MARIANI’S

 

Virtual Gourmet

April 5,  2026                                                                                            NEWSLETTER

  
   
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Nick Nolte and Barbara Streisand at The Rainbow Room in "Prince of Tides" (1991)


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THIS WEEK


RENÉ REDZEPI RESIGNS FROM NOMA:
WHAT HAPPENS NEXT?
By John Mariani

NEW YORK CORNER
    LE GRATIN   

By John Mariani


THE BISON
CHAPTER  SIXTEEN

By John Mariani

NOTES FROM THE WINE CELLAR
THE WHITE WINES OF PORTUGAL
By John Mariani

 



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RENÉ REDZEPI RESIGNS FROM NOMA:
WHAT HAPPENS NEXT?


                                                                     By John Mariani

                

    The resignation of Danish chef René Redzepi from his much hyped and honored NOMA restaurant in Copenhagen over charges he does not deny of bullying his staff for years has sent shock waves through the industry. His behavior was one of those dirty little secrets that staff dare not speak about for fear of firing, and, as with the Epstein files, people who knew the truth are saying they had no idea what was going on.

Redzepi’s  behavior went beyond unleashing a fierce temper––hardly rare among chefs––to acts of punching and slamming and sticking forks into worker’s bodies, according to a report by Julia Moskin in the New York Times this week, based on interviews with dozens of former employees.

“Going to work felt like going to war,” Alessia, a former cook at NOMA told Moskin.  “You had to force yourself to be strong, to show no fear.”

The repercussions were immediate: In Los Angeles where Redzepi was doing a sold-out pop-up series of dinners for $1,500 per person, sponsors began to pull out and protesters arrived outside the door. But the story has opened the rotted door to a perennial problem that was once an entrenched tradition of chefs abusing their staff, going back to the Middle Ages when cook’s guilds had access to unpaid interns called stagiares who worked for room and board in hopes of joining the guild. That practice has gone on into the last century when young cooks eager to work in a prestigious kitchen did so for next to no pay.

Back in 1933 George Orwell (left; author of 1984) wrote of his agonizing stint as a plongeur––dish washer–– at a restaurant in Paris where abuse was part of the routine. The chef would rant at his cooks, in order of their place on the line, the cooks would berate the service staff and the staff would rage at the scullery maid and the dishwashers, with everyone cursing at the top of their lungs.

 Pierre Franey (right), the esteemed French chef who became a Times food columnist, once told me how at a very high-up restaurant in France, the chef would abuse everyone constantly. One night he slapped Pierre across the face with a spatula. “It stung like hell and brought tears to my eyes,” he recalled. “I threw down my hat and apron and went upstairs to my locker and planned to walk out the door. But the chef came running up after me and shouted, ‘Why are you leaving, Pierre? You’re one of the only people I like here!’ I went back downstairs and went to work. That was the way it was.”

Chefs of every stripe from just a generation ago remember such treatment, silently suffering to keep their jobs. Star chef Gordon Ramsay, who has made a TV career out of screaming at cooks on “Hell’s Kitchen,” told of how his master, the tyrannical Marco Pierre White (below), in London literally had him cowering in a corner of the restaurant more than once. A manager named Carl Bruggemeir, who worked for restaurateur Warner LeRoy, owner of Tavern on the Green, told me he threw a steak he thought was not thick enough straight at his chest. “I just picked it up,” he said, “changed my shirt and went back on the floor.”

The once famous, now infamous. Mario Batali and his reptilian partner Joe Bastianich were notorious for drunken behavior that eventually revealed Batali’s sexual harassment. And as Anthony Bourdain described the atmosphere at the New York restaurant Les Halles, the common language of the kitchen was largely billingsgate.

Because of the Batali accusations in 2017, shivers went up the spines of chefs well known for their brutal management style, not least because Human Resources and restaurant workers unions  laid down the rules about abuse, lest a staff member sue the chef or restaurateur. Open kitchens where guests can see and hear what’s going on behind the cook stations are also buffers for bad behavior.

Good managers are now expected to take staff complaints seriously and to remind belligerent chefs to keep a lid on their anger, like a pot boiling over.

It’s highly unlikely all such bad behavior has disappeared from the back of the house, just as it’s naïve to think that the behavior of the sleazy stocks and bonds characters in the movie “The Wolf of Wall Street” was exaggerated––according to my friends in the industry it was not. The TV show “The Bear” shows that the loyal opposition, the staff, can be every bit as rough and tumble on a new young chef.

Restaurant kitchens are often said to be pressure cookers, both literally and figuratively, where mistakes can mean cuts and burns and inefficiency can cost profits. It’s an environment where knives are flashing, flames are flaring and pans of hot liquids get spilled. Tantrums will occur, the lingo can be as rough as on stevedores’ docks.

You won’t hear about all that from the harried restaurateur or manager up front, who must put on a face of calm cordiality. Behind the kitchen door you do not hear the shouting, the cursing, the glasses smashed against the wall  or the pots banged down out of frustration.

Yet clearly Redzepi’s behavior went beyond the usual abuse found in kitchens. He and others like him would claim that it is their monomaniacal insistence on an unachievable perfection that causes them to be the way they are. But like all people who live within a tornado of rage, they need to get some help, some counseling and  be brought down to earth before they do any more damage.

I do think this incident with Redzepi will have a widespread effect in the industry because, from investors to customers, no one wants to be associated with the worst aspects of a bad kitchen. At its most basic, nobody wants to fear an outraged chef spitting in the soup.

 

 

 

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NEW YORK CORNER

 LE GRATIN

                                                                           5 Beekman Street

                                                                            212-597-9020

                                                                            By John Mariani


 

       Not everyone has fond memories of their mother’s cooking, but I suspect every Frenchman does, and I’ve seen master cuisiniers brought to tears remembering their maman’s roast chicken or tarte Tatin. In the case of Daniel Boulud, who came to the U.S. in 1982 and whose empire now ranges from the flagship Daniel in New York, among others, to Maison Boulud in Singapore and Brasserie Boulud in Dubai, it is his mother’s potato gratin back at his family’s farm in Lyon that guides his cooking to this day.

       Along with Café Boulud, Le Pavillon and La Tête d’Or in Manhattan––all serving different iterations of French food–his four-year-old Le Gratin is perhaps closest to his heart, for it is a bouchon, the Lyonnais word for a bistro serving the local fare. (Boulud might have used that word, but it’s already taken by Chef Thomas Keller for his Bouchon Bakery uptown). Le Gratin certainly has the art nouveau flair of a Paris bistro, even to the way it looks decades old in the color and patina of its flowery art nouveau tiles, globe lights, mirrors, sturdy bentwood chairs, well-draped tables and commodious dark red banquettes. As would be the case in Paris or Lyon, the service station is near the middle to allow a server quickly to pick up silver, china and napery. The service itself is fleet on its feet, which lends to the gaiety of being in this space, and the noise level allows for conversation, though not helped by a wholly out of place intrusion of thumping music Boulud would never have in France. 

        The menu is true to form, with specials each night, and after one visit you will have your favorite dishes, as you might at Benoit, Frenchette and La Goulue.

       The wine list is solidly stocked with French bottles in every price category and you should consult the gracious sommelier Clara Charpentier as to what your taste and budget are.

       Excellent, crisp-crusted bread (complimentary, merci) though one pat of butter for four people was skimpy.

       There are oysters, of course, but I was giddy over crab Marie-Rose––a classic British recipe––(left) whose jumbo lump crabmeat was not only truly jumbo size but abundant in a salad of Boston lettuce, pink grapefruit, avocado and cocktail sauce.  With the retail price of jumbo crab going for $60, this dish at $29 is a dizzying bargain.   So, too, a poached leek salad had plenty of flavor from the softened eeks themselves, subtly enhanced with a mustard vinaigrette and rich sauce mousseline.

        Onion soup gratinée (right) had an extraordinarily deep and intense broth teaming with caramelized, onions, sweet as candy and croutons and topped with a fine layer of Gruyère cheese, though it should have been better browned one evening. 

        Speaking of abundance, the chicken done on a rotisserie was a half of a very plump Label Rouge chicken (a premium fowl certified in France since 1965 for its superior quality and taste) bathed in a lovely garlic juice and accompanied by––here it was!––Boulud’s  mother’s potato gratin, which was indeed a glorious dish, whipped full of butter and cream to please any child of adult for sheer gustatory pleasure.

        Steak frites could not be improved upon, with eight ounces of prime black Angus hanger steak possessing the requisite minerality and chew, served with a red wine shallot sauce. Curiously, a cone of frites was limp and tepid, but on request were replaced within moments by a fresh crisp batch.

I love calf’s liver but rarely see it on a menu anymore, so I was very happy to find it at Le Gratin, cooked perfectly pink and  mounted on butter-rich mashed potatoes with caramelized cipollini onions, broccoli, and a charcuterie sauce. Perhaps best of all in this stellar lineup was Dover sole à la grenobloise, a very fat fish swimming in a lemon kissed and caper strewn brown butter.

Desserts are all you expect at a bistro and generous––plump, layered profiteroles;  very dark chocolate mousse, a crisp apple tart and a layered chocolate cake.

New York is richer than ever in French bistros, all more or less with the same menu and similar decors, but none I know of has the lusty spirit of Le Gratin, where the food seems to be cooked with the idea of complete satisfaction behind it all within an atmosphere that never gets tired, even in a jaded city like New York.

 

 

 

 

Open Tues.-Sun. 11:30 AM to 10 PM.

 

 

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THE BISON

By John Mariani




                       Donald Trump, Melania Knauss, Jeffrey Epstein and Ghislaine Maxwell






CHAPTER SIXTEEN

 

       Katie thought it was time to call Alan Dobell.
       “Listen, Alan, this Epstein story has tentacles that reach into the British royal family. One of the men Epstein fixed up with underage girls was Prince Andrew, Elizabeth’s son. He apparently and brazenly traveled all over the western hemisphere with her.”
       “How old was she?” Dobell asked.
       “Sixteen, seventeen.”
       “And this information comes from what source?”
       Katie knew that a prostitute, even one on the inside of Epstein’s mansion, wasn’t going to be enough for her editor.  
 
    “And you believe this prostitute? Any other evidence? Photos?”
       “Apparently it was part of Epstein’s modus operandi to make sure he got photos of everyone at his parties hanging out with the girls. That way he could always keep them silent.”
       “And where are those?”
       “I don’t know, Alan, I’m just finding these things out now. I do know that when I visited Epstein in his office here in New York the room was lined with photos of important men.”
       “Any of them with these girls?”     
        
“I didn’t get close enough to see.”
       Katie heard Dobell sigh deeply.
       “Listen, Katie, I suspect you’ve got a real story here, a sleazy one but a story nonetheless. Even so, I’m still not sure this is for McClure’s unless there’s a financial angle, men in power trading influence for sex, that kind of thing. But I’ll do this: Take another week or so and see if you can nail anything down that someone could take into court. I mean it's not like everybody doesn’t already know that Epstein’s some kind of libertine. But it’s only if he’s trafficking underage girls that it becomes a real crime. You’ve got to get one of the men, or maybe several, to tell you what was going on in his homes, and whether any of them knew those girls were underage.”
       Katie said thanks and that if she didn’t have anything on firmer grounds in a week, she’d drop the story.
       “You coming back to New York soon?” asked Dobell.
       “That depends if I’ve exhausted the possibilities down here. I’ll let you know if I am.”
       Dobell hung up, leaned back in his chair, swiveled around once and said to himself, “I really hope she finds something.”

 

       Katie told David everything she’d learned from Susannah.  “Well,” he said, “she’s right about nobody in a court room taking her seriously, and she would get ripped apart by the defense.”
      “I wonder if we can find this girl Virginia Roberts, if that’s her name. Guess we can ask Ramona.”
       “Guess we can. And if she is a local girl there’s got to be some records of her in town. I’ll ask Terry to check.”
       “Good idea,” said Katie. “Okay, you call Terry and I’ll contact Ramona. See you at dinner, eight o’clock in the lobby?”
       “Make it seven o’clock in the bar.”
      Katie wondered if Sanchez would take her call on a Sunday afternoon after her caipirhiñas and TV shows, but she dialed her number.
       Quién es?” came Sanchez’s voice on the line.
       “Ramona, it’s me, Katie Cavuto,” and without waiting for Sanchez to reply said, “I had a good talk with Susannah, and she gave me a lot to go on. You mind if I ask you about one thing she told me?”
         Sanchez said nothing, so Katie asked, “Do you know of a girl named Virginia Roberts who was supposed to be hooked up with Prince Andrew of the British Royal Family?”
      Sanchez laughed. “Everybody knew about Andrew, and everybody knew he was screwing with Virginia. Some of the men were amazed how—what do you say?—blatant he was. But no one said anything. She was another of Ghislaine’s girls, same routine as with Susannah. But Virginia was already a girl in trouble. She had a bad family, ran away, lived on the streets, but she looked so good it didn’t matter, and I doubt Andrew even cared about her background.”
       “Do you know if she’s still here in Palm Beach?”
       “Last I heard she flew off to Thailand to train at some massage therapy school Jeremy wanted her to go to. Jeremy was very big on massages, and that’s how Ghislaine got these girls to let down their guard. Ghislaine is just another pervert but with a British accent.”
       It all sounded exactly as Susannah had told it about herself.
       “And that’s the last you heard of her?”
       “That’s the last I heard. I don’t think she came back here. If she did I would have heard she was back with Jeremy or at some brothel.”
       Katie thanked Sanchez and asked if she could call again.
       If Roberts were still in Thailand it was going to be difficult to trace her unless she could somehow get information out of the Transportation Security Administration. Maybe David could find out. Meanwhile David had phoned Terry Rush, who said he couldn’t find out anything on a Sunday, so David thought, “Fine, I’ll just have a relaxing evening with Katie.”
       They met at the bar of the hotel, whose restaurant was nothing special, so they went to Joe’s Stone Crab on Miami Beach, a tourist-driven restaurant that dated back to 1913 and was made a historic landmark as of 1975.  Once called Joe’s Diner, it was now a big two-story place made to look like a southern mansion, one with a red-and-green neon sign reading “JOE’S.” David didn’t bother to call ahead, even though he knew the restaurant didn’t take reservations, which could make the high season wait at the maître d’s stand interminable unless that same maître d’ was slipped a sizeable tip up front to move a party up the wait list.
       When they arrived the waiting space was indeed packed with hopeful diners, some of whom had flashed a twenty-dollar bill only to be sniffed at by the maître’d, who had the slick appearance of a man who had somehow come to prominence in Miami Beach society on the basis of mere tradition at Joe’s.  In fact, one local journalist wrote that the maître’d at Joe’s was more powerful than the mayor of Miami Beach.
       There was a line of about eight people standing directly in front of his host station, some looking like supplicants, others sure they would proffer a sufficient monetary homage to him to receive a table more or less quickly. When Katie and David got to the front of the line, David said, “The name is Greco. I think you got a call from Detective Rush?”
       The host’s eyes fluttered for a moment then he said, “But of course, Mr. Greco, Right this way,” and the couple was shown to a good table towards the bar, under high chandeliers and under an enlarged photo of the place from the 1920s.    
      
“I’m impressed,” said Katie as she was cordially seated at a table for four. “Terry put in a call?”
       “I did some favors for Terry when he worked under me in New York.”
       “Noblesse oblige lives on,” she said as the waiter unfolded her napkin.
     David ordered a caipirhiña for himself and a Hemingway daiquiri for Katie.
       “I suppose the thing to order here are the stone crabs,” said David, “but I’m told the side dishes are terrific, too, and we should get the bisque and the conch fritters to start with.”
       The drinks arrived and the couple clinked glasses and enjoyed the ice cold cocktails before Katie told David what Sanchez had said about Virginia Roberts.
       “You know anyone in the TSA who could track her down in Thailand?” she asked when the starters arrived.
       “Nobody down here, but up in New York, yeah. He’s going to bitch about me not being retired but—”
       “—But you did him some favors when you were working there.”
       “I did,” said David. “Hey, these fritters are terrific. Try one. I’ll call the guy. Probably Terry knows someone down here who had to stamp her passport if she left out of Miami.”
       “As well as stamp it if she came back.”
       “Exactly. Oh, here come the stone crabs.”
       Set on a platter with clarified butter and shell crackers, with fried sweet potato chips and cole slaw on the side, the stone crabs were jumbos and full of sweet meat. David helped crack them for Katie, and they enjoyed them with a bottle of California Chardonnay.
       Both were delighted to have a night away from the investigation but by the same token looking forward to Monday morning when they could proceed further.
       The meal ended, David did tip the maître d’ fifty bucks, and they drove back across the Causeway to their hotel. Katie went upstairs to go over the day’s notes, while David went to his room to watch a basketball game. The Knicks were playing the Heat. He put his mobile phone on the night table then noticed a small gift box tied with string on the bed. He sat down, kicked off his loafers, picked up the box, untied the string and opened it. Out fell a very large black spider that moved quickly towards him. David sprang back across the room as the creature scuttled across the bed. David picked up his shoe and slammed the hairy body again and again, its insides soaking the bed cover.      
        
David was breathing hard and sweating. He picked up the phone and called Katie.
       “Yeah, David, what’s up? Why are you panting?”
       “You remember that scene when James Bond finds the tarantula in his bed?”
       “Yeah, it was in Dr. No, wasn’t it?”
       “Yeah, well, I just met his  brother.”

 
 
© John Mariani, 2024






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NOTES FROM THE WINE CELLAR


THE WHITE WINES OF PORTUGAL
By John Mariani



 

    If the casual wine drinker is at all familiar with the wines of Portugal, it would definitely include Port and Madeira and perhaps the red wines of the  Dão region. Few, I suspect, could identify any Portuguese white wines, and up until the present decade, there wasn’t much to say, especially since so few were ever imported to the U.S.
       Fifteen years ago nearly half of all the country’s wines was produced by 90 co-operatives using field blends––Portugal has 250 indigenous varieties of grapes––but since then young winemakers with good  investors have improved both red and white by using focused varietal blocks. The Dao  and Douro regions are now known for its Tempranillo (Tinta Roiz), while great strides are being made with the white varietals Loureiro, Alvariñho, Bical and Encruzada, with some of the best now trickling into U.S. stores and on menus. The impetus for new wineries to promote indigenous varietals rather than still more Chardonnay and Cabernet, is all for the good.
       On a trip last month to Portugal I drank a good number of reds (Tinto), but since the country has such fabulous seafood, I largely stuck with white (branco), and I was delighted to be enlightened by so many first-rate examples.  

Wine & Soul Guru Douro 2023 ($45). One of the most highly regarded brancos these days is actually a field blend made by Sandra Tavares da Silva and Jorge Serôdio Borges in Murça––primarily  from indigenous Viosinho, Rabigato, Códega do Larinho and Gouveio, it is fermented and aged in French oak five to eight month, so the minerality adds to the floral elegance. The alcohol is a fine 12.5%. 

Quintas das Bágeiras Pai Abel 2022 ($47)  is a cuvée by Mario Sergio Abel, whose family has been in the business for three generations,  from well-pruned young and old vines, and this is a particularly full-bodied white. Introduced in 1989, the wines have become standards of the Bairrada region, and newer wineries look to them for inspiration. The wine is a blend of Maria Gomes and Bical grapes that spend a year in old French burgundy barrels. There is a dry fruit component and excellent acidity.

MMIX Quinta do Pinto  2023 ($14 ) refers to the Roman numerals for 2009 the first vintage bottled by the Cardoso Pinto family, whose vineyards are north of Lisbon and close to the coast so there is a maritime element. The wines are made from local grapes, Fernão Pires and Viosinho, with some Chardonnay and Arinto,  in cement take to preserve fruit and good acidity that makes for what they call “Atlantic freshness.”  



Quinta dos Carvalhais Encruzado 2023
 ($26) comes from the  Dão, produced by Sogrape (best known for Mateus rosé), made from 100% Encruzado grapes, at 13% alcohol. It shows plenty of fruit along with aromatic spices that go so well with crustaceans and subtle seasonings. Especially lovely matched with grilled seafood. 

 





Soalheiro Alvarinho 2024  ($20). Alvarinho, I believe, shows the best promise for white wines of Portugal, and this one, from the far north, has been made by the same family since 1982 and has taken on the name “classico”  in that it is a single varietal  from the Monção and Malgaço regions, in a micro-climate with perfect rainfall, temperature and sunshine for the grape with hot days and cold nights. This adds complexity to the wine, much more than old-fashioned Viñho Verdes used to back in the last century when they were wines of a little distinction.

Niepoort Redoma  Reserva 2023 ($70) is produced by the esteemed Port maker Niepoort. It’s a high price for a branco, but its complexity speaks for itself. Made in the Douro, the vineyards are over 80 years old, but very high elevations between 400 and 600 m. A blend of indigenous varieties, primarily Rabigato, Códega, Viosinha and Arinto, the wines are fermented in age for nine months in Barricks to balance its high acidity. There’s lots of citrus here and automatic herbs. The wine is said to age well, but I tasted a  six-year-old vintage that had clearly begun to oxidize.



Luis Pato Blanc de Blanc
($12) is a well-priced  sparkling Blanc de Blanc from Bairrada, composed of 95% Maria Gomes and 5% Sercialinho, separately fermented separately in stainless steel vats for two weeks, with a second fermentation in the bottle. It compares quite favorably with many Spanish cavas or Italian Proseccos as an apéritif.  

 

 





 




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DEPT OF WRETCHED EXCESS

On National Cheesesteak Day at Philadelphia Airport organizers achieved a new Guinness World Record for the longest line of cheesesteak sandwiches, with 1,291 lined up inside a departure hall, far surpassing the previous benchmark of 500 sandwiches.














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 Any of John Mariani's books below may be ordered from amazon.com.



   The Hound in Heaven (21st Century Lion Books) is a  novella, and for anyone who loves dogs, Christmas, romance, inspiration, even the supernatural, I hope you'll find this to be a treasured  favorite. The  story concerns how, after a New England teacher, his wife and their two daughters adopt a stray puppy found in their barn in northern Maine, their lives seem full of promise. But when tragedy strikes, their wonderful dog Lazarus and the spirit of Christmas are the only things that may bring his master back from the edge of despair. 

WATCH THE VIDEO!

“What a huge surprise turn this story took! I was completely stunned! I truly enjoyed this book and its message.” – Actress Ali MacGraw

“He had me at Page One. The amount of heart, human insight, soul searching, and deft literary strength that John Mariani pours into this airtight novella is vertigo-inducing. Perhaps ‘wow’ would be the best comment.” – James Dalessandro, author of Bohemian Heart and 1906.


“John Mariani’s Hound in Heaven starts with a well-painted portrayal of an American family, along with the requisite dog. A surprise event flips the action of the novel and captures us for a voyage leading to a hopeful and heart-warming message. A page turning, one sitting read, it’s the perfect antidote for the winter and promotion of holiday celebration.” – Ann Pearlman, author of The Christmas Cookie Club and A Gift for my Sister.

“John Mariani’s concise, achingly beautiful novella pulls a literary rabbit out of a hat – a mash-up of the cosmic and the intimate, the tragic and the heart-warming – a Christmas tale for all ages, and all faiths. Read it to your children, read it to yourself… but read it. Early and often. Highly recommended.” – Jay Bonansinga, New York Times bestselling author of Pinkerton’s War, The Sinking of The Eastland, and The Walking Dead: The Road To Woodbury.

“Amazing things happen when you open your heart to an animal. The Hound in Heaven delivers a powerful story of healing that is forged in the spiritual relationship between a man and his best friend. The book brings a message of hope that can enrich our images of family, love, and loss.” – Dr. Barbara Royal, author of The Royal Treatment.




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The Encyclopedia of American Food and Drink by John F. Mariani (Bloomsbury USA, $35)

Modesty forbids me to praise my own new book, but let me proudly say that it is an extensive revision of the 4th edition that appeared more than a decade ago, before locavores, molecular cuisine, modernist cuisine, the Food Network and so much more, now included. Word origins have been completely updated, as have per capita consumption and production stats. Most important, for the first time since publication in the 1980s, the book includes more than 100 biographies of Americans who have changed the way we cook, eat and drink -- from Fannie Farmer and Julia Child to Robert Mondavi and Thomas Keller.


"This book is amazing! It has entries for everything from `abalone' to `zwieback,' plus more than 500 recipes for classic American dishes and drinks."--Devra First, The Boston Globe.

"Much needed in any kitchen library."--Bon Appetit.




Now in Paperback, too--How Italian Food Conquered the World (Palgrave Macmillan)  has won top prize  from the Gourmand World Cookbook Awards.  It is a rollicking history of the food culture of Italy and its ravenous embrace in the 21st century by the entire world. From ancient Rome to la dolce vita of post-war Italy, from Italian immigrant cooks to celebrity chefs, from pizzerias to high-class ristoranti, this chronicle of a culinary diaspora is as much about the world's changing tastes, prejudices,  and dietary fads as about our obsessions with culinary fashion and style.--John Mariani

"Eating Italian will never be the same after reading John Mariani's entertaining and savory gastronomical history of the cuisine of Italy and how it won over appetites worldwide. . . . This book is such a tasteful narrative that it will literally make you hungry for Italian food and arouse your appetite for gastronomical history."--Don Oldenburg, USA Today. 

"Italian restaurants--some good, some glitzy--far outnumber their French rivals.  Many of these establishments are zestfully described in How Italian Food Conquered the World, an entertaining and fact-filled chronicle by food-and-wine correspondent John F. Mariani."--Aram Bakshian Jr., Wall Street Journal.


"Mariani admirably dishes out the story of Italy’s remarkable global ascent to virtual culinary hegemony....Like a chef gladly divulging a cherished family recipe, Mariani’s book reveals the secret sauce about how Italy’s cuisine put gusto in gusto!"--David Lincoln Ross, thedailybeast.com

"Equal parts history, sociology, gastronomy, and just plain fun, How Italian Food Conquered the World tells the captivating and delicious story of the (let's face it) everybody's favorite cuisine with clarity, verve and more than one surprise."--Colman Andrews, editorial director of The Daily Meal.com.

"A fantastic and fascinating read, covering everything from the influence of Venice's spice trade to the impact of Italian immigrants in America and the evolution of alta cucina. This book will serve as a terrific resource to anyone interested in the real story of Italian food."--Mary Ann Esposito, host of PBS-TV's Ciao Italia.

"John Mariani has written the definitive history of how Italians won their way into our hearts, minds, and stomachs.  It's a story of pleasure over pomp and taste over technique."--Danny Meyer, owner of NYC restaurants Union Square Cafe,  The Modern, and Maialino.

                                                                             








              

MARIANI'S VIRTUAL GOURMET NEWSLETTER is published weekly.  Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher Mariani,  Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish. Contributing Photographer: Galina Dargery. Technical Advisor: Gerry McLoughlin.

 

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