THIS WEEK
EATING AROUND LOUISVILLE,
Part Two By John Mariani NEW YORK CORNER
BLU ON HUDSON
By John Mariani
GOING AFTER HARRY LIME
CHAPTER TWENTY-NINE
By John Mariani
NOTES FROM THE WINE CELLAR
WINES THAT BEAT THE HEAT
❖❖❖
EATING
AROUND LOUISVILLE,
Part Two By John Mariani
From
low to high on the hog, Louisville has more food
options than ever.
RED HOG
2622 Frankfort Avenue
502-890-6976
Open for lunch
and dinner Tues.-Sat.
Red
Hog sounds like a BBQ joint, but
it’s more of a fabulous sandwich shop whose
meats are from its on-premises butcher run by
Kit Garrett of Blue Dog Bakery & Café.
They also make all their own breads, soups and
stocks, and it shows in dishes that sound
humble but rise to excellence out of an open
kitchen with wood-burning oven and grill. You could
make a meal of the charcuterie ($22 for a
selection), but when I saw “Grilled Cheese
Sandwich” ($11) with aged cheddar, provolone,
chipotle mayo and caramelized onion, I went
for it and sank like a six year-old child with
pleasure. So, too, the Cuban sandwich with
green chili ($16) is a winning combo, and the
larger the appetite the more you’ll like the
Fat Tony ($16), mounted with mortadella,
salami cotto,
city ham, provolone, mayo, hot pepper
tapenade, lettuce and onion. At happy hour, drinks are five bucks,
and you can nibble onthe
excellent pimento cheese and jelly ($8) or
house fries ($9). Running a bakery pays off in
providing superior warm chocolate bouchon with
banana jam and peanut butter mousse ($12) and
cheesecake with blueberries and rhubarb sauce
($12), ending off with French press coffee. You can eat inside or take it to the
patio, where the Frankfort Avenue neighborhood
gathers most nights.
ROC
1327 Bardstown Road
502-459-7878
Open
Tues.-Sun. for dinner
After
leaving Sorrento, Italy, and working in London
and Swiss kitchens, Rocco Cadolini emigrated
to New York, where he managed Elios restaurant
for ten years, before opening his own ROC in
Tribeca and a pizzeria in Brooklyn. Now,
relocated to Louisville, he has set the bar
for Italian cuisine in a city whose offerings
in that genre have been largely traditional. Located in what had been Emma Lou’s
Café, ROC is now fronted with a charming
pergola and outdoor dining area. The dining
room is not large, and it’s packed every
night, with a popular bar crammed withKentucky
bourbon bottles to the side. This means ROC
can get very loud inside, so, if it’s good
weather, try to snag a table outside. And make
reservations in advance. Cadolini and his wife Staci seem to
know everybody, and everyone listens to what
he’s enthusiastic about among that evening’s
offerings. That may be grilled octopus with
potatoes, celery and a spicy marinara ($21);
truffle speckled French fries ($ 12 ); or
chicken parmigiana sliders ($20). The
pastas are requisite to order, not least the
luscious gnocchi (left) alla
sorrentina ($19), the cavatelli
with broccoli di rabe and sausage ($19),
and the unusual pappardelle
with shrimps and a pistachio sauce ($21). My
favorite main course was the breast of chicken
with funghi
porcini and mashed potatoes ($22). Among the desserts ($12) there is an
excellent tiramisù and a panna
cotta. ROC’s wine list is one of best in the
city, with 500 labels and about 2,000 bottles,
including some rarities among the Italian
selections. I should add that ROC’s prices are
somewhat lower than you might expect at a time
when other restaurants are charging $30 for
pasta dishes.
JEFF RUBY’S STEAKHOUSE
325 West Main Street
502-584-0102
Open nightly
Because
Jeff Ruby’s is a small chain of upscale
steakhouses, the first opening in 1981, I
would not ordinarily include it in a round-up
of Louisville’s restaurants, but it is
the big deal, big splurge place in town with a
kind of brazen old-style Las Vegas décor
(which is, I’m told, being altered somewhat).
The
Louisville branch opened in 2006, and there’s
no questioning the commitment to first-rate
ingredients spread over a broad menu that
offers everything from sushi—with more than 15
variations—to 14 cuts of steak, including
Japanese, American and Australian wagyu. The lavish presentations start off with
colossal tiger shrimp cocktail ($24) and wagyu
meatballs ($18). For entrees, chef Zac Young
does a fine blackened miso cod with red pepper
romesco and charred broccolini ($47) and a
massive pork porterhouse with polenta cakes
and heady black pepper jus ($33).
Share one of the huge desserts, like a moist
three-layer carrot cake with warm caramel
cream cheese icing ($15) or the or the warm
ricotta donuts ($14). The wine list has won justified awards
for its breadth and depth. Up front there’s loud live music that
makes the decibel level in the main dining
room even higher, so try to get a table out of
the way. Big as Jeff Ruby’s is, and as crowded
as it can be, both the kitchen and the service
staff have timing down to the minute, so you
won’t be waiting long before you start eating
heartily.
❖❖❖
NEW YORK CORNER
BLU ON THE HUDSON
1200
Harbor Boulevard Weehawken, NJ
201-636-1200
By John Mariani
There are reasons why Blu on the Hudson
should not be as excellent a restaurant as it
is. For one thing, it’s in Weehawken, New
Jersey, set within a massive complex of mundane
new buildings through whose parking lot and dark
walkways it is easy to get lost.Next,
the restaurant is vast—30,000 square feet—with
350 seats (and 500 to be added upstairs for
banqueting). Last, but not least, the menu seems
way too eclectic for the kitchen to handle. There’s
no question that Blu has its atmospheric and
panoramic appeal: It’s right across from the
Manhattan skyline with fine views of the midtown
skyscrapers, and the interior is a well-sectioned
series of spaces that include a huge white marble
bar, a beautifully decorated separate sushi
restaurant (left) and a very comfortable
lounge area with fireplace, and modulated lighting
throughout, as created by Blu Hospitality
Group led by Kosta Gianopoulos and
designer Peggy Leung. So,
once you get into Blu, you’ll be impressed by what
you see after being cordially received by the
hostess station and general manager Tom Blume. My guests and I were at Blu on a midweek
night, so it’s impossible for me to tell if the
kitchen can keep up with weekend crowds that can
number 600 and up. The noise level was pleasantly
civilized, though some booming bass lines in the
background suggested they’d be turned up high at
the bar. But the proof of any restaurant must still
be in the pudding, and somehow, Executive Chef
Juan Carlos “JC” Ortega (formerly at
Manhattan’s Blue Fin and Blue Water Grill) manages
to turn out not only an ambitious menu that runs
the gamut from raw bar and sushi bar (in
collaboration with K Dong, who owns Hinoki
Greenwich) to pasta and steaks to desserts.
There‘s even a caviar program. But Ortega’s crew
manages to turn out superb renderings of most
dishes thereon. What I most admired was the attention to
detail and the finesse in dishes like nori tacos
containing various fish tucked within paper-thin
seaweed sheets ($12-$20), or the Lincoln Harbor
roll ($25) of bluefin, spicy King crab, avocado
and wasabi-yuzu in which all the flavors and
textures coalesced so well. Among the hot appetizers
the well-spiced Basque-style shrimp in a creamy pil pil
garlic and chili sauce with a toasted baguette
($23), and the grilled octopus with lemon
potatoes, kalamata olives and olive emulsion
($25), exemplify Ortega’s careful seasoning that
sparks almost all his dishes. The pastas are made in house, and I’ve not
had better potato gnocchi with a spicy vodka and
tomato sauce with ricotta ($27) in ages, while gemelli macaroni
comes
with a hefty, chunky braised veal shank sauce and
aromatic basil ($29). These are well worth sharing
for two people as a first course. The beef at Blu is largely USDA Prime,
along with some wagyu, and has plenty of richness
from the fat in the meat, including the 16-ounce
bone-in strip impeccably charred and cooked to a
perfect rose-red inside ($55). I’ve grown tired of seeing branzino on
every menu everywhere, but the way Ortega treats
the fillet ($37) to retain juiciness and the
addition of artichokes, tomato, mussels and a
brisk lemon sauce distinguishes this from so many
others. Veal parmigiana, which now seems to be
trending on a lot of menus, is about par for the
course, but was too heavily herbed,with the
mozzarella only barely starting to melt ($44). Lavish desserts ($14) created
by pastry chefs Erika
Martinez and Sue Mun may lack
imagination but are classic renderings of people’s
favorites crafted with flair,
including a fine tiramisù; flourless chocolate
s’mores; and a delightful carrot cake with candied
pecans and butterscotch sauce. Every one was
delicious. Oddly enough, with all this largess, Blu
does not serve bread and butter at the start of a
meal. I asked for some, and was glad I did,
because the bread was very good, served with two
butters. As you’d expect from a place with a huge
bar business, there are all sorts of new wave
cocktails created by beverage director Jeremy Le
Blanche, and sommelier Adam Greer has put together
an exceptionally inclusive wine list with an
amazing number of good bottles under $70. Now that I know how to
get to Blu on the Hudson, and navigate the
labyrinth to the front door, I would happily go
again, certainly for the grand view but even more
so for the terrific food, wine and service they
have somehow managed to pull together on such a
scale.
Blu on the Hudson is
open nightly.
❖❖❖
GOING AFTER
HARRY LIME
By John
Mariani
To read previous
chapters of GOING AFTER HARRY LIME go
to thearchive
CHAPTER TWENTY-NINE
Martins:Have you
ever seen any of your victims?
Harry
Lime:You know, I
never feel comfortable on these sort of things.
Victims? Don't be melodramatic. Look down there.
Tell me. Would you really feel any pity if one
of those dots stopped moving forever? If I
offered you twenty thousand pounds for every dot
that stopped, would you really, old man, tell me
to keep my money, or would you calculate how
many dots you could afford to spare? Free of
income tax, old man. Free of income tax—the only
way you can save money nowadays. — The
Third Man
Professor
Passamore picked up a lined pad.
He told the two Americans that Hungary
Pharm was taken over by Gorgo Toth almost
immediately after the Soviet Union broke up. Prior
to that the company and production facilities,
like everything else in the USSR, was run by the
Soviet bureaucracy, and, like everything else, was
as inefficient as any in the satellite countries.Little
but basic drugs were produced, to be shipped
wherever the bureaucrats—always corrupt—decided,
meaning shortages and over expenditures were
rampant. The Soviet era lasted from 1945 to 1991,
and Toth seems to have been appointed director of
the company sometime in the late 1950s.Before
that, Passamore said, there was no record of Toth
being involved with the pharmaceutical industry,
nor was there any reliable bio of the man that
would reveal he had any training in
pharmaceuticals.Requests for interviews by various business
and pharmaceutical journals were always turned
down. “He must have been in very tight with the
Soviets,” said the professor, “so that, when
Hungary got its independence, Toth was in a good
position to maintain his directorship and somehow
obtain the funding to buy the company. “That sounds like a very expensive
proposition,” said David. “Yes and no,” said Passamore. “The official
retreat of the Russians from their hegemony over
their former satellites was swift, but those
Hungarians who had cooperated with them during the
occupation stood everything to gain by keeping
their ties to the Russian bureaucrats. “Fortunes
had been made during the occupation, among both
the Russians and the Hungarians, and, as a private
company, Hungary Pharm started out as a near
monopoly in Hungary. There’s certainly none larger
or more dominant. Toth must have not only received
favors but tremendous backing from the former
communists, for whom a privately held
pharmaceutical company was a gold mine. It’s
possible Toth didn’t pay a penny for the whole
damn thing.” “Do you know anything more about this rumor
that Toth was actually British?” Passamore raised his palms and said,
“Nothing very solid. I do know that on a couple of
occasions where people I know in the industry said
he didn’t seem to speak Hungarian very well but
would on occasion speak English to his foreign
colleagues. A friend of mine who met him said he
spoke impeccable English, so much so that my
friend asked where he’d learned it. Toth just said
he’d attended school in England as a young student
and picked it up easily.” “But people said his Hungarian wasn’t very
good?” asked Katie. “So I hear.” “And no one ever said anything about him
working for British intelligence during the war?”
asked David. “Not that I’ve ever heard. Toth’s a
mysterious fellow, I’ll say that, and he isn’t
considered particularly ethical within the
industry.Of
course, there’s little competition in Hungary, so
Toth controls the prices so that he can undercut
his competitors and push them out of the market
for certain drugs.” Katie was both
encouraged and flustered by what she’d heard. Toth
sounded like he could have been Neame, who in turn
could have been Lime. If he was, then her story
was taking a whole new direction, possibly on the
trail of a former war criminal. She even thought
that, if Toth turned out to be Neame but not Lime,
there was a story there as well, though it would
be a harder sell to Alan Dobell than what she’d
originally proposed. And going to Hungary was
going to get expensive. Katie and David thanked Professor Passamore
for his time, and exited the building to cloudy
skies they had learned always promised a light
rain. “Let’s walk a little before we go back to
the hotel,” said Katie. “Walking always helps me
to think.” “Me, I like to pace in circles,” said
David. “Okay, then let’s walk in circles.” David chuckled, "That sounds like what
we’ve been doing with this story.”
***
Now
sightseeing in London was out of the
question. Katie and David had to make a decision
on how to proceed to somehow find out more on
Gorgo Toth before telling Alan Dobell about this
new, very weak turn of evidence.Katie
could hear her editor saying, “You want me to send
you and David all the way to Hungary on a wild
goose chase after some pharmaceutical kingpin who
you think is Harry Lime on the basis of a scrap of
paper scribbled with the name of a drug that
doesn’t exist?” Katie hadn’t even reported in on her
encounter with the Philbys and how they’d been
told by both Russian and British intelligence that
they were imposters, just actors trying to make a
buck off impressionable journalists. Without her
tape recordings all Katie had were her notes and
David’s corroboration of what they heard from
those two people in a run-down Moscow flat. For
his part, David knew that he could never bring
such flimsy evidence to a New York district
attorney and get an indictment, and without that,
there would be no more flying around in search of
evidence to bolster the case. Still, David didn’t
dare suggest Katie back off her investigation. For
his part, it hadn’t cost him anything but a plane
ticket to London and he’d gotten to spend all his
time with a woman who fascinated him in a way no
other woman had since the death of his wife a few
years back in a plane crash at LaGuardia Airport.
She’d been a flight attendant, helping others get
off the burning aircraft. Until
they figured out a strategic plan, David felt that
visits to Southey and Lentov might reveal
something he could use to get closer to the truth
of things, not least if both Southey and Lentov
had manipulated Katie and him, perhaps even been
part of a continuing Anglo-Russian conspiracy to
keep Philby dead. But then, why would Lentov even
suggest they fly to Moscow to meet with a man
Lentov knew had died years before? How did Lentov
even know Philby was alive? On the other hand, David had absolutely no
doubt the couple Katie and he had interviewed in
Moscow were the Philbys. Otherwise, why would Kim
Philby pass the info on Neame in what was surely a
coded form? It was on this strong assumption of
Philby’s being alive that David was convinced
Lentov had told the two Americans the truth.David
believed a half hour with Lentov would confirm his
assumptions. If only David were
still on the NYPD, he would have somewhat more
access to FBI and CIA files, but those were
completely closed off to him now. If only he could
corroborate the connection of Neame to Toth,
which, as a detective, was of far more interest to
him than one between Neame and Harry Lime. The
latter was how this whole damn thing began, but
exposing a former war criminal as the head of a
major European drug company was for David a far
more important story. During his days at NYPD David had seen the
ravages of the drug lords destroy entire
neighborhoods and countless families. The Mafia
was no better than the Mexicans and the Russians,
and Albanians had grown just as vicious. Yet, when
he arrested them he was always surprised at how,
outside of court, the drug dealers brushed off any
suggestion they were involved in anything truly
corrupt.They
argued that, just as with the bootleggers of
Prohibition, they were providing a product to
people denied it by law, and it applied as much to
cocaine-fueled Wall Street bankers as to
crack-addicted street gangs. Some of the mobsters
even insisted they were helping clean the streets
of the real criminals, the bastards who would slit
your throat for drugs, even kill a cop for them.
The rich guys who sniffed cocaine along with
Champagne, well, they were hurting nobody but
themselves, so what was the problem? Then David recalled that was exactly how
Harry Lime defended his own actions, which were
responsible for simply wiping a few “dots” off the
map. And in the bargain making tax-free income,
which, he said, was “the only way you can save
money nowadays.” Katie was turning over the same questions
in her mind, and it troubled her most that her
trip to Moscow might have been nothing but a scam.
But it also didn’t seem possible to her that the
people she met in Philby’s flat were just actors
and that Lentov had set the whole thing up. And,
if so, how did the Russians know she and David
were coming to cover a story for McClure’s?
Lentov seemed the most probable informer. But why
would he want to help the Russians, who would have
had him shot had he not gone over to the British. That left Joseph Dawes and Joseph Southey.
Dawes, whose contact had been provided by a McClure’s
editor, merely filled Katie in on the relationship
of Greene and Philby. Frank English had given
David the contact with Southey and Southey the
connection to Lentov. Certainly, Southey still had
old friends in MI6 whom he might share information
with, like two Americans looking for Kim Philby.
Southey had scoffed at the idea Philby was alive,
but that might have been a lie to keep the
Americans away from Moscow. Someone told the Russians they were coming
and exactly the reason. And the Russians had every
reason to keep Philby dead. Let sleeping dogs lie
and dead ones stay dead. Then Katie’s thoughts
reverted to Kovalyov telling them that other
journalists had tried to find Philby to no avail
and that Lentov was probably the one egging them
on to do so. Katie finally drifted
off to sleep, soothed by the sound of light rain
on the window and the not-too-distant tolling of
Big Ben.
It’s
getting brutal out there, and while I am all
for chilling down (slightly) red wines, white
wines seem the best choice this summer, not
least for the kind of food that doesn’t
require standing over a barbecue grill. Here
are some to enjoy.
CLIFF LEDE SAUVIGNON
BLANC 2022 ($30)—Grapes from Napa Valley’s
prestigious Stags Leap District, Calistoga and
Carneros, as well as old vines from Rutherford
planted to a heritage Musqué clone, give this
Sauvignon Blanc a great deal more complexity than
is usual in the varietal. In 2022 extreme heat
caused progressive harvesting through September to
preserve fresh acidity and aromatics. The addition
of22%
Sémillon gives added flavor and the alcohol is a
robust 13.6%. If there's any wine that will be a
match for asparagus this summer, this is it.
LA GRANDE DAME ROSÉ 2012($320)—The
release of this splendid vintage has been long
awaited from the marque that created the first
blended rose Champagne back in 1818. Ninety
percent of its Pinot Noir comes from the House's
Grands Crus as well as a red wine from 'Clos
Colin' in Bouzy, a Grand Cru terroir. Ten percent
Chardonnay comes from Avize and Le
Mesnil-sur-Oger. This is a wine to serve for a
special occasion to special friends who can
appreciate its finesse. It’s also key to enjoying with caviar and
smoked salmon.
YALUMBA “Y” VIOGNIER ($12)—Viognier
is a tricky varietal because it can have aromatics
that are too pronounced, but Yalumba’s “Y” series
from South Australia, made by winemaker Heather
Fraser from a vintage with cool nights that
allowed multiple flavors to emerge in balance,
gives the wines fresh, clean flavors with lovely
floral notes that is Viognier’s appeal. The wild
fermentation and aging on the lees provide more
nuance than usual, so this is a good wine at a
good price for dishes like Asian chicken salad or
grilled shrimp.
BECKSTOFFER SAUVIGNON BLANC2022
($42)—Sauvignon Blancs should always be drunk in
their current vintage, for age bestows little
improvement to the essential flavors of the grape.
This comes from winemaker Andy Beckstoffer of Eleven Eleven
winery, best known for his big Cabernet
Sauvignons, so this white wine from his Melrose
Vineyard in Rutherford is a pleasant surprise (if
a little pricey), with a good deal of minerality
and just a touch of sweetness and apple flavors to
make it a true summer cooler, and a very good
cheese wine.
MOUNT VEEDER WINERY CHARDONNAY 2021
($50)—A year’s passage has indeed brought this Los
Carneros Chardonnay to full fruition. It enjoys
cooling fog from San Pablo Bay and the loam-rich
soil is ideal for Chardonnay that does not require
the problematic use of too much oak to achieve
what the winery calls its “mountain style,” with a
fine dose of acidity so often lacking in Napa
Chardonnays. Still, this is a whopping 14.5%
alcohol, so it’s a white wine that goes best with
spicier dishes and butter sauces. Excellent with
broiled or roasted lobster.
PETALUMA
WHITE LABEL CHARDONNAY 2022 ($28)—Petaluma sells
a much more expensive Chardonnay, but this one
is well-priced and very California in style,
with a lot of body, a discernible note of oak
and caramel. The grapes are from Adelaide Hills
and Coonawarra, pressed and put into stainless
steel tanks, cold settled, then racked to
stainless steel tanks or older oak barriques for
fermentation with a percentage of solids to add
texture and weight, matured on the lees for
about six months before blending by winemaker
Ben Thoman and then, after filtration, bottling
at 13.5% alcohol. It’s a great choice for all
shellfish, chowders and blue cheeses.
EMRICH-SCHÖNLEBER
RIESLING MINERAL TROCKEN 2021 ($34)—German wines
deserve more respect, not least Rieslings from the
Nahe Valley, where soil and climate make for an
ideal of what the varietal can be. They are also
very nicely priced. The vineyards of 20 hectares
were planted 60 years ago, and the family makes
only single estate Rieslings from
Frühlingsplätzchen, Halenberg and Niederberg, now
listed as a "Erste Lage" or "First Growth." The
Trocken wines are dry, with sour apple acids and
wonderful aromas and with foods like sausages,
pork or trout they are excellent match-ups.
❖❖❖
CAN
IT BE A PORSCHE 911 CARRERA?
"Kale Sauce Is a Way of Life:
it’s whatever you want it to be" byBettina Makalintal,
Eater.com (3/15/23)
❖❖❖
Any of John Mariani's books
below may be ordered from amazon.com.
The Hound in Heaven
(21st Century Lion Books) is a novella, and
for anyone who loves dogs, Christmas, romance,
inspiration, even the supernatural, I hope you'll find
this to be a treasured favorite. The story
concerns how, after a New England teacher, his wife and
their two daughters adopt a stray puppy found in their
barn in northern Maine, their lives seem full of promise.
But when tragedy strikes, their wonderful dog Lazarus and
the spirit of Christmas are the only things that may bring
his master back from the edge of despair.
“What a huge surprise turn this story took! I was
completely stunned! I truly enjoyed this book and its
message.” – Actress Ali MacGraw
“He had me at Page One. The amount of heart, human insight,
soul searching, and deft literary strength that John Mariani
pours into this airtight novella is vertigo-inducing.
Perhaps ‘wow’ would be the best comment.” – James
Dalessandro, author of Bohemian
Heart and 1906.
“John Mariani’s Hound in
Heaven starts with a well-painted portrayal of an
American family, along with the requisite dog. A surprise
event flips the action of the novel and captures us for a
voyage leading to a hopeful and heart-warming message. A
page turning, one sitting read, it’s the perfect antidote
for the winter and promotion of holiday celebration.” – Ann
Pearlman, author of The
Christmas Cookie Club and A Gift for my Sister.
“John Mariani’s concise, achingly beautiful novella pulls a
literary rabbit out of a hat – a mash-up of the cosmic and
the intimate, the tragic and the heart-warming – a Christmas
tale for all ages, and all faiths. Read it to your children,
read it to yourself… but read it. Early and often. Highly
recommended.” – Jay Bonansinga, New York Times bestselling
author of Pinkerton’s War,
The Sinking of The Eastland, and The Walking Dead: The Road To
Woodbury.
“Amazing things happen when you open your heart to an
animal. The Hound in
Heaven delivers a powerful story of healing that
is forged in the spiritual relationship between a man and
his best friend. The book brings a message of hope that can
enrich our images of family, love, and loss.” – Dr. Barbara
Royal, author of The
Royal Treatment.
Modesty forbids me to praise my own new book, but
let me proudly say that it is an extensive
revision of the 4th edition that appeared more
than a decade ago, before locavores, molecular
cuisine, modernist cuisine, the Food Network and
so much more, now included. Word origins have been
completely updated, as have per capita consumption
and production stats. Most important, for the
first time since publication in the 1980s, the
book includes more than 100 biographies of
Americans who have changed the way we cook, eat
and drink -- from Fannie Farmer and Julia Child to
Robert Mondavi and Thomas Keller.
"This book is amazing! It has entries for
everything from `abalone' to `zwieback,' plus more
than 500 recipes for classic American dishes and
drinks."--Devra First, The Boston Globe.
"Much needed in any kitchen library."--Bon Appetit.
Now in Paperback,
too--How Italian Food Conquered the
World (Palgrave Macmillan) has won top prize from the
Gourmand
World Cookbook Awards. It is
a rollicking history of the food culture of
Italy and its ravenous embrace in the 21st
century by the entire world. From ancient Rome
to la dolce
vita of post-war Italy, from Italian
immigrant cooks to celebrity chefs, from
pizzerias to high-class ristoranti,
this chronicle of a culinary diaspora is as
much about the world's changing tastes,
prejudices, and dietary fads as about
our obsessions with culinary fashion and
style.--John Mariani
"Eating Italian will
never be the same after reading
John Mariani's entertaining and
savory gastronomical history of
the cuisine of Italy and how it
won over appetites worldwide. . .
. This book is such a tasteful
narrative that it will literally
make you hungry for Italian food
and arouse your appetite for
gastronomical history."--Don
Oldenburg, USA Today.
"Italian
restaurants--some good, some glitzy--far
outnumber their French rivals. Many of
these establishments are zestfully described
in How Italian Food Conquered the World, an
entertaining and fact-filled chronicle by
food-and-wine correspondent John F.
Mariani."--Aram Bakshian Jr., Wall Street
Journal.
"Mariani
admirably dishes out the story of
Italy’s remarkable global ascent
to virtual culinary
hegemony....Like a chef gladly
divulging a cherished family
recipe, Mariani’s book reveals the
secret sauce about how Italy’s
cuisine put gusto in gusto!"--David
Lincoln Ross,
thedailybeast.com
"Equal parts
history, sociology, gastronomy, and just
plain fun, How Italian Food Conquered the
World tells the captivating and delicious
story of the (let's face it) everybody's
favorite cuisine with clarity, verve and
more than one surprise."--Colman Andrews,
editorial director of The Daily
Meal.com.
"A fantastic and fascinating
read, covering everything from the influence
of Venice's spice trade to the impact of
Italian immigrants in America and the
evolution of alta cucina. This book will
serve as a terrific resource to anyone
interested in the real story of Italian
food."--Mary Ann Esposito, host of PBS-TV's
Ciao
Italia.
"John Mariani has written the
definitive history of how Italians won their
way into our hearts, minds, and
stomachs. It's a story of pleasure over
pomp and taste over technique."--Danny Meyer,
owner of NYC restaurants Union Square
Cafe, The Modern, and Maialino.
MARIANI'S VIRTUAL GOURMET
NEWSLETTER is published weekly. Publisher: John Mariani. Editor: Walter Bagley. Contributing Writers: Christopher
Mariani, Misha Mariani, John A. Curtas, Gerry Dawes, Geoff Kalish.
Contributing
Photographer: Galina Dargery. Technical
Advisor: Gerry
McLoughlin.