|
MARIANI’S Virtual Gourmet April
5, 2026
NEWSLETTER ARCHIVE
Nick
Nolte and Barbara Streisand at The Rainbow Room in
"Prince of Tides" (1991)
❖❖❖ THIS WEEK RENÉ REDZEPI RESIGNS FROM NOMA: WHAT HAPPENS NEXT? By John Mariani NEW YORK CORNER LE GRATIN By John Mariani THE BISON CHAPTER SIXTEEN By John Mariani NOTES FROM THE WINE CELLAR THE WHITE WINES OF PORTUGAL By John Mariani ❖❖❖
RENÉ REDZEPI RESIGNS FROM NOMA: WHAT HAPPENS NEXT? By John Mariani
Redzepi’s behavior
went beyond unleashing a fierce temper––hardly
rare among chefs––to acts of punching and
slamming and sticking forks into worker’s
bodies, according to a report by Julia Moskin
in the New York Times this week, based
on interviews with dozens of former employees. “Going to work felt like
going to war,” Alessia, a former cook at NOMA
told Moskin.
“You had to force yourself to be
strong, to The repercussions were
immediate: In Los Angeles where Redzepi was
doing a sold-out pop-up series of dinners for
$1,500 per person, sponsors began to pull out
and protesters arrived outside the door. But
the story has opened the rotted door to a
perennial problem that was once an entrenched
tradition of chefs abusing their staff, going
back to the Middle Ages when cook’s guilds had
access to unpaid interns called stagiares
who worked for room and board in hopes of
joining the guild. That practice has gone on
into the last century when young cooks eager
to work in a prestigious kitchen did so for
next to no pay.
Pierre Franey (right),
the esteemed French chef who became a Times
food columnist, once told me how at a very
high-up restaurant in France, the chef would
abuse everyone constantly. One night he
slapped Pierre across the face with a spatula.
“It stung like hell and brought tears to my
eyes,” he recalled. “I threw down my hat and
apron and went upstairs to my locker and
planned to walk out the door. But the chef
came running up after me and shouted, ‘Why are
you leaving, Pierre? You’re one of the only
people I like here!’ I went back downstairs
and went to work. That was the way it was.”
The once famous, now
infamous. Mario Batali and his reptilian
partner Joe Bastianich were notorious for
drunken behavior that eventually revealed
Batali’s sexual harassment. And as Anthony
Bourdain described the atmosphere at the New
York restaurant Les Halles, the common
language of the kitchen was largely
billingsgate.
Good managers are now
expected to take staff complaints seriously
and to remind belligerent chefs to keep a lid
on their anger, like a pot boiling over. It’s highly unlikely
all such bad behavior has disappeared from the
back of the house, just as it’s naïve to think
that the behavior of the sleazy stocks and
bonds characters in the movie “The Wolf of
Wall Street” was exaggerated––according to my
friends in the industry it was not.
The TV show “The Bear” shows that the loyal
opposition, the staff, can be every bit as
rough and tumble on a new young chef. Restaurant kitchens are
often said to be pressure cookers, both
literally and figuratively, where mistakes can
mean cuts and burns and inefficiency can cost
profits. It’s an environment where knives are
flashing, flames are flaring and pans of hot
liquids get spilled. Tantrums will occur, the
lingo can be as rough as on stevedores’ docks.
You won’t hear about
all that from the harried restaurateur or
manager up front, who must put on a face of
calm cordiality. Behind the kitchen door you
do not hear the shouting, the cursing, the
glasses smashed against the wall or the
pots banged down out of frustration. Yet clearly Redzepi’s
behavior went beyond the usual abuse found in
kitchens. He and others like him would claim
that it is their monomaniacal insistence on an
unachievable perfection that causes them to be
the way they are. But like all people who live
within a tornado of rage, they need to get
some help, some counseling and be
brought down to earth before they do any more
damage. I
do think this incident with Redzepi will have
a widespread effect in the industry because,
from investors to customers, no one wants to
be associated with the worst aspects of a bad
kitchen. At its most basic, nobody wants to
fear an outraged chef spitting in the soup.
❖❖❖
NEW YORK CORNER LE
GRATIN
5 Beekman
Street 212-597-9020
By John Mariani
![]() Not
everyone has fond memories of their mother’s
cooking, but I suspect every Frenchman does, and
I’ve seen master cuisiniers brought to tears
remembering their maman’s roast chicken
or tarte Tatin. In the case of Daniel Boulud,
who came to the U.S.
Along with Café Boulud, Le Pavillon and La
Tête d’Or in Manhattan––all serving different
iterations of French food–his four-year-old Le
Gratin is perhaps closest to his heart, for it is
a bouchon, the Lyonnais word for a bistro
serving the local fare. (Boulud might have used
that word, but it’s already taken by Chef Thomas
Keller for his Bouchon Bakery uptown). Le Gratin
certainly has the art nouveau flair of a Paris
bistro, even to the way it looks decades old in
the color and patina of its flowery art nouveau
tiles, globe lights, mirrors, sturdy bentwood
chairs, well-draped tables and commodious dark red
banquettes.
The menu is true
to form, with specials each night, and after one
visit you will have your favorite dishes, as you
might at Benoit, Frenchette and La Goulue.
The wine list is solidly stocked with
French bottles in every price category and you
should consult the gracious sommelier Clara
Charpentier as to what your taste and budget are.
There are oysters, of course, but I was
giddy over crab Marie-Rose––a classic British
recipe––(left) whose jumbo lump crabmeat
was not only truly jumbo size but
abundant in a salad of Boston lettuce, pink
grapefruit, avocado and cocktail sauce. With the
retail price of jumbo crab going for $60, this
dish at $29 is a dizzying bargain. So,
too, a poached leek salad had plenty of flavor
from the softened
Onion soup gratinée (right) had
an extraordinarily deep and intense broth teaming
with caramelized, onions, sweet as candy and
croutons and topped with a fine layer of Gruyère
cheese, though it should have been better browned
one evening.
Speaking
of abundance, the chicken done on a rotisserie was
a half of a very plump Label Rouge chicken (a
premium fowl certified in France since 1965 for
its superior quality and taste) bathed in a lovely
garlic juice and accompanied by––here it was!––Boulud’s mother’s
potato gratin, which
Steak frites could not be improved
upon, with eight ounces of prime black Angus
hanger steak possessing the requisite minerality
and chew, served with a red wine shallot sauce.
Curiously, a cone of frites was limp and
tepid, but on request were replaced within moments
by a fresh crisp batch. I love calf’s liver but
rarely see it on a menu anymore, so I was very
happy to find it at Le Gratin, cooked perfectly
pink and mounted
on butter-rich mashed potatoes with caramelized
cipollini onions, broccoli, and a charcuterie
sauce. Perhaps best of all in this stellar lineup
was Dover sole à la grenobloise, a very
fat fish swimming in a lemon kissed and caper
strewn brown butter.
New York is richer than
ever in French bistros, all more or less with the
same menu and similar decors, but none I know of
has the lusty spirit of Le Gratin, where the food
seems to be cooked with the idea of complete
satisfaction behind it all within an atmosphere
that never gets tired, even in a jaded city like
New York. Open Tues.-Sun. 11:30 AM
to 10 PM.
❖❖❖
THE BISON By John Mariani ![]()
Donald Trump, Melania Knauss,
Jeffrey Epstein and Ghislaine
Maxwell
CHAPTER
SIXTEEN
Katie thought it was
time to call Alan Dobell.
Katie told David
everything she’d learned from Susannah. “Well,”
he said, “she’s right about nobody in a court
room taking her seriously, and she would
get ripped apart by the defense.”
❖❖❖ NOTES FROM THE WINE CELLAR
THE WHITE WINES OF PORTUGAL By John Mariani ![]() If
the casual wine drinker is at all familiar with
the wines of Portugal, it would definitely include
Port and Madeira and perhaps the red wines of the Dão
region. Few, I suspect, could identify any
Portuguese white wines, and up until the present
decade, there wasn’t much to say, especially since
so few were ever imported to the U.S.
Quintas das
Bágeiras Pai Abel 2022 ($47) is a cuvée
by Mario Sergio Abel, whose family has been in the
business for three generations, from
well-pruned young and old vines, and this is a
particularly full-bodied white. Introduced in 1989,
the wines have become standards of the Bairrada
region, and newer wineries look to them for
inspiration. The wine is a blend of Maria Gomes and
Bical grapes that spend a year in old French
burgundy barrels. There is a dry fruit component and
excellent acidity.
($20).
Alvarinho, I believe, shows the best promise for
white wines of Portugal, and this one, from the far
north, has been made by the same family since 1982
and has taken on the name “classico” in that it
is a single varietal from
the Monção and Malgaço regions, in a micro-climate
with perfect rainfall, temperature and sunshine for
the grape with hot days and cold nights. This adds
complexity Niepoort
Redoma Reserva
2023 ($70) is
produced by the esteemed Port maker Niepoort. It’s a
high price for a branco, but its complexity
speaks for itself. Made in the Douro, the vineyards
are over 80 years old, but very high elevations
between 400 and 600 m. A blend of indigenous
varieties, primarily Rabigato, Códega, Viosinha and
Arinto, the wines are fermented in age for nine
months in Barricks to balance its high acidity.
There’s lots of citrus here and automatic herbs.
❖❖❖ DEPT OF WRETCHED
EXCESS On National
Cheesesteak Day at Philadelphia Airport organizers
achieved a new Guinness World Record for the longest
line of cheesesteak sandwiches, with 1,291 lined up
inside a departure hall, far surpassing the previous
benchmark of 500 sandwiches. ❖❖❖ Any of John Mariani's books below may be ordered from amazon.com. The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair. WATCH THE VIDEO! “What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw “He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906. “John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister. “John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury. “Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment. ❖❖❖
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin. If you wish to subscribe to this
newsletter, please click here: http://www.johnmariani.com/subscribe/index.html © copyright John Mariani 2026 |