiore – The “Superiore” designation signifies stricter government regulations regarding production and aging requirements, as compared to regular Chianti.  An intense ruby red wine with fruit forward aromas and floral notes.  This is a round wine with well-balanced acidity and fruit.

Banfi Chianti Classico – An enduring classic: alluring bouquet of black fruit and violets; rich flavors of cherry and leather; supple tannins and good acidity for dining. 

Banfi Chianti Classico Riserva – Produced from select grapes grown in the "Classico" region of Chianti, this dry, fruity and well-balanced red has a full bouquet reminiscent of violets.

Fonte alla Selva Chianti Classico – This is our newest entry into the Chianti arena, coming from a 99 acre estate in Castellina, the heart of the Chianti Classico region.  The wine is a captivating mauve red that smells of cherry, plum and blackberry with hints of spice.  It is round, full and balanced with very good acidity.  

Col di Sasso – Sangiovese and Cabernet Sauvignon.  Luscious, complex and soft with persistent notes of fruit and great Italian style structure.

 



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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             





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FEATURED LINKS: I am happy to  report that the Virtual Gourmet is  linked to four excellent travel sites:

Everett Potter's Travel  Report

I consider this the best and savviest blog of its kind on the  web. Potter is a columnist for USA Weekend, Diversion, Laptop and Luxury  Spa Finder, a contributing editor for Ski and  a frequent contributor to National  Geographic Traveler, ForbesTraveler.com  and Elle Decor. "I’ve designed this site is for people who take their  travel seriously," says Potter. "For travelers who want to learn about special  places but don’t necessarily want to pay through the nose for the privilege of  staying there. Because at the end of the day, it’s not so much about five-star  places as five-star experiences."  THIS WEEK:






Eating Las Vegas JOHN CURTAS has been covering the Las Vegas food and restaurant scene since 1995. He is the co-author of EATING LAS VEGAS – The 50 Essential Restaurants (as well as the author of the Eating Las Vegas web site: www.eatinglasvegas. He can also be seen every Friday morning as the “resident foodie” for Wake Up With the Wagners on KSNV TV (NBC) Channel 3  in Las Vegas.



              



MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani, Robert Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish, and Brian Freedman. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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© copyright John Mariani 2019