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MARIANI’S Virtual Gourmet MAY 24, 2026
NEWSLETTER ARCHIVE ![]() REMEMBER MEMORIAL DAY
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WHAT'S HAPPENED TO THE NY TIMES RESTAURANT REVIEWS? By John Mariani NEW YORK CORNER PERRY STREET By John Mariani THE BISON CHAPTER TWENTY-THREE By John Mariani NOTES FROM THE WINE CELLAR AN INTERVIEW WITH KAREN MACNEIL ON THE STATE OF THE GLOBAL WINE INDUSTRY By John Mariani ❖❖❖ WHAT'S HAPPENED TO THE
It’s
hardly
worth mentioning that the James Beard
Restaurant Awards have been a farce for
several years, nominating contenders more for
their supposed social consciousness than for
their overall quality. But it seems that
within the past year, since Pete Wells (left)
resigned as NY Times restaurant critic
after nine years, worn out by the rigors of
visiting so many restaurants, that the paper
is following the same scent as the JB Awards
to cover out-of-the-way eateries whose design,
amenities, service staff and wine lists are
all secondary to their being ethnic
restaurants rather than anything resembling
fine dining.
Lest anyone suggest for a moment that I
hold a snobbish attitude towards small, ethnic
restaurants in favor of upscale and fine
dining establishments, they apparently haven’t
read what I’ve written over the last 50 years,
including a stint as the NY Times
restaurant critic in
Westchester County and for 35
years at Esquire, when I happily
praised such restaurants all the time. Way
back in 1985 I included places like Pig Heaven
in New York, Hu-Nan in Philadelphia, Viet
Chateau in Richmond, Wilson’s BBQ in
Pittsburgh and Fog City
Diner in San
The irony about the Times’
current coverage is that in trying to be more
egalitarian they are beating a mea culpa that
they neglected such places in the past when,
as I said, Mishan had that very job, and
before her, previous first-line critics,
including Wells, Ruth Reichl, Bryan Miller and
Mimi Sheraton always covered such
restaurants. Just
as The Washington Post’s Tom Sietsema
(above) did, The Chicago Tribune’s
Phil Vettel did, as well as the editors of Food
& Wine and Bon Appetit.
Ten days ago in the Times
L.A-based Rao flew to Portland, Oregon, to
award two stars (very good) to a pho noodle
restaurant named Paper Bridge (below)
that serves iguana. In that same edition
Sutton reviewed
Since Wells wearied of the job, saying
it was affecting his health and becoming
tedious, one might wonder if fine dining still
exists in New York anymore, or even if there
are any decent restaurants north of 14th
Street. For the Times’ just-published
“New York’s 100 Best Restaurants”
Mishan visited 200 at least once. She insists,
quite correctly, that “You
can admire a four-star but adore a two-star,
despite and maybe even because of its
imperfections. The cramped (intimate!)
dining room (or lack thereof), the bravura
of a kitchen as narrow as a canoe, the wild
ambition that doesn’t always hit its mark
but still thrillingly teases the edge of the
possible.”
New York is where the steakhouse was
invented and has more good ones than I can
count, but only Keen’s Chop House makes the
cut at No. 28. Then follows the Levant
storefront named Tone
Café in Brighton Beach and Warung Selasa at
Indo Java where the chef cooks only one day a
week for two tables and four stools, at No.
22.
She admires the extraordinary Le
Bernardin only enough to slot it at No. 22,
just above Khao Kang “steam-table joint.” Soon
we’re down to the top ten, starting with the
storefront Mama Lee “beyond the reach of any
subway” in Bayside; the exquisite Jean-Georges
limps in at No. 5; then Meju with its
“nine-seat counter hidden behind a banchan
shop in Long Island City.”
It's really hard to take seriously a list of
100 of New York’s best that somehow ranks a
kebab shop or take-out
truck as superior to restaurants like
Delmonico’s––America’s first ever––French
bistros like Benoit and Balthazar, top French
like Gabriel Kreuther and Essential by
Christophe
I’m sure that most of the restaurants on the Times
list deserve attention and some are unique in
what they serve. But can you imagine if the Times’
dance critic
covered performances of Ukrainian folk dancers
in Astoria but ignored the NYC Ballet? Or the
theater critic only reviewed Off-Broadway
shows? Or the art critic only Asian galleries
in Soho? Or the movie critic only Turkish and
Korean indies shown in art theaters in the
West Village?
I’ve had some people tell me they think the Times
must be cutting back on expenses, but when you
hire four new restaurant critics to replace
one and bankroll Mishan to eat at 200
restaurants in one year, that doesn’t sound
plausible. Others insist it’s because the Times
got burned for not being P.C. enough and,
like the James Beard Awards, are trying
somehow to spread praise around evenly, but in
so doing avoid the very restaurants that New
Yorkers––not least the ones still with expense
accounts–and foreign and domestic visitors
seeking what the best restaurants really
are–want to know about. Does the guy from St.
Louis really care about a pho noodle shop in
the farthest reaches of Queens? But not read a
word about Peter Luger?
The star system of restaurant ratings has
always been flawed, and most restaurant
critics hate them. After
all, the Times doesn’t hand out stars
to Broadway musicals, Carnegie Hall concerts
or shows at MOMA. Then again, it’s difficult
to justify aligning all kinds of restaurants
on the same plane, in the way that the Times
does not rate NFL football teams
against college teams or a Bach concerto at
the Philharmonic against a hip hop ensemble
playing the Beacon.
Criteria do count, and they should not simply
be based on the taste of one pizza slice or a
tasty gyro sandwich. There are simply too many
puzzling omissions on the Times 100
Best without setting some categories––omakase
versus dumpling shops, steakhouse
Oh, and what is Mishan’s No. 1 restaurant––the
best in New York? You probably never
heard of it: Kabawa (right), a
Caribbean restaurant on the Lower East Side
where you can order up a dish of octopus “with
dog sauce,” a skirt steak with onions and a
coconut turnover with cream cheese, all for a
mere $145. NEW YORK CORNER PERRY
STREET
176 Perry Street 212-352-1900 By John Mariani ![]() Cédric and Jean-Georges Vongerichten I am
quite proud to say that I was the first
restaurant critic to give national
attention to Jean-Georges Vongerichten
when he was the 27-year-old young Alsatian
chef de cuisine (under Louis Outhier) at
Le Marquis Lafayette in Boston back in
1985, when I wrote in Esquire that
"he created a menu so sensitive to
taste that the concept of every dish
clicks, from the fresh goose liver with
ginger and mango to the halibut done with
Vin de Paille sauce to the shirted egg in
its shell topped with vodka laced whipped
cream, and Beluga caviar." Back then
it was called nouvelle cuisine, and JVG
was its finest practitioner in the U.S.
He
soon moved to New York's Lafayette, then
opened the first of many restaurants under
his name, including the heralded
Jeans-George in Columbus Circle, a bistro
named Jo-Jo, a Spice Market, ABC
Vegetarian and branched out to Ls Vegas to
open Prime Steakhouse (left),
Market in Paris, JG Tokyo, Mercato in
Guangzhou and scores of others. I've eaten
at several and, even though I was not
overly impressed by this one or that––and
I was critical of his signing management
contracts with such abandon––but there has
always been a clear style about each that
is part of a gastronomy that began
resolutely French and quickly incorporated
Asian influences. ![]() Twenty years ago I visited one of his early extensions, Perry Street, across from the Hudson River above Canal Street. The restaurant was within architect Richard Meir's minimalist glass towers (below) and fit snugly into the ground floor, and I recall being impressed by the refined modernity of the room, done in pale grays and taupes, with both
booths and sofas for seating. I
also found the food exciting,
not splashy but establishing
certain dishes early on that
would be copied all over.So it seemed a good time, on the eve of its 21st birthday, to re-visit Perry Street, which I found altered from what I remembered, with a softness that in twilight makes it ideal for shaking New York frenetic pace. When the sun sets across the river, the lights are lower, hung on pylons that spread across the room.The banquettes are exceptionally comfortable and the bar glitters to one side, with the only detail that seems out of place a bright neon COCKTAILS sign on the window. The music can be a bit loud for such a civilized room, but they'll turn it down, if you ask, but conversation is easy in this room. In fact, there is nothing you can't
ask manager
Henry
Interiano,
who's been
here almost
since the
beginning, to
do for your
pleasure. He
is the epitome
of what New
York
hospitality is
at its best. Back in the kitchen JVG's own son, Cédric serves as executive chef and the chef de cuisine for the past two years is Korean-born Jumin Bae (right). The clientele overall dress appropriately, but I was amazed when two men in short shorts and flip-flops traipsed through the dining room and were seated. A modest dress code, especially in New York, is a wholly reasonable aspect in a place like Perry Street. Overall
the food is fairly light, though
with no loss of flavor. Case in
point: a sweet
pea soup (left) with Tumbleweed
cheese from Goshen, New York, croutons that sounds
simple enough but it is the essence of springtime
and good dairy. The rice cracker
crusted ahi tuna with scallions,
citrus-sriracha emulsion has never left the menu
for good reason (below)––it's a classic JVG
item. Peekytoe crab, which is delicate and sweet,
is packed into dumplings with black pepper and
sugar snap peas and a little mint. A
special hat evening was a good though not
particularly special soft shell crab.There are five vegetarian options, including a ginger rice bowl with crispy poached egg, avocado & pickled chili' and mushroom risotto with lemon and herbs. JVG has always had an equal talent for both seafood and meats, as shown by his deft handling of black cod with miso-yuzu glaze, baby bok choy, and
a rich butter-poached butter-poached
lobster with an unexpected delight of
potato-garlic ravioli, lemongrass and lime broth.
It was a bit of a surprise to find fried
chicken on the menu, served with
delicious creamed corn, Scotch bonnet sauce and
cilantro. The chicken itself, raised by Amish
farmers, had wonderful texture but was intensely
salty.
Desserts are not flamboyant and all are excellent, like summery rhubarb tart and chocolate pudding. There is a six-course chef's tasting menu at a very reasonable $148 and an equally equitable wine tasting at $68 (the six-course menu at Jean-Georges costs $298). The wine list itself is very well chosen by beverage director Chris Moore, with 13 by the glass and a good selection under $100. Twenty-one years is way past the average shelf-life of a restaurant in New York, or anywhere else, and the fact that Perry Street is very much a local downtown JVG dining room makes it very special and has achieved its longevity by never following, always leading trends. Oh, by the way, when I dined there JVG dropped by––his last stop on his rounds before retiring to his home, which is quite fortunately right next door. ❖❖❖
THE BISON By John Mariani ![]()
Katie
expected the “no comment” response she
got from Bill Clinton’s office, then
four years out of the Presidency. But
she knew a few people who were Clinton
insiders over the years who might talk
about his involvement with Epstein. One
of them had been a White House liaison
named Lisa Robertson, who had known
Clinton since they were together at Yale
Law School. She and Katie saw each other
socially when Lisa was in New York. She
was now a partner at a Washington think
tank. And she was an unflagging
gossiper.
“What are
you in the mood for?” asked Katie.
“That’s the way all these guys
are,” she said. “Bill was no
different, and even after the Lewinsky
thing he was even worse when Epstein came
in to the picture. As
a matter of fact, he was very tight with
Epstein, who came to the White House with
Ghislaine four or five times while I was
there. He’d been a fundraiser for Bill,
and he always said Epstein had a good head
for topics like currency stabilization and
foreign exchange. Which should have been
expected since he stashed so much of his
own money outside the U.S. Believe it or
not, Epstein was at the time on the board
of
Rockefeller University, and
the
Council on Foreign Relations.
Go figure.”
“And what if he threatens to blow the lid off
all his dear friends like Bill and Prince
Andrew?”
“What about after
Bill left the White House?”“Ha, the press dubbed them the ‘Two Musketeers,’ for their social life in New York and Palm Beach. “So he went to all those Epstein parties with the underage girls?” “Of course, though I have no idea if he had sex with any of them. Even for Bill that might be a little too risky.” Katie leaned back on the banquette and asked, “Well, do you think in any way that Epstein had Bill in his pocket because he didn’t want anything to leak out?” “Like I said, they were close friends. Still are. Bill still has that incredible hubris that he’s made of Teflon. But if this investigation heats up in Palm Beach, Bill will distance himself from Epstein as fast as possible, doing that ‛I’m shocked! Shocked!’ routine.” “Well, as a lawyer—and I assume you advised him on the Lewinsky affair—what do you think of Epstein getting away with this indictment?” Katie left
messages with others of Epstein’s regular
guests, but, unlike the eager-to-talk Trump,
no one else would. Usually a script reading
press representative said her client was out
of town or could not be reached. Some said
their client could not comment on an ongoing
investigation, an excuse that usually
indicated some involvement, including George Stephanopoulos,
Les Staley and Woody Allen. Katie
fully understood why Allen would not speak to
her, for he had ten years earlier gone through
a mean-spirited child custody court
battle over his wife Mia Farrow’s adopted
daughter, Sun Yi, then 22, with whom Allen,
then 56, had had what he called “a fling,”
after admitting to taking nude photos of her.
He would afterwards marry her, but for
years Allen’s obsession with very young women
whom he cast in his movies was the butt
of talk show jokes, as was Bill Clinton’s
sleazy affair with Monica Lewinsky . Katie had already gotten from Harvey Weinstein all she could, and she knew that by fiat no member of the Royal Family like Prince Andrew would ever speak to the press about such a matter. Even less probable was Saudi Arabian crown prince Mohammed bin Salman (right). What bothered Katie most was that Epstein’s parties had so often appeared in the social columns, often with photographs, and so many people had to have known what went on behind those closed doors in New York, Palm Beach, the Caribbean and Zorroland. There had always been innuendos but they seemed tossed off by the Old Boys Club as rich, entitled men just being men. There was nothing novel about it. But it was criminal and it worked as long as everyone agreed to be quiet about the massages and the underage girls. It was simply a question of “don’t ask but definitely don’t tell.” Katie believed she was getting close to exposing the sexual trafficking part of the story, but she still felt Epstein’s financial misconduct could not yet be tied into it. Money never changed hands, just promises of support, mutual business interests, bank loans difficult for others to obtain. More work needed to be done, and she hoped David could pry out instances of wire fraud and bank mismanagement from his contacts with former cops and district attorneys. Then the phone rang. It was Dobell. “Katie, I need you to come to the office ASAP. I’m having a pow-wow with the whole staff in an hour.” “What’s going on?” “I’ll let you know when you get here.”
© John Mariani, 2024 ❖❖❖ NOTES FROM
THE WINE CELLAR
![]() AN INTERVIEW WITH KAREN MACNEIL ON THE STATE OF THE GLOBAL WINE INDUSTRY By John Mariani I
have known Karen MacNeil for 40-plus years,
meeting at an exciting time for young journalists
just being introduced to world-wide wine culture,
its people and its business. Since then she has
become one of wine’s most erudite and appealing
voices, not just as a monitor of the industry but as
a teacher, as evidenced by the sale of one million
copies of her Wine Bible (Workman/Hachette)
in 2001 (soon to be in its fourth edition). She has
won the Emmy Award for hosting the PBS
series Wine, Food & Friends; James
Beard Award for Wine & Spirits
Professional of the Year; Louis Roederer International Wine
Writers’ Award; IWSC Global Wine Communicator of
the Year Award; was named among the “100 Most Influential People in
Wine” in the United States; the Women In Wine & Spirits Award
2020, and was Founding Chair of the Rudd Center
for Professional Wine Studies at the
Culinary Institute of America. TIME Magazine
recognized her influence by dubbing her “America’s
Missionary of the Vine.” She is President and CEO of
Karen MacNeil & Co.
KM: By now, the story of the 1976
Judgment of Paris has been told and retold thousands
of times. And besides, the event’s poignancy has
softened as it has faded into past history. But
the Judgment of Paris will always live on
emotionally, for California was never quite the same
afterward. This then is its legacy—the Judgment
powerfully changed how California felt about itself.
And with that newfound esteem and confidence,
California quietly set out to conquer the wine
world. According to Azur
Associates and Nielsen, 64% of US households are
now just 1-2 people. How does wine –historically a
communal beverage—fit in in an increasingly
non-communal world? KM: There are two possibilities.
First, wine could become the slow analog antidote to
a fast digital world. Natural wine bars are a step
in this direction. But god knows, the stats on
loneliness indicate we all need
more time together and sharing a bottle of wine (any
wine) seems like a perfect way.
Second, more than 60% of households are now
1-2 person households. The time Americans spend face
to face with friends is currently one hour and
20 minutes per week. So, sharing wine won’t
fully answer where society is headed. I know this is risky to suggest,
but I believe we need to create a culture of solo
wine drinking. “Drinking alone” sounds bad. But as
you know, there’s a big chasm between use and abuse.
I think drinking some wine by (with) yourself at the
end of the day sounds very mindful and can be a part
of well-being.
Speaking of Alcohol, wine is so
much more than alcohol. Should the wine
industry --collectively, intentionally, and
forcefully, separate itself from the spirits and
beer industries?
The image of wine is
often formal and special-occasion- oriented. Has
wine lost its cultural relevance? KM: Yes. For younger audiences, it has. I think it can be “gotten back” however. Drinks
Business says that the wine industry is
leaving $40 billion a year on the table because it
hasn’t harnessed social media
effectively or enough.
KM: Absolutely true. In my opinion, wine needs a
social media thru-line. It needs to evoke emotion in
the way the perfume industry does (on TikTok). It
needs a category-level initiative like the “Got
Milk?” campaign, on which the dairy industry spent a
very effective $32 million. And wineries need to use
socil media to enhance sales. Every winery should be
on RedChirp (a text based system for engaging
consumers to potentially buy wine—via text
messages). *
MacNeil was a one of the creators
of “Come Over October in 2024 as a pro-bono
effort that is now the largest pro-wine
grassroots campaign ever launched in the US,
having reached 2.9 Billion media impressions
plus another 5.6 million on Social media.
Have influencers
taken power away from critics, even though, for
the most part, they don’t know as much about wine
as critics do? And can AI evolve to be the new
wine critic? KM: Yes, influencers
have assumed power. An amazing fact: many wine
influencers earn as much as a winemaker (at a small
winery) in the Napa Valley. Wine influencers can now
earn over 6 figures, according to the Bureau of
Labor Statistics. For writers, this is
disheartening. For critics, AI is moving fast into
their lanes. It’s no surprise that the critics
remaining (Suckling, Galloni, et al) appear
to earn a large share of their income (and prestige)
from events, not from tasting notes. In the last two
years, anti-alcohol forces have captured large
important audiences thanks to the World Health
Organization and, in this country, thanks to a lot
of anti-alcohol reporting in the NY Times,
among others, suggesting that drinking wine—or any
alcohol—has potentially fatal health consequences.
This, in turn, has resulted in hand-wringing by
the wine industry. Yet the industry’s response to
the question of wine and health has been tepid.
Should the wine industry fund and launch a
campaign to talk about wine, health, and the
benefits of moderate consumption?
KM: Yes they should. But I am not
confident they will. Too many lawyers are quietly
advising wineries to stay silent, out of fear of
“tobacco-like lawsuits.” Still, I’m aware of a few
brave groups who I think are determined to fight
back. These are people deeply embedded in the wine
industry. Maybe they can make a difference. I hope
so.
FOOD WRITING 101: BLOCK THOSE MODIFIERS!
![]() AND WHO THE HELL IS JEANNE DIELMAN (right)? "The durational
work of art will always have its day. Jeanne
Dielman. Lonesome
Dove. Ponderously
weighty,
they bring their own gravity. . . . These meals have
become so voluptuously expensive .
. . the ancillary à
la carte. . . . I found a
brighter spark in this disarticulated
version."––Excerpts from Matthew Schneier's
review of ODO in New York Magazine
(May 13, 2026). ❖❖❖ Any of John Mariani's books below may be ordered from amazon.com. The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair. WATCH THE VIDEO! “What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw “He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906. “John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister. “John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury. “Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment. ❖❖❖
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